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General William Booth Enters into Heaven
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Michael Tilson Thomas Conducts Ives
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The Unanswered Question
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Michael Tilson Thomas Conducts Ives
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Meeresstille und glückliche Fahrt, Op. 112
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Les 50 Trésors de Beethoven - Les Trésors de la Musique Classique
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Meeresstille und glückliche Fahrt, Op. 112
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Les 50 Trésors de Beethoven - Les Trésors de la Musique Classique
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La Mer, L. 109: I. De l'aube à midi sur la mer
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Debussy : Édition centenaire
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La Mer, L. 109: II. Jeux de vagues
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Debussy : Édition centenaire
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La Mer, L. 109: III. Dialogue du vent et de la mer
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Debussy : Édition centenaire
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Nocturnes, L. 91: I. Nuages. Modéré - Un peu animé
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Debussy : Édition centenaire
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Nocturnes, L. 91: II. Fêtes. Animé et tres rythmé
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Debussy : Édition centenaire
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Nocturnes, L. 91: III. Sirènes. Modérément animé
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Debussy : Édition centenaire
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La Mer, L. 109: I. De l'aube à midi sur la mer
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Debussy : Édition centenaire
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La Mer, L. 109: II. Jeux de vagues
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Debussy : Édition centenaire
|
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La Mer, L. 109: III. Dialogue du vent et de la mer
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Debussy : Édition centenaire
|
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Nocturnes, L. 91: I. Nuages. Modéré - Un peu animé
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Debussy : Édition centenaire
|
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Nocturnes, L. 91: II. Fêtes. Animé et tres rythmé
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Debussy : Édition centenaire
|
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Nocturnes, L. 91: III. Sirènes. Modérément animé
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Debussy : Édition centenaire
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La Mer, L. 109: III. Dialogue du vent et de la mer
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Je n'aime pas Debussy, mais ça j'aime bien !
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Nocturnes, L. 91: II. Fêtes. Animé et tres rythmé
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Je n'aime pas Debussy, mais ça j'aime bien !
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La Mer, L. 109: III. Dialogue du vent et de la mer
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Je n'aime pas Debussy, mais ça j'aime bien !
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Nocturnes, L. 91: II. Fêtes. Animé et tres rythmé
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Je n'aime pas Debussy, mais ça j'aime bien !
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The Star Spangled Banner
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Stravinsky In America
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Circus Polka (composed for a Young Elephant)
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Stravinsky In America
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Ode (Triptychon for Orchestra)
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Stravinsky In America
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Scherzo à la russe (symphonic version)
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Stravinsky In America
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Scènes de ballet
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Stravinsky In America
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Concertino for Twelve Instruments
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Stravinsky In America
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Agon (Ballet for Twelve Dancers)
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Stravinsky In America
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Greeting Prelude (for the Eightieth Birthday of Pierre Monteux)
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Stravinsky In America
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Canon (on a Russian Popular Tune)
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Stravinsky In America
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Variations: Aldous Huxley in Memoriam
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Stravinsky In America
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Symphony No. 3 in E-Flat Major, Op. 55 "Eroica": I. Allegro con brio
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Beethoven: Symphony No. 3 in E-Flat Major, Op. 55 "Eroica" & 12 Contredanses, WoO 14
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Symphony No. 3 in E-Flat Major, Op. 55 "Eroica": II. Marcia funebre. Adagio assai
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Beethoven: Symphony No. 3 in E-Flat Major, Op. 55 "Eroica" & 12 Contredanses, WoO 14
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Symphony No. 3 in E-Flat Major, Op. 55 "Eroica": III. Scherzo. Allegro vivace - Trio
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Beethoven: Symphony No. 3 in E-Flat Major, Op. 55 "Eroica" & 12 Contredanses, WoO 14
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Symphony No. 3 in E-Flat Major, Op. 55 "Eroica": IV. Finale. Allegro molto
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Beethoven: Symphony No. 3 in E-Flat Major, Op. 55 "Eroica" & 12 Contredanses, WoO 14
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12 Contredanses, WoO 14
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Beethoven: Symphony No. 3 in E-Flat Major, Op. 55 "Eroica" & 12 Contredanses, WoO 14
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Swan Lake, Op. 20: Introduction: Moderato assai
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Tchaikovsky: Swan Lake
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Swan Lake, Op. 20: VI. (Tout le monde danse): Tempo di valse
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Tchaikovsky: Swan Lake
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Swan Lake, Op. 20: Act I: 1. Scène: Allegro giusto
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Tchaikovsky: Swan Lake
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Swan Lake, Op. 20: VII. Coda: Allegro vivo
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Tchaikovsky: Swan Lake
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Swan Lake, Op. 20: 2. Waltz
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Tchaikovsky: Swan Lake
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Swan Lake, Op. 20: 14. Scène: Moderato
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Tchaikovsky: Swan Lake
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Swan Lake, Op. 20: 3. Scène: Allegro moderato
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Tchaikovsky: Swan Lake
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Swan Lake, Op. 20: Act III: 15. Allegro giusto
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Tchaikovsky: Swan Lake
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Swan Lake, Op. 20: 4. Pas de trois: I. Intrada: Allegro
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Tchaikovsky: Swan Lake
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Swan Lake, Op. 20: 16. Danse du corps de ballet et des nains: Moderato assai; Allegro vivo; Trio
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Tchaikovsky: Swan Lake
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Swan Lake, Op. 20: II. Andante sostenuto
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Tchaikovsky: Swan Lake
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Swan Lake, Op. 20: 17. Scène. La sortie des invites et la valse: Allegro; Tempo di valse
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Tchaikovsky: Swan Lake
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Swan Lake, Op. 20: III. Allegro simplice; Presto
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Tchaikovsky: Swan Lake
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Swan Lake, Op. 20: 18. Scène: Allegro; Allegro giusto
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Tchaikovsky: Swan Lake
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Swan Lake, Op. 20: IV. Moderato
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Tchaikovsky: Swan Lake
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Swan Lake, Op. 20: 19. Pas de six: Intrada: Moderato assai
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Tchaikovsky: Swan Lake
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Swan Lake, Op. 20: V. Allegro
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Tchaikovsky: Swan Lake
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Swan Lake, Op. 20: Variation I: Allegro
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Tchaikovsky: Swan Lake
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Swan Lake, Op. 20: VI. Coda: Allegro vivace
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Tchaikovsky: Swan Lake
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Swan Lake, Op. 20: Variation II: Andante con moto
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Tchaikovsky: Swan Lake
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Swan Lake, Op. 20: 5. Pas de deux: I. Tempo di valse ma non troppo vivo, quasi moderato
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Tchaikovsky: Swan Lake
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Swan Lake, Op. 20: Variation III: Moderato
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Tchaikovsky: Swan Lake
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Swan Lake, Op. 20: II. Andante; Allegro; Molto piu mosso
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Tchaikovsky: Swan Lake
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Swan Lake, Op. 20: Variation IV: Allegro
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Tchaikovsky: Swan Lake
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Swan Lake, Op. 20: III. Tempo di valse
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Tchaikovsky: Swan Lake
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Swan Lake, Op. 20: Variation V: Moderato; Allegro simplice
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Tchaikovsky: Swan Lake
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Swan Lake, Op. 20: IV. Coda: Allegro molto vivace
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Tchaikovsky: Swan Lake
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Swan Lake, Op. 20: Coda: Allegro molto
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Tchaikovsky: Swan Lake
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Swan Lake, Op. 20: 6. Pas d'action: Andantino quasi moderato; Allegro
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Tchaikovsky: Swan Lake
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Swan Lake, Op. 20: 20. Danse hongroise. Czardas: Moderato assai; Allegro moderato; Vivace
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Tchaikovsky: Swan Lake
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Swan Lake, Op. 20: 7. Sujet
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Tchaikovsky: Swan Lake
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Swan Lake, Op. 20: Danse russe: Moderato; Andante simplice; Allegro vivo
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Tchaikovsky: Swan Lake
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Swan Lake, Op. 20: 8. Danse des coupes: Tempo di polacca
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Tchaikovsky: Swan Lake
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Swan Lake, Op. 20: 21. Danse espagnole: Allegro non troppo (Tempo di bolero)
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Tchaikovsky: Swan Lake
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Swan Lake, Op. 20: 9. Finale: Andante
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Tchaikovsky: Swan Lake
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Swan Lake, Op. 20: 22. Danse napolitaine: Allegro moderato; Andantino quasi moderato; Molto piu moso; Presto
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Tchaikovsky: Swan Lake
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Swan Lake, Op. 20: Act II: 10. Scène: Moderato; Piu mosso
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Tchaikovsky: Swan Lake
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Swan Lake, Op. 20: 23. Mazurka: Tempo di mazurka
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Tchaikovsky: Swan Lake
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Swan Lake, Op. 20: 11. Scène: Allegro moderato; Moderato; Allegro vivo; L'istesso tempo
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Tchaikovsky: Swan Lake
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Swan Lake, Op. 20: 24. Scène: Allegro; Allegro vivo; L'istesso tempo
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Tchaikovsky: Swan Lake
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Swan Lake, Op. 20: 12. Scène: Allegro; Moderato assai quasi andante
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Tchaikovsky: Swan Lake
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Swan Lake, Op. 20: Act IV: 25. Entr'acte: Moderato
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Tchaikovsky: Swan Lake
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Swan Lake, Op. 20: 13. Danses des cygnes: I. Tempo di valse
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Tchaikovsky: Swan Lake
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Swan Lake, Op. 20: 26. Scène: Allegro non troppo
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Tchaikovsky: Swan Lake
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Swan Lake, Op. 20: II. Moderato assai; Molto piu mosso
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Tchaikovsky: Swan Lake
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Swan Lake, Op. 20: 27. Danses des petits cygnes: Moderato
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Tchaikovsky: Swan Lake
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Swan Lake, Op. 20: III. Danse des cygnes: Tempo di valse
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Tchaikovsky: Swan Lake
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Swan Lake, Op. 20: 28. Scène: Allegro agitato; Molto meno mosso; Allegro vivace
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Tchaikovsky: Swan Lake
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Swan Lake, Op. 20: IV. Allegro moderato
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Tchaikovsky: Swan Lake
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Swan Lake, Op. 20: 29. Scène finale: Andante; Allegro agitato; Alla breve. Moderato e maestoso
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Tchaikovsky: Swan Lake
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Swan Lake, Op. 20: V. Pas d'action: Andante; Andante non troppo*
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Tchaikovsky: Swan Lake
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Also Sprach Zarathustra, Op. 30 - Tone-poem for large orchestra (freely after Friedrich Nietzsche): Introduction
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Richard Strauss: Also sprach Zarathustra, Op. 30, TrV 176 & Don Juan, Op. 20, TrV 156
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Also Sprach Zarathustra, Op. 30 - Tone-poem for large orchestra (freely after Friedrich Nietzsche): Von den Hintersweltern
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Richard Strauss: Also sprach Zarathustra, Op. 30, TrV 176 & Don Juan, Op. 20, TrV 156
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Also Sprach Zarathustra, Op. 30 - Tone-poem for large orchestra (freely after Friedrich Nietzsche): Von der grossen Sehnsucht
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Richard Strauss: Also sprach Zarathustra, Op. 30, TrV 176 & Don Juan, Op. 20, TrV 156
|
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Also Sprach Zarathustra, Op. 30 - Tone-poem for large orchestra (freely after Friedrich Nietzsche): Von den Freuden und Leidenschaften
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Richard Strauss: Also sprach Zarathustra, Op. 30, TrV 176 & Don Juan, Op. 20, TrV 156
|
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Also Sprach Zarathustra, Op. 30 - Tone-poem for large orchestra (freely after Friedrich Nietzsche): Das Grablied
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Richard Strauss: Also sprach Zarathustra, Op. 30, TrV 176 & Don Juan, Op. 20, TrV 156
|
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Also Sprach Zarathustra, Op. 30 - Tone-poem for large orchestra (freely after Friedrich Nietzsche): Von der Wissenschaft
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Richard Strauss: Also sprach Zarathustra, Op. 30, TrV 176 & Don Juan, Op. 20, TrV 156
|
|
Also Sprach Zarathustra, Op. 30 - Tone-poem for large orchestra (freely after Friedrich Nietzsche): Der Genesende
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Richard Strauss: Also sprach Zarathustra, Op. 30, TrV 176 & Don Juan, Op. 20, TrV 156
|
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Also Sprach Zarathustra, Op. 30 - Tone-poem for large orchestra (freely after Friedrich Nietzsche): Ziemlich langsam - schnell
|
Richard Strauss: Also sprach Zarathustra, Op. 30, TrV 176 & Don Juan, Op. 20, TrV 156
|
|
Also Sprach Zarathustra, Op. 30 - Tone-poem for large orchestra (freely after Friedrich Nietzsche): Das Tanzlied
|
Richard Strauss: Also sprach Zarathustra, Op. 30, TrV 176 & Don Juan, Op. 20, TrV 156
|
|
Also Sprach Zarathustra, Op. 30 - Tone-poem for large orchestra (freely after Friedrich Nietzsche): Nachtwandlerlied
|
Richard Strauss: Also sprach Zarathustra, Op. 30, TrV 176 & Don Juan, Op. 20, TrV 156
|
|
Also Sprach Zarathustra, Op. 30 - Tone-poem for large orchestra (freely after Friedrich Nietzsche): Langasm
|
Richard Strauss: Also sprach Zarathustra, Op. 30, TrV 176 & Don Juan, Op. 20, TrV 156
|
|
Don Juan, Op. 20
|
Richard Strauss: Also sprach Zarathustra, Op. 30, TrV 176 & Don Juan, Op. 20, TrV 156
|
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Bachianas Brasileiras No. 4, W. 424: I. Prelúdio (Introducao). Lento
|
Villa Lobos/Alma Brasileira
|
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Bachianas Brasileiras No. 4, W. 424: II. Coral (Canto do Sertao). Largo
|
Villa Lobos/Alma Brasileira
|
