3 Mazurkas for Piano, Op. 27: No. 1

...But All Shall Be Well, Op. 10

Darknesse Visible

Under Hamelin Hill, Op. 6: Preambulum

Five Eliot Landscapes, Op. 1: No. 1, New Hampshire

Traced Overhead, Op. 15: I. Sursum

Traced Overhead, Op. 15: II. Aetheria

Traced Overhead, Op. 15: III. Chori

Life Story, Op. 8

Arcadiana, Op. 12: VI. O Albion

Violin Concerto, Op. 23 "Concentric Paths": I. Rings

America, a Prophecy, Op. 19: Pt. 2 "Burn, Burn, Burn"

Les baricades mistérieuses

Sonata da caccia, Op. 11: IV. Galament

Three Canons for Ursula: Canon 5/7

Three Canons for Ursula: Canon 5/7

A megvadult lenhajú láng

Concert Paraphrase on Powder Her Face: I

Concert Paraphrase on Powder Her Face: II

Concert Paraphrase on Powder Her Face: III

Concert Paraphrase on Powder Her Face: IV

3 Mazurkas for Piano, Op. 27: No. 1

Mazurkas for Piano, Op.27: Second Mazurka

Mazurkas for Piano, Op.27: Third Mazurka

Arcadiana, Op.12 (1994): I. Venezia notturna

Arcadiana, Op.12 (1994): II. Das klinget so herrlich, das Iklinget so schön

Arcadiana, Op.12 (1994): III. Auf dem Wasser zu singen

Arcadiana, Op.12 (1994): IV. Et....(tango mortale)

Arcadiana, Op.12 (1994): V. L'Embarquement -

Arcadiana, Op. 12: VI. O Albion

Arcadiana, Op.12 (1994): VII. Lethe

Piano Quintet: 1

Piano Quintet: 2

Piano Quintet: 3

Chamber Symphony, Op.2: I

Chamber Symphony, Op.2: II

Chamber Symphony, Op.2: III

Chamber Symphony, Op.2: IV

Living Toys, Op.9 (1993): I. Angels -

Living Toys, Op.9 (1993): II. Aurochs -

Living Toys, Op.9 (1993): BALETT -

Living Toys, Op.9 (1993): III Militiamen -

Living Toys, Op.9 (1993): IV. H.A.L.'s Death -

Living Toys, Op.9 (1993): BATTLE -

Living Toys, Op.9 (1993): V. Playing Funerals -

Living Toys, Op.9 (1993): TABLET

America: Part I Oh my nation prepare...

America, a Prophecy, Op. 19: Pt. 2 "Burn, Burn, Burn"

These Premises Are Alarmed

Violin Concerto, Op. 23 "Concentric Paths": I. Rings

Violin Concerto, "Concentric Paths": II. Paths

Violin Concerto, "Concentric Paths": III. Rounds

Powder Her Face (an Opera in two acts) Op.14, ACT I: Overture (Orchestra)

Powder Her Face (an Opera in two acts) Op.14, ACT I, Scene 1: Nineteen ninety: Oo, aa! ha ha ha ha ha (Maid/Electrician)

Powder Her Face (an Opera in two acts) Op.14, ACT I, Scene 1: Nineteen ninety: I see. This is what it has come to

Powder Her Face (an Opera in two acts) Op.14, ACT I, Scene 1: Nineteen ninety: Take it from me (Duchess/Electrician/Maid)

Powder Her Face (an Opera in two acts) Op.14, ACT I, Scene 1: Nineteen ninety: Interlude (Orchestra)

Powder Her Face (an Opera in two acts) Op.14, ACT I, Scene 2: Nineteen thirty-four: Of course she's done well

Powder Her Face (an Opera in two acts) Op.14, ACT I, Scene 2: Nineteen thirty-four: I could never grow bored of dukedoms (Confidante/Lounge Lizard/Duchess)

Powder Her Face (an Opera in two acts) Op.14, ACT I, Scene 2: Nineteen thirty-four: I hear him coming (Pantomime) (Duchess/Confidante/Lounge Lizard/Duke)

Powder Her Face (an Opera in two acts) Op.14, ACT I, Scene 2: Nineteen thirty-four: Interlude (Orchestra)

Powder Her Face (an Opera in two acts) Op.14, ACT I, Scene 3: Nineteen thirty-six: Fancy, fancy being rich (Waitress)

Powder Her Face (an Opera in two acts) Op.14, ACT I, Scene 3: Nineteen thirty-six: Interlude - Scene 4: Nineteen fifty-three ...mm...ah!...How may I help you? (Duchess/Laundryman/Other Guest)

Powder Her Face (an Opera in two acts) Op.14, ACT I, Scene 4: Nineteen thirty-six: ...mm..ah!...Room service?

Powder Her Face (an Opera in two acts) Op.14, ACT I, Scene 4: Nineteen thirty-six: What have you got there?

Powder Her Face (an Opera in two acts) Op.14, ACT I, Scene 4: Nineteen thirty-six: Come here (Duchess/Waiter)

Powder Her Face (an Opera in two acts) Op.14, ACT I, Scene 4: Nineteen thirty-six: Interlude (Orchestra)

Powder Her Face (an Opera in two acts) Op.14, ACT I, Scene 5: Nineteen fifty-three: Is Daddy squiffy?

Powder Her Face (an Opera in two acts) Op.14, ACT I, Scene 5: Nineteen fifty-three: Are you saying the Duchess is a whore?

Powder Her Face (an Opera in two acts) Op.14, ACT I, Scene 5: Nineteen fifty-three: Ha ha ha ha...(Paper chase) (Mistress/Duke)

Powder Her Face (an Opera in two acts) Op.14, Act II, Scene 6: Nineteen fifty-five: Did she?...Of course she did (Rubberneckers)

Powder Her Face (an Opera in two acts) Op.14, Act II, Scene 6: Nineteen fifty-five: Order. Silence

Powder Her Face (an Opera in two acts) Op.14, Act II, Scene 6: Nineteen fifty-five: But now I have heard something new (Judge)

Powder Her Face (an Opera in two acts) Op.14, Act II, Scene 6: Nineteen fifty-five: Did you hear - What he said? (Rubberneckers)

Powder Her Face (an Opera in two acts) Op.14, Act II, Scene 6: Nineteen fifty-five: So that is all (Duchess/Rubberneckers)

Powder Her Face (an Opera in two acts) Op.14, Act II, Scene 6: Nineteen fifty-five: Interlude (Orchestra)

Powder Her Face (an Opera in two acts) Op.14, Act II, Scene 7: Nineteen seventy: I'd like to make one thing entirely clear

Powder Her Face (an Opera in two acts) Op.14, Act II, Scene 7: Nineteen seventy: Ah! None left (Duchess/Society Journalist/Delivery Boy)

Powder Her Face (an Opera in two acts) Op.14, Act II, Scene 7: Nineteen seventy: Interlude Fifty-eight, seventy-nine (Duchess)

Powder Her Face (an Opera in two acts) Op.14, Act II, Scene 8: Nineteen ninety: Agh - Who are you? (Duchess/Hotel Manager)

Powder Her Face (an Opera in two acts) Op.14, Act II, Scene 8: Nineteen ninety: That will do. You may go (Duchess)

Powder Her Face (an Opera in two acts) Op.14, Act II, Scene 8: Nineteen ninety: Broken. It's broken (Duchess/Hotel Manager)

Powder Her Face (an Opera in two acts) Op.14, Act II, Ghost Epilogue: Enough...Or too much! (Maid/Electrician)

America: Part I Oh my nation prepare...

America, a Prophecy, Op. 19: Pt. 2 "Burn, Burn, Burn"

The Fayrfax Carol

Fool's Rhymes for Piano, Harp and Percussion, Op. 5: No. 1, Supernat'ral Light...

Fool's Rhymes for Piano, Harp and Percussion, Op. 5: No. 2, We're All in the Dumps...

January Writ

O thou who didst with pitfall and with gin

The Lover in Winter: Iam nocet frigus teneris

The Lover in Winter: Nec limpha caret alveus

The Lover in Winter: Modo frigescit quidquid est

The Lover in Winter: Nutritur ignis osculo

Life Story, Op. 8

Cardiac Arrest

Les baricades mistérieuses

Brahms

Darknesse Visible

Still sorrowing Op. 7