4 Ernste Gesänge, Op. 121: No. 1, Denn es gehet dem Menschen

4 Ernste Gesänge, Op. 121: No. 2, Ich wandte mich und sahe an alle

4 Ernste Gesänge, Op. 121: No. 3, O Tod, wie bitter bist du

4 Ernste Gesänge, Op. 121: No. 4, Wenn ich mit Menschen und mit Engelszungen redete

5 Lieder, Op. 106: No. 1, Ständchen

5 Lieder, Op. 105: No. 4, Auf dem Kirchhofe

2 Gesänge, Op. 91: No. 1, Gestillte Sehnsucht

2 Gesänge, Op. 91: No. 2, Geistliches Wiegenlied

6 Lieder, Op. 86: No. 1, Therese

5 Lieder, Op. 105: No. 1, Wie Melodien zieht

5 Lieder, Op. 94: No. 4, Sapphische Ode

7 Lieder, Op. 95: No. 4, Der Jäger

5 Romanzen und Gesänge, Op. 84: No. 4, Vergebliches Ständchen

Les Nuits d'été, Op. 7, H. 81b: I. Villanelle, H. 82b

Les Nuits d'été, Op. 7, H. 81b: II. Le spectre de la rose, H. 83b

Les Nuits d'été, Op. 7, H. 81b: III. Sur les lagunes, H. 84b

Les Nuits d'été, Op. 7, H. 81b: IV. Absence, H. 85b

Les Nuits d'été, Op. 7, H. 81b: V. Au cimetière, H. 86b

Les Nuits d'été, Op. 7, H. 81b: VI. L'île inconnue, H. 87b

The Firste Booke of Songes, 1597: No. 17, Come Again, Sweet Love doth Now Invite

The Third and Fourth Booke of Ayres, 1617: No. 14, Neuer loue vnlesse you can

The Third and Fourth Booke of Ayres, 1617: No. 1, Oft have I sigh'd for him that hears me not

The Third and Fourth Booke of Ayres, 1617: No. 7, If thou long'st so much to learn

The Third and Fourth Booke of Ayres, 1617: No. 25, Fain would I wed a fair young man

Sleep, Adam, Sleep and Take Thy Rest, Z. 195

Lord, What is Man, Z. 192

My lovely Celia: "My lovely Celia, heav'nly fair"

Tell me, lovely shepherd (Arr. Poston)

Where the bee sucks (from "Nine Shakespeare Songs by Thomas Augustine Arne, 1763")

Select Ayres and Dialogues, 1669, Book 3: No. 29, A Dialogue Upon a Kisse, "Among thy fancies tell me this … I shall resolve you"

A Dialogue between Charon and Philomel: "Charon! O gentle Charon! … What voice so sweet" (Philomel, Charon)

A Dialogue between Daphne and Strephon: "Come, my Daphne … 'Tis Strephon calls" (Strephon, Daphne)

Giù nei Tartari Regni, HWV 187

Quando in calma ride il mare, HWV 191

Come Ye Sons of Art, Z. 323 "Ode for Queen Mary's Birthday": No. 3, Duet. "Sound the Trumpet" (Arr. for Two Voices and Piano)

Pausanias, Z. 585: No. 2, Song. "My Dearest, My Fairest" (Arr. for Two Voices and Piano)

The Maid's Last Prayer, Z. 601: No. 2, Song. "No, Resistance Is but Vain" (Arr. for Two Voices and Piano)

King Arthur, Z. 628, Act II: Duet. "Shepherd, Shepherd, Leave Decoying" (Arr. for Two Voices and Piano)

English Lyrics, Set No. 2: No. 1, O Mistress Mine, "O mistress mine, where are you roaming?" (Allegretto)

English Lyrics, Set No. 5: No. 2, Proud Maisie, "Proud Maisie is in the wood" (Allegretto)

La Belle dame sans merci: "O what can ail thee, knight-at-arms"

Linden Lea

3 Songs, Op. 3: No. 1, Love's Philosophy, "The fountains mingle with the river" (Very quick and passionate)

Songs Sacred and Profane: No. 4, The Salley Gardens, "Down by the Salley Gardens" (At speaking pace)

The Fields Are Full: "The fields are full of summer still"

Pretty Ring Time: "It was a lover and his lass"

Rest: "On me to rest, my bird my bird"

Corpus Christi Carol (From A Boy Was Born, Op. 3)

Comin' Thro' the Rye (Children's Song, Arr. Robert Burns)

5 Shakespeare Songs: No. 1, Orpheus, "Orpheus with his lute made trees" (Allegro moderato)

English Lyrics, Set No. 2: No. 1, O Mistress Mine, "O mistress mine, where are you roaming?" (Allegretto)

Bushes and Briars (Voice and Piano Version)

5 Shakespeare Songs, Set No. 2, Op. 23: III. It was a lover and his lass (Allegretto moderato)

Songs Sacred and Profane: No. 4, The Salley Gardens, "Down by the Salley Gardens" (At speaking pace)

Irish Country Songs, Volume I: No. 7, I know where I'm goin' (Moderato)

5 Traditional Songs of France: III. Me soui mesocu danso, "Me suis mis en danse" (after Traditional from Quercy)

Gavotte: "Memories long in music sleeping"

Let Us Garlands Bring, on Poems by Shakespeare, Op. 18: V. It was a lover and his lass

Drink to Me only with Thine Eyes (Arr. Ronald Kinloch Anderson)

Spring Symphony, Op. 44, Pt. 2: VIII. Out on the Lawn I Lie in Bed

Troilus and Cressida, Act 2 Scene 1: "How can I sleep?" (Cressida)

Troilus and Cressida, Act 2 Scene 1: "At the haunted end of the day" (Cressida)

Troilus and Cressida, Act 3 Final Scene: "Diomede!... Father!... Pandarus!" (Cressida)

Gretchen am Spinnrade, Op. 2, D. 118

Suleika I, Op. 14 No. 1 No. 1, D. 720

Suleika II, Op. 31, D. 717 "Ach um deine feuchten Schwingen"

Schwestergruß, D. 762

Schlaflied, Op. 24 No. 2, D. 527

An die untergehende Sonne, Op. 44, D. 457

Gesänge aus Wilhelm Meister, Op. 62, D. 877: No. 2, Lied der Mignon I

Gesänge aus Wilhelm Meister, Op. 62, D. 877: No. 3, Lied der Mignon II

Gesänge aus Wilhelm Meister, Op. 62, D. 877: No. 4, Lied der Mignon III

Mignon, D. 321

Bertas Lied in der Nacht, D. 653

Herrn Josef Spaun, D. 749

Ellens Gesang I, Op. 52 No. 1, D. 837

Ellens Gesang II, Op. 52 No. 2, D. 838

Ave Maria, Op. 52 No. 6, D. 839

Claudine von Villa Bella, D. 239, Act I: Ariette. "Hin und wieder fliegen die Pfeile" (Arr. for Voice and Piano)

Claudine von Villa Bella, D. 239, Act I: Ariette. "Lieber schwärmt auf allen Wegen" (Arr. for Voice and Piano)

An die Nachtigall, Op. 98 No. 1, D. 497

Wiegenlied, Op. 98 No. 2, D. 498

Szenen aus dem Schauspiel "Lacrimas", Op. Posth. 124, D. 857: No. 2, Lied der Delphine

Wiegenlied, Op. 105 No. 2, D. 867

Refrainlieder, Op. 95, D. 866: No. 3, Die Männer sind méchant

Iphigenia, Op. 98 No. 3, D. 573

Das Mädchen, D. 652

2 Lieder, Op. 43: No. 1, Die junge Nonne, D. 828

Am Grabe Anselmo's, Op. 6 No. 3, D. 504

Abendstern, D. 806

Die Vögel, Op. Posth. 172 No. 6, D. 691

Die Götter Griechenlands, D. 677

Gondelfahrer, D. 808

Auflösung, D. 807

Die Forelle, Op. 32, D. 550

Rastlose Liebe, Op. 5 No. 1, D. 138

Auf dem Wasser zu singen, Op. 72, D. 774

Der Tod und das Mädchen, Op. 7 No. 3, D. 531

4 Lieder, Op. 88: No. 4, An die Musik, D. 547

3 Lieder, Op. 20: No. 2, Frühlingsglaube, D. 686