|
Don Giovanni, K.527, IWM 167, Act II: "V'è gente alla finestra" (Don Giovanni, Masetto)
|
MOZART: DON GIOVANNI "Il dissoluto punito ossia il Don Giovanni"
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Don Giovanni, K.527, IWM 167, Act II: "Metà di voi qua vadano" (Don Giovanni)
|
MOZART: DON GIOVANNI "Il dissoluto punito ossia il Don Giovanni"
|
|
Don Giovanni, K.527, IWM 167, Act II: "Zitto... Lascia ch'io senta" (Don Giovanni, Masetto, Zerlina)
|
MOZART: DON GIOVANNI "Il dissoluto punito ossia il Don Giovanni"
|
|
Don Giovanni, K.527, IWM 167, Act II: "Vedrai, carino" (Zerlina)
|
MOZART: DON GIOVANNI "Il dissoluto punito ossia il Don Giovanni"
|
|
Don Giovanni, K.527, IWM 167, Act II: "Di molte faci il lume" (Leporello, Donna Elvira)
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MOZART: DON GIOVANNI "Il dissoluto punito ossia il Don Giovanni"
|
|
Don Giovanni, K.527, IWM 167, Act II: "Sola, sola, in buio loco" (Donna Elvira, Leporello, Don Ottavio, Donna Anna, Zerlina, Masetto)
|
MOZART: DON GIOVANNI "Il dissoluto punito ossia il Don Giovanni"
|
|
Don Giovanni, K.527, IWM 167, Act II: "Ferma, briccone!" (Zerlina, Masetto, Donna Anna, Don Ottavio, Donna Elvira)
|
MOZART: DON GIOVANNI "Il dissoluto punito ossia il Don Giovanni"
|
|
Don Giovanni, K.527, IWM 167, Act II: "Dunque quello sei tu" (Zerlina, Donna Elvira, Don Ottavio, Masetto)
|
MOZART: DON GIOVANNI "Il dissoluto punito ossia il Don Giovanni"
|
|
Don Giovanni, K.527, IWM 167, Act II: "Ah! Pietà, signori miei!" (Leporello)
|
MOZART: DON GIOVANNI "Il dissoluto punito ossia il Don Giovanni"
|
|
Don Giovanni, K.527, IWM 167, Act II: "Ferma, perfido; ferma" (Donna Elvira, Masetto, Zerlina, Don Ottavio)
|
MOZART: DON GIOVANNI "Il dissoluto punito ossia il Don Giovanni"
|
|
Don Giovanni, K.527, IWM 167, Act II: "Il mio tesoro intanto" (Don Ottavio)
|
MOZART: DON GIOVANNI "Il dissoluto punito ossia il Don Giovanni"
|
|
Don Giovanni, K.527, IWM 167, Act II: "In quali eccessi, o Numi!" (Donna Elvira)
|
MOZART: DON GIOVANNI "Il dissoluto punito ossia il Don Giovanni"
|
|
Don Giovanni, K.527, IWM 167, Act II: "Ah, ah, ah! questa è buona!" (Don Giovanni, Leporello)
|
MOZART: DON GIOVANNI "Il dissoluto punito ossia il Don Giovanni"
|
|
Don Giovanni, K.527, IWM 167, Act II: "O statua gentilissima" (Leporello, Don Giovanni)
|
MOZART: DON GIOVANNI "Il dissoluto punito ossia il Don Giovanni"
|
|
Don Giovanni, K.527, IWM 167, Act II: "Calmatevi, idol mio" (Don Ottavio, Donna Anna)
|
MOZART: DON GIOVANNI "Il dissoluto punito ossia il Don Giovanni"
|
|
Don Giovanni, K.527, IWM 167, Act II: "Crudele! Ah no" (Don Ottavio, Donna Anna)
|
MOZART: DON GIOVANNI "Il dissoluto punito ossia il Don Giovanni"
|
|
Don Giovanni, K.527, IWM 167, Act II: "Non mi dir, bell'idol mio" (Donna Anna)
|
MOZART: DON GIOVANNI "Il dissoluto punito ossia il Don Giovanni"
|
|
Don Giovanni, K.527, IWM 167, Act II: "Già la mensa è preparata" (Don Giovanni, Leporello, Donna Elvira)
|
MOZART: DON GIOVANNI "Il dissoluto punito ossia il Don Giovanni"
|
|
Don Giovanni, K.527, IWM 167, Act II: "Don Giovanni, a cenar teco" (Il Commendatore, Don Giovanni, Leporello, Coro)
|
MOZART: DON GIOVANNI "Il dissoluto punito ossia il Don Giovanni"
|
|
Don Giovanni, K.527, IWM 167, Act II: "Ah! Dov'è il perfido" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Masetto, Leporello)
|
MOZART: DON GIOVANNI "Il dissoluto punito ossia il Don Giovanni"
|
|
Symphony No.35 in D Major, K.385, IWM 569: I. Allegro con spirito
|
MOZART: SYMPHONY No.35 "HAFFNER SYMPHONY", No.40, No.41 "JUPITER SYMPHONY", DIE ZAUBERFLÖTE: OVERTURE
|
|
Symphony No.35 in D Major, K.385, IWM 569: II. Andante
|
MOZART: SYMPHONY No.35 "HAFFNER SYMPHONY", No.40, No.41 "JUPITER SYMPHONY", DIE ZAUBERFLÖTE: OVERTURE
|
|
Symphony No.35 in D Major, K.385, IWM 569: III. Menuetto
|
MOZART: SYMPHONY No.35 "HAFFNER SYMPHONY", No.40, No.41 "JUPITER SYMPHONY", DIE ZAUBERFLÖTE: OVERTURE
|
|
Symphony No.35 in D Major, K.385, IWM 569: IV. Presto
|
MOZART: SYMPHONY No.35 "HAFFNER SYMPHONY", No.40, No.41 "JUPITER SYMPHONY", DIE ZAUBERFLÖTE: OVERTURE
|
|
Symphony No.40 in G Minor, K.550, IWM 574: I. Molto allegro
|
MOZART: SYMPHONY No.35 "HAFFNER SYMPHONY", No.40, No.41 "JUPITER SYMPHONY", DIE ZAUBERFLÖTE: OVERTURE
|
|
Symphony No.40 in G Minor, K.550, IWM 574: II. Andante
|
MOZART: SYMPHONY No.35 "HAFFNER SYMPHONY", No.40, No.41 "JUPITER SYMPHONY", DIE ZAUBERFLÖTE: OVERTURE
|
|
Symphony No.40 in G Minor, K.550, IWM 574: III. Menuetto
|
MOZART: SYMPHONY No.35 "HAFFNER SYMPHONY", No.40, No.41 "JUPITER SYMPHONY", DIE ZAUBERFLÖTE: OVERTURE
|
|
Symphony No.40 in G Minor, K.550, IWM 574: IV. Allegro assai
|
MOZART: SYMPHONY No.35 "HAFFNER SYMPHONY", No.40, No.41 "JUPITER SYMPHONY", DIE ZAUBERFLÖTE: OVERTURE
|
|
Symphony No.41 in C Major, K.551, IWM 575: I. Allegro vivace
|
MOZART: SYMPHONY No.35 "HAFFNER SYMPHONY", No.40, No.41 "JUPITER SYMPHONY", DIE ZAUBERFLÖTE: OVERTURE
|
|
Symphony No.41 in C Major, K.551, IWM 575: II. Andante cantabile
|
MOZART: SYMPHONY No.35 "HAFFNER SYMPHONY", No.40, No.41 "JUPITER SYMPHONY", DIE ZAUBERFLÖTE: OVERTURE
|
|
Symphony No.41 in C Major, K.551, IWM 575: III. Menuetto. Allegretto
|
MOZART: SYMPHONY No.35 "HAFFNER SYMPHONY", No.40, No.41 "JUPITER SYMPHONY", DIE ZAUBERFLÖTE: OVERTURE
|
|
Symphony No.41 in C Major, K.551, IWM 575: IV. Molto allegro
|
MOZART: SYMPHONY No.35 "HAFFNER SYMPHONY", No.40, No.41 "JUPITER SYMPHONY", DIE ZAUBERFLÖTE: OVERTURE
|
|
Die Zauberflöte, K.620, IWM 684: Ouverture
|
MOZART: SYMPHONY No.35 "HAFFNER SYMPHONY", No.40, No.41 "JUPITER SYMPHONY", DIE ZAUBERFLÖTE: OVERTURE
|
|
Symphony No.1 in C Minor, Op.68, IJB 135: I. Un poco sostenuto - Allegro
|
BRAHMS: SYMPHONY No.1 - TCHAIKOVSKY: SYMPHONY No.6 "PATHÉTIQUE" - DVORAK: SYMPHONY No.9 "FROM THE NEW WORLD" - SMETANA: VLTAVA "DIE MOLDAU"
|
|
Symphony No.1 in C Minor, Op.68, IJB 135: II. Andante sostenuto
|
BRAHMS: SYMPHONY No.1 - TCHAIKOVSKY: SYMPHONY No.6 "PATHÉTIQUE" - DVORAK: SYMPHONY No.9 "FROM THE NEW WORLD" - SMETANA: VLTAVA "DIE MOLDAU"
|
|
Symphony No.1 in C Minor, Op.68, IJB 135: III. Un poco allegretto e grazioso
|
BRAHMS: SYMPHONY No.1 - TCHAIKOVSKY: SYMPHONY No.6 "PATHÉTIQUE" - DVORAK: SYMPHONY No.9 "FROM THE NEW WORLD" - SMETANA: VLTAVA "DIE MOLDAU"
|
|
Symphony No.1 in C Minor, Op.68, IJB 135: IV. Adagio - Allegro non troppo, ma con brio
|
BRAHMS: SYMPHONY No.1 - TCHAIKOVSKY: SYMPHONY No.6 "PATHÉTIQUE" - DVORAK: SYMPHONY No.9 "FROM THE NEW WORLD" - SMETANA: VLTAVA "DIE MOLDAU"
|
|
Symphony No.6 in B Minor, Op.74, IPT 132: I. Adagio-Allegro non troppo
|
BRAHMS: SYMPHONY No.1 - TCHAIKOVSKY: SYMPHONY No.6 "PATHÉTIQUE" - DVORAK: SYMPHONY No.9 "FROM THE NEW WORLD" - SMETANA: VLTAVA "DIE MOLDAU"
|
|
Symphony No.6 in B Minor, Op.74, IPT 132: II. Allegro con grazia
|
BRAHMS: SYMPHONY No.1 - TCHAIKOVSKY: SYMPHONY No.6 "PATHÉTIQUE" - DVORAK: SYMPHONY No.9 "FROM THE NEW WORLD" - SMETANA: VLTAVA "DIE MOLDAU"
|
|
Symphony No.6 in B Minor, Op.74, IPT 132: III. Allegro molto vivace
|
BRAHMS: SYMPHONY No.1 - TCHAIKOVSKY: SYMPHONY No.6 "PATHÉTIQUE" - DVORAK: SYMPHONY No.9 "FROM THE NEW WORLD" - SMETANA: VLTAVA "DIE MOLDAU"
|
|
Symphony No.6 in B Minor, Op.74, IPT 132: IV. Adagio lamentoso
|
BRAHMS: SYMPHONY No.1 - TCHAIKOVSKY: SYMPHONY No.6 "PATHÉTIQUE" - DVORAK: SYMPHONY No.9 "FROM THE NEW WORLD" - SMETANA: VLTAVA "DIE MOLDAU"
|
|
Symphony No.9 in E Minor, Op.95, IAD 117: I. Adagio-Allegro molto
|
BRAHMS: SYMPHONY No.1 - TCHAIKOVSKY: SYMPHONY No.6 "PATHÉTIQUE" - DVORAK: SYMPHONY No.9 "FROM THE NEW WORLD" - SMETANA: VLTAVA "DIE MOLDAU"
|
|
Symphony No.9 in E Minor, Op.95, IAD 117: II. Largo
|
BRAHMS: SYMPHONY No.1 - TCHAIKOVSKY: SYMPHONY No.6 "PATHÉTIQUE" - DVORAK: SYMPHONY No.9 "FROM THE NEW WORLD" - SMETANA: VLTAVA "DIE MOLDAU"
|
|
Symphony No.9 in E Minor, Op.95, IAD 117: III. Molto vivace
|
BRAHMS: SYMPHONY No.1 - TCHAIKOVSKY: SYMPHONY No.6 "PATHÉTIQUE" - DVORAK: SYMPHONY No.9 "FROM THE NEW WORLD" - SMETANA: VLTAVA "DIE MOLDAU"
|
|
Symphony No.9 in E Minor, Op.95, IAD 117: IV. Allegro con fuoco
|
BRAHMS: SYMPHONY No.1 - TCHAIKOVSKY: SYMPHONY No.6 "PATHÉTIQUE" - DVORAK: SYMPHONY No.9 "FROM THE NEW WORLD" - SMETANA: VLTAVA "DIE MOLDAU"
|
|
Vltava in E Minor, JB 1:112/2, IBS 71
|
BRAHMS: SYMPHONY No.1 - TCHAIKOVSKY: SYMPHONY No.6 "PATHÉTIQUE" - DVORAK: SYMPHONY No.9 "FROM THE NEW WORLD" - SMETANA: VLTAVA "DIE MOLDAU"
|
|
Ein deutsches Requiem, in F Major, Op.45, IJB 28: I. Selig sind, die da Leid tragen.Ziemlich langsam und mit Ausdruck
|
BRAHMS: EIN DEUTSCHES REQUIEM
|
|
Ein deutsches Requiem, in F Major, Op.45, IJB 28: II. Denn alles Fleisch es ist wie Gras.Langsam, marschmäßig
|
BRAHMS: EIN DEUTSCHES REQUIEM
|
|
Ein deutsches Requiem, in F Major, Op.45, IJB 28: IV. Wie lieblich sind deine Wohnungen.Mäßig bewegt
|
BRAHMS: EIN DEUTSCHES REQUIEM
|
|
Ein deutsches Requiem, in F Major, Op.45, IJB 28: V. Ihr habt nun Traurigkeit.Langsam
|
BRAHMS: EIN DEUTSCHES REQUIEM
|
|
Ein deutsches Requiem, in F Major, Op.45, IJB 28: VII. Selig sind die Toten. Feierlich
|
BRAHMS: EIN DEUTSCHES REQUIEM
|
|
Symphony No.6 in B Minor, Op.74, IPT 132: I. Adagio-Allegro non troppo
|
TCHAIKOVSKY: SYMPHONY No.6 "PATÉTIQUE", ROMEO AND JULIET
|
|
Symphony No.6 in B Minor, Op.74, IPT 132: II. Allegro con grazia
|
TCHAIKOVSKY: SYMPHONY No.6 "PATÉTIQUE", ROMEO AND JULIET
|
|
Symphony No.6 in B Minor, Op.74, IPT 132: III. Allegro molto vivace
|
TCHAIKOVSKY: SYMPHONY No.6 "PATÉTIQUE", ROMEO AND JULIET
|
|
Symphony No.6 in B Minor, Op.74, IPT 132: IV. Adagio lamentoso
|
TCHAIKOVSKY: SYMPHONY No.6 "PATÉTIQUE", ROMEO AND JULIET
|
|
Romeo and Juliet in B Minor, TH 42, IPT 102
|
TCHAIKOVSKY: SYMPHONY No.6 "PATÉTIQUE", ROMEO AND JULIET
|
|
Lucia di Lammermoor, IGD 45, Act I: "Preludio - Percorrete le spiagge vicine" (Orchestra, Normanno, Coro)
|
DONIZETTI: LUCIA DI LAMMERMOOR
|
|
Lucia di Lammermoor, IGD 45, Act I: "Cruda... funesta smania" (Enrico, Normanno, Raimondo)
|
DONIZETTI: LUCIA DI LAMMERMOOR
|
|
Lucia di Lammermoor, IGD 45, Act I: "Ancor non giunse!" (Lucia, Alisa)
|
DONIZETTI: LUCIA DI LAMMERMOOR
|
|
Lucia di Lammermoor, IGD 45, Act I: "Regnava nel silenzio alta la notte e bruna" (Lucia, Alisa)
|
DONIZETTI: LUCIA DI LAMMERMOOR
|
|
Lucia di Lammermoor, IGD 45, Act I: "Lucia, perdona" (Edgardo, Lucia)
|
DONIZETTI: LUCIA DI LAMMERMOOR
|
|
Lucia di Lammermoor, IGD 45, Act I: "Verranno a te sull'aure" (Lucia, Edgardo)
|
DONIZETTI: LUCIA DI LAMMERMOOR
|
|
Lucia di Lammermoor, IGD 45, Act I: "Lucia fra poco a te verrà" (Normanno, Enrico)
|
DONIZETTI: LUCIA DI LAMMERMOOR
|
|
Lucia di Lammermoor, IGD 45, Act I: "Appressati, Lucia" (Enrico, Lucia)
|
DONIZETTI: LUCIA DI LAMMERMOOR
|
|
Lucia di Lammermoor, IGD 45, Act I: "Soffriva nel pianto... languia nel dolore" (Lucia, Enrico)
|
DONIZETTI: LUCIA DI LAMMERMOOR
|
|
Lucia di Lammermoor, IGD 45, Act I: "Che fia!" (Lucia, Enrico)
|
DONIZETTI: LUCIA DI LAMMERMOOR
|
|
Lucia di Lammermoor, IGD 45, Act I: "Se tradirmi tu potrai" (Enrico, Lucia)
|
DONIZETTI: LUCIA DI LAMMERMOOR
|
|
Lucia di Lammermoor, IGD 45, Act I: "Per te d'immenso giubilo" (Enrico, Normanno, Coro)
|
DONIZETTI: LUCIA DI LAMMERMOOR
|
|
Lucia di Lammermoor, IGD 45, Act I: "Chi mi frena in tal momento?" (Edgardo, Lucia)
|
DONIZETTI: LUCIA DI LAMMERMOOR
|
|
Lucia di Lammermoor, IGD 45, Act II: "D'immenso giubilo s'innalzi un grido" (Coro, Raimondo)
|
DONIZETTI: LUCIA DI LAMMERMOOR
|
|
Lucia di Lammermoor, IGD 45, Act II: "Dalle stanze ove Lucia" (Raimondo)
|
DONIZETTI: LUCIA DI LAMMERMOOR
|
|
Lucia di Lammermoor, IGD 45, Act II: "Oh giusto cielo! - Il dolce suono mi colpì di sua voce!" (Coro, Lucia)
|
DONIZETTI: LUCIA DI LAMMERMOOR
|
|
Lucia di Lammermoor, IGD 45, Act II: "Ardon gl'incensi" (Lucia, Raimondo, Alisa, Coro)
|
DONIZETTI: LUCIA DI LAMMERMOOR
|
|
Lucia di Lammermoor, IGD 45, Act II: "Tombe degli avi miei" (Edgardo)
|
DONIZETTI: LUCIA DI LAMMERMOOR
|
|
Lucia di Lammermoor, IGD 45, Act II: "Oh meschina! Oh fato orrendo!" (Coro, Edgardo)
|
DONIZETTI: LUCIA DI LAMMERMOOR
|
|
Lucia di Lammermoor, IGD 45, Act II: "Tu che a dio spiegasti l'ali" (Edgardo, Raimondo, Coro)
|
DONIZETTI: LUCIA DI LAMMERMOOR
|
|
Toy Symphony: I. Allegro
|
Mozart für Kinder
|
|
Toy Symphony: II. Menuetto
|
Mozart für Kinder
|
|
Toy Symphony: III. Finale (Allegro)
|
Mozart für Kinder
|
|
Rimsky-Korsakov: Scheherazade, Op. 35 - IV. Allegro molto
|
Recomposed - Original Music
|
|
Holst: The Planets, Op. 32 - 1. Mars, the Bringer of War
|
Recomposed - Original Music
|
|
Dvořák: Symphony No. 9 In E Minor, Op. 95, B.178 "From the New World" - 1. Adagio - Allegro molto
|
Recomposed - Original Music
|
|
Smetana: Má Vlast - 2. Vltava
|
Recomposed - Original Music
|
|
Schubert: Symphony No. 8 in B Minor, D. 759 "Unfinished" - 1. Allegro moderato
|
Recomposed - Original Music
|
|
Mussorgsky: Pictures at an Exhibition - Gnomus
|
Recomposed - Original Music
|
|
Giazotto: Adagio For Strings And Organ In G Minor
|
Recomposed - Original Music
|
|
Mendelssohn: The Hebrides, Op. 26, MWV P. 7
|
Recomposed - Original Music
|
|
Tchaikovsky: Swan Lake Suite, Op. 20a - III. Danse des cygnes. Allegro moderato
|
Recomposed - Original Music
|
|
Rimsky-Korsakov: Scheherazade, Op. 35 - IV. Allegro molto
|
Recomposed - Original Music
|
|
Holst: The Planets, Op. 32 - 1. Mars, the Bringer of War
|
Recomposed - Original Music
|
|
Dvořák: Symphony No. 9 In E Minor, Op. 95, B.178 "From the New World" - 1. Adagio - Allegro molto
|
Recomposed - Original Music
|
|
Smetana: Má Vlast - 2. Vltava
|
Recomposed - Original Music
|
|
Schubert: Symphony No. 8 in B Minor, D. 759 "Unfinished" - 1. Allegro moderato
|
Recomposed - Original Music
|
|
Mussorgsky: Pictures at an Exhibition - Gnomus
|
Recomposed - Original Music
|
|
Giazotto: Adagio For Strings And Organ In G Minor
|
Recomposed - Original Music
|
|
Mendelssohn: The Hebrides, Op. 26, MWV P. 7
|
Recomposed - Original Music
|
|
Tchaikovsky: Swan Lake Suite, Op. 20a - III. Danse des cygnes. Allegro moderato
|
Recomposed - Original Music
|
|
4 Letzte Lieder: No. 3, Beim Schlafengehen (Live at Royal Festival Hall, 1956)
|
Homage
|
|
4 Letzte Lieder: No. 4, Im Abendrot (Live at Royal Festival Hall, 1956)
|
Homage
|
|
4 Letzte Lieder: No. 2, September (Live at Royal Festival Hall, 1956)
|
Homage
|
