Ton Koopman

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楽曲タイトル
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Symphony No. 32 in G Major, K. 318: I. Allegro spiritoso
Mozart: Symphonies Nos. 17, 18, 19, 22 & 32
Symphony No. 32 in G Major, K. 318: II. Andante
Mozart: Symphonies Nos. 17, 18, 19, 22 & 32
Symphony No. 32 in G Major, K. 318: III. Primo tempo
Mozart: Symphonies Nos. 17, 18, 19, 22 & 32
Symphony No. 17 in G Major, K. 129: I. Allegro
Mozart: Symphonies Nos. 17, 18, 19, 22 & 32
Symphony No. 17 in G Major, K. 129: II. Andante
Mozart: Symphonies Nos. 17, 18, 19, 22 & 32
Symphony No. 17 in G Major, K. 129: III. Allegro
Mozart: Symphonies Nos. 17, 18, 19, 22 & 32
Symphony No. 18 in F Major, K. 130: I. Allegro
Mozart: Symphonies Nos. 17, 18, 19, 22 & 32
Symphony No. 18 in F Major, K. 130: II. Andantino grazioso
Mozart: Symphonies Nos. 17, 18, 19, 22 & 32
Symphony No. 18 in F Major, K. 130: III. Menuetto
Mozart: Symphonies Nos. 17, 18, 19, 22 & 32
Symphony No. 18 in F Major, K. 130: IV. Allegro molto
Mozart: Symphonies Nos. 17, 18, 19, 22 & 32
Symphony No. 19 in E-Flat Major, K. 132: I. Allegro
Mozart: Symphonies Nos. 17, 18, 19, 22 & 32
Symphony No. 19 in E-Flat Major, K. 132: II. Andante
Mozart: Symphonies Nos. 17, 18, 19, 22 & 32
Symphony No. 19 in E-Flat Major, K. 132: III. Menuetto
Mozart: Symphonies Nos. 17, 18, 19, 22 & 32
Symphony No. 19 in E-Flat Major, K. 132: IV. Allegro
Mozart: Symphonies Nos. 17, 18, 19, 22 & 32
Symphony No. 19 in E-Flat Major, K. 132: II. Andantino grazioso (Alternate Second Movement)
Mozart: Symphonies Nos. 17, 18, 19, 22 & 32
Symphony No. 22 in C Major, K. 162: I. Allegro assai
Mozart: Symphonies Nos. 17, 18, 19, 22 & 32
Symphony No. 22 in C Major, K. 162: II. Andantino grazioso
Mozart: Symphonies Nos. 17, 18, 19, 22 & 32
Symphony No. 22 in C Major, K. 162: III. Presto assai
Mozart: Symphonies Nos. 17, 18, 19, 22 & 32
Symphony No. 83 in G Minor, Hob. I:83 "The Hen": I. Allegro spirituoso
Haydn: Paris Symphonies Nos. 83 "The Hen", 84 & 85 "The Queen"
Symphony No. 83 in G Minor, Hob. I:83 "The Hen": II. Andante
Haydn: Paris Symphonies Nos. 83 "The Hen", 84 & 85 "The Queen"
Symphony No. 83 in G Minor, Hob. I:83 "The Hen": III. Menuetto. Allegretto
Haydn: Paris Symphonies Nos. 83 "The Hen", 84 & 85 "The Queen"
Symphony No. 83 in G Minor, Hob. I:83 "The Hen": IV. Finale. Vivace
Haydn: Paris Symphonies Nos. 83 "The Hen", 84 & 85 "The Queen"
Symphony No. 84 in E-Flat Major, Hob. I:84: I. Largo - Allegro
Haydn: Paris Symphonies Nos. 83 "The Hen", 84 & 85 "The Queen"
Symphony No. 84 in E-Flat Major, Hob. I:84: II. Andante
Haydn: Paris Symphonies Nos. 83 "The Hen", 84 & 85 "The Queen"
Symphony No. 84 in E-Flat Major, Hob. I:84: III. Menuetto. Allegretto
Haydn: Paris Symphonies Nos. 83 "The Hen", 84 & 85 "The Queen"
Symphony No. 84 in E-Flat Major, Hob. I:84: IV. Finale. Vivace
Haydn: Paris Symphonies Nos. 83 "The Hen", 84 & 85 "The Queen"
Symphony No. 85 in B-Flat Major, Hob. I:85 "The Queen": I. Adagio - Vivace
Haydn: Paris Symphonies Nos. 83 "The Hen", 84 & 85 "The Queen"
Symphony No. 85 in B-Flat Major, Hob. I:85 "The Queen": II. Romance. Allegretto
Haydn: Paris Symphonies Nos. 83 "The Hen", 84 & 85 "The Queen"
Symphony No. 85 in B-Flat Major, Hob. I:85 "The Queen": III. Menuetto. Allegretto
Haydn: Paris Symphonies Nos. 83 "The Hen", 84 & 85 "The Queen"
Symphony No. 85 in B-Flat Major, Hob. I:85 "The Queen": IV. Finale. Presto
Haydn: Paris Symphonies Nos. 83 "The Hen", 84 & 85 "The Queen"
Oboe Concerto in C Major, K. 314: I. Allegro aperto
Mozart: Concertos for Flute and Harp, Oboe and Bassoon
Oboe Concerto in C Major, K. 314: II. Adagio non troppo
Mozart: Concertos for Flute and Harp, Oboe and Bassoon
Oboe Concerto in C Major, K. 314: III. Rondo. Allegretto
Mozart: Concertos for Flute and Harp, Oboe and Bassoon
Bassoon Concerto in B-Flat Major, K. 191: I. Allegro
Mozart: Concertos for Flute and Harp, Oboe and Bassoon
Bassoon Concerto in B-Flat Major, K. 191: II. Andante ma adagio
Mozart: Concertos for Flute and Harp, Oboe and Bassoon
Bassoon Concerto in B-Flat Major, K. 191: III. Rondo. Tempo di menuetto
Mozart: Concertos for Flute and Harp, Oboe and Bassoon
Concerto for Flute and Harp in C Major, K. 299: I. Allegro
Mozart: Concertos for Flute and Harp, Oboe and Bassoon
Concerto for Flute and Harp in C Major, K. 299: II. Andantino
Mozart: Concertos for Flute and Harp, Oboe and Bassoon
Concerto for Flute and Harp in C Major, K. 299: III. Rondeau. Allegro
Mozart: Concertos for Flute and Harp, Oboe and Bassoon
Concerto for Flute and Harp in C Major, K. 299: II. Andantino
Working from Home in Peace: Classical Tunes for Concentration
Markus-Passion, BWV 247: No. 1, Chor. "Geh, Jesu, geh zu deiner Pein!"
Bach: St Mark Passion, BWV 247 (Reconstruction by Ton Koopman)
Markus-Passion, BWV 247: No. 2, Rezitativ. "Und nach zween Tagen war Ostern"
Bach: St Mark Passion, BWV 247 (Reconstruction by Ton Koopman)
Markus-Passion, BWV 247: No. 3, Chor. "Ja nicht auf das Fest"
Bach: St Mark Passion, BWV 247 (Reconstruction by Ton Koopman)
Markus-Passion, BWV 247: No. 4, Rezitativ. "Und da er zu Bethanien war"
Bach: St Mark Passion, BWV 247 (Reconstruction by Ton Koopman)
Markus-Passion, BWV 247: No. 5, Chor. "Was soll doch dieser Unrath?"
Bach: St Mark Passion, BWV 247 (Reconstruction by Ton Koopman)
Markus-Passion, BWV 247: No. 6, Rezitativ. "Und murreten über sie"
Bach: St Mark Passion, BWV 247 (Reconstruction by Ton Koopman)
Markus-Passion, BWV 247: No. 7, Choral. "Sie stellen uns wie Ketzern nach"
Bach: St Mark Passion, BWV 247 (Reconstruction by Ton Koopman)
Markus-Passion, BWV 247: No. 8, Rezitativ. "Jesu aber sprach"
Bach: St Mark Passion, BWV 247 (Reconstruction by Ton Koopman)
Markus-Passion, BWV 247: No. 9, Choral. "Mir hat die Welt trüglich gericht"
Bach: St Mark Passion, BWV 247 (Reconstruction by Ton Koopman)
Markus-Passion, BWV 247: No. 10, Rezitativ. "Und am ersten Tage"
Bach: St Mark Passion, BWV 247 (Reconstruction by Ton Koopman)
Markus-Passion, BWV 247: No. 11, Chor. "Wo willst du, dass wir hingehen"
Bach: St Mark Passion, BWV 247 (Reconstruction by Ton Koopman)
Markus-Passion, BWV 247: No. 12, Rezitativ. "Und er sandte seiner Jünger"
Bach: St Mark Passion, BWV 247 (Reconstruction by Ton Koopman)
Markus-Passion, BWV 247: No. 13, Choral. "Ich, ich und meine Sünden"
Bach: St Mark Passion, BWV 247 (Reconstruction by Ton Koopman)
Markus-Passion, BWV 247: No. 14, Rezitativ. "Er antwortete, und sprach zu"
Bach: St Mark Passion, BWV 247 (Reconstruction by Ton Koopman)
Markus-Passion, BWV 247: No. 15, Aria. "Mein Heiland"
Bach: St Mark Passion, BWV 247 (Reconstruction by Ton Koopman)
Markus-Passion, BWV 247: No. 16, Rezitativ. "Und da sie den Lobgesang"
Bach: St Mark Passion, BWV 247 (Reconstruction by Ton Koopman)
Markus-Passion, BWV 247: No. 17, Choral. "Wach auf, o Mensch"
Bach: St Mark Passion, BWV 247 (Reconstruction by Ton Koopman)
Markus-Passion, BWV 247: No. 18, Rezitativ. "Petrus aber sagte zu him"
Bach: St Mark Passion, BWV 247 (Reconstruction by Ton Koopman)
Markus-Passion, BWV 247: No. 19, Choral. "Betrübtes Hertz sei wohlgemut"
Bach: St Mark Passion, BWV 247 (Reconstruction by Ton Koopman)
Markus-Passion, BWV 247: No. 20, Rezitativ. "Und ging ein wenig fürbass"
Bach: St Mark Passion, BWV 247 (Reconstruction by Ton Koopman)
Markus-Passion, BWV 247: No. 21a, Choral. "Mach's mit mir Gott"
Bach: St Mark Passion, BWV 247 (Reconstruction by Ton Koopman)
Markus-Passion, BWV 247: No. 21b, Rezitativ. "Und kam, und fand sie schlafend"
Bach: St Mark Passion, BWV 247 (Reconstruction by Ton Koopman)
Markus-Passion, BWV 247: No. 22, Duett. "Er kommt, er kommt"
Bach: St Mark Passion, BWV 247 (Reconstruction by Ton Koopman)
Markus-Passion, BWV 247: No. 23, Rezitativ. "Und alsbald, da er noch redete"
Bach: St Mark Passion, BWV 247 (Reconstruction by Ton Koopman)
Markus-Passion, BWV 247: No. 24, Aria. "Falsche Welt"
Bach: St Mark Passion, BWV 247 (Reconstruction by Ton Koopman)
Markus-Passion, BWV 247: No. 25, Rezitativ. "Die aber legten ihre Hände"
Bach: St Mark Passion, BWV 247 (Reconstruction by Ton Koopman)
Markus-Passion, BWV 247: No. 26, Choral. "Jesu, ohne Missethat"
Bach: St Mark Passion, BWV 247 (Reconstruction by Ton Koopman)
Markus-Passion, BWV 247: No. 27, Rezitativ. "Und die Jünger verliessen ihn"
Bach: St Mark Passion, BWV 247 (Reconstruction by Ton Koopman)
Markus-Passion, BWV 247: No. 28, Choral. "Ich will hier bei dir stehen"
Bach: St Mark Passion, BWV 247 (Reconstruction by Ton Koopman)
Markus-Passion, BWV 247: No. 29, Aria. "Mein Tröster ist nicht mehr bei mir"
Bach: St Mark Passion, BWV 247 (Reconstruction by Ton Koopman)
Markus-Passion, BWV 247: No. 30, Rezitativ. "Und sie führeten Jesum"
Bach: St Mark Passion, BWV 247 (Reconstruction by Ton Koopman)
Markus-Passion, BWV 247: No. 31, Choral. "Was Menschenkraft"
Bach: St Mark Passion, BWV 247 (Reconstruction by Ton Koopman)
Markus-Passion, BWV 247: No. 32, Rezitativ. "Und der Hohe Priester stund auf unter sie"
Bach: St Mark Passion, BWV 247 (Reconstruction by Ton Koopman)
Markus-Passion, BWV 247: No. 33, Choral. "Befiehl du deine Wege"
Bach: St Mark Passion, BWV 247 (Reconstruction by Ton Koopman)
Markus-Passion, BWV 247: No. 34a, Rezitativ. "Da fragte ihn der Hohe Priester"
Bach: St Mark Passion, BWV 247 (Reconstruction by Ton Koopman)
Markus-Passion, BWV 247: No. 34b, Chor. "Weissage uns"
Bach: St Mark Passion, BWV 247 (Reconstruction by Ton Koopman)
Markus-Passion, BWV 247: No. 34c, Rezitativ. "Und die Knechte schlugen ihn ins Angesicht"
Bach: St Mark Passion, BWV 247 (Reconstruction by Ton Koopman)
Markus-Passion, BWV 247: No. 35, Choral. "Du edles Angesichte"
Bach: St Mark Passion, BWV 247 (Reconstruction by Ton Koopman)
Markus-Passion, BWV 247: No. 36a, Rezitativ. "Und Petrus war danieden im Pallast"
Bach: St Mark Passion, BWV 247 (Reconstruction by Ton Koopman)
Markus-Passion, BWV 247: No. 36b, Chor. "Warlich, du bist der einer"
Bach: St Mark Passion, BWV 247 (Reconstruction by Ton Koopman)
Markus-Passion, BWV 247: No. 36c, Rezitativ. "Er aber fieng an sich zu verfluchen"
Bach: St Mark Passion, BWV 247 (Reconstruction by Ton Koopman)
Markus-Passion, BWV 247: No. 36d, Aria. "Zerschmettert mich"
Bach: St Mark Passion, BWV 247 (Reconstruction by Ton Koopman)
Markus-Passion, BWV 247: No. 37, Choral. "Herr, ich habe missgehandelt"
Bach: St Mark Passion, BWV 247 (Reconstruction by Ton Koopman)
Markus-Passion, BWV 247: No. 38a, Rezitativ mit Chor. "Und bald am Morgen"
Bach: St Mark Passion, BWV 247 (Reconstruction by Ton Koopman)
Markus-Passion, BWV 247: No. 38b, Rezitativ. "Pilatus aber sprach zu ihnen"
Bach: St Mark Passion, BWV 247 (Reconstruction by Ton Koopman)
Markus-Passion, BWV 247: No. 38c, Chor. "Kreuzige ihn!"
Bach: St Mark Passion, BWV 247 (Reconstruction by Ton Koopman)
Markus-Passion, BWV 247: No. 39a, Aria. "Angenehmes Mordgeschrei!"
Bach: St Mark Passion, BWV 247 (Reconstruction by Ton Koopman)
Markus-Passion, BWV 247: No. 39b, Rezitativ. "Pilatus aber gedachte"
Bach: St Mark Passion, BWV 247 (Reconstruction by Ton Koopman)
Markus-Passion, BWV 247: No. 39c, Chor. "Gegrüsset seist du"
Bach: St Mark Passion, BWV 247 (Reconstruction by Ton Koopman)
Markus-Passion, BWV 247: No. 39d, Rezitativ. "Und schlugen ihm das Haupt"
Bach: St Mark Passion, BWV 247 (Reconstruction by Ton Koopman)
Markus-Passion, BWV 247: No. 40, Choral. "Man hat dich sehr hart verhöhnet"
Bach: St Mark Passion, BWV 247 (Reconstruction by Ton Koopman)
Markus-Passion, BWV 247: No. 41, Rezitativ. "Und da sie ihn verspottet hatten"
Bach: St Mark Passion, BWV 247 (Reconstruction by Ton Koopman)
Markus-Passion, BWV 247: No. 42, Choral. "Das Wort sie sollen lassen stahn"
Bach: St Mark Passion, BWV 247 (Reconstruction by Ton Koopman)
Markus-Passion, BWV 247: No. 43a, Rezitativ. "Und es war um die dritte Stunde"
Bach: St Mark Passion, BWV 247 (Reconstruction by Ton Koopman)
Markus-Passion, BWV 247: No. 43b, Chor. "Pfui dich"
Bach: St Mark Passion, BWV 247 (Reconstruction by Ton Koopman)
Markus-Passion, BWV 247: No. 43c, Rezitativ. "Desselben gleichen die Hohenpriester"
Bach: St Mark Passion, BWV 247 (Reconstruction by Ton Koopman)
Markus-Passion, BWV 247: No. 43d, Chor. "Er hat andern geholffen"
Bach: St Mark Passion, BWV 247 (Reconstruction by Ton Koopman)
Markus-Passion, BWV 247: No. 43e, Rezitativ. "Und die mit ihm gekreuziget waren"
Bach: St Mark Passion, BWV 247 (Reconstruction by Ton Koopman)
Markus-Passion, BWV 247: No. 44, Choral. "Keinen hat Gott verlassen"
Bach: St Mark Passion, BWV 247 (Reconstruction by Ton Koopman)
Markus-Passion, BWV 247: No. 45a, Rezitativ. "Und etliche, die dabei stunden"
Bach: St Mark Passion, BWV 247 (Reconstruction by Ton Koopman)

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