Matthäus-Passion, BWV 244, Pt. 1: No. 22, Rezitativ. "Der Heiland fällt vor seinem Vater nieder"

Matthäus-Passion, BWV 244, Pt. 1: No. 24, Rezitativ. "Und er kam zu seinen Jüngern"

Matthäus-Passion, BWV 244, Pt. 1: No. 25, Choral. "Was mein Gott will, das g'scheh allzeit"

Matthäus-Passion, BWV 244, Pt. 1: No. 26, Rezitativ. "Und er kam und fand sie aber schlafen"

Matthäus-Passion, BWV 244, Pt. 1: No. 27, Aria und Chor. "So ist mein Jesus nun gefangen"

Matthäus-Passion, BWV 244, Pt. 1: No. 28, Rezitativ. "Und siehe, einer aus denen"

Matthäus-Passion, BWV 244, Pt. 1: No. 29, Choral. "O Mensch, bewein' dein' Sünde groß"

Matthäus-Passion, BWV 244, Pt. 2: No. 30, Aria mit Chor. "Ach, nun ist mein Jesus hin!"

Matthäus-Passion, BWV 244, Pt. 2: No. 31, Rezitativ. "Die aber Jesum gegriffen hatten"

Matthäus-Passion, BWV 244, Pt. 2: No. 33, Rezitativ. "Und wiewohl viel falsche"

Matthäus-Passion, BWV 244, Pt. 2: No. 36a, Rezitativ und Chor. "Und der Hohepriester antworte"

Matthäus-Passion, BWV 244, Pt. 2: No. 36c, Rezitativ und Chor. "Da speieten sie aus"

Matthäus-Passion, BWV 244, Pt. 2: No. 37, Choral. "Wer hat dich so geschlagen"

Matthäus-Passion, BWV 244, Pt. 2: No. 38a, Rezitativ und Chor. "Petrus aber saß draußen im Palast"

Matthäus-Passion, BWV 244, Pt. 2: No. 38c, Rezitativ. "Da hub er an, sich zu verfluchen"

Matthäus-Passion, BWV 244, Pt. 2: No. 39, Aria. "Erbarme dich"

Matthäus-Passion, BWV 244, Pt. 2: No. 43, Rezitativ. "Sie hielten aber einen Rat"

Matthäus-Passion, BWV 244, Pt. 2: No. 44, Choral. "Befiehl du deine Wege"

Matthäus-Passion, BWV 244, Pt. 2: No. 45, Rezitativ mit Chor. "Auf das Fest aber hatte der Landpfleger"

Matthäus-Passion, BWV 244, Pt. 2: No. 47, Rezitativ. "Der Landpfleger sagte"

Matthäus-Passion, BWV 244, Pt. 2: No. 48, Rezitativ. "Er hat uns allen wohlgetan"

Matthäus-Passion, BWV 244, Pt. 2: No. 49, Aria. "Aus Liebe will mein Heiland sterben"

Matthäus-Passion, BWV 244, Pt. 2: No. 50, Rezitative und Chöre. "Sie schrieen aber noch mehr"

Matthäus-Passion, BWV 244, Pt. 2: No. 51, Rezitativ. "Erbarm' es Gott"

Matthäus-Passion, BWV 244, Pt. 2: No. 53, Rezitative und Chor. "Da nahmen die Kriegsknechte"

Matthäus-Passion, BWV 244, Pt. 2: No. 54, Choral. "O Haupt voll Blut und wunden"

Matthäus-Passion, BWV 244, Pt. 2: No. 55, Rezitativ. "Und da sie ihn verspottet hatten"

Matthäus-Passion, BWV 244, Pt. 2: No. 58a, Rezitative und Chöre. "Und da sie an die Stätte kamen"

Matthäus-Passion, BWV 244, Pt. 2: No. 58e, Rezitativ. "Desgleischem schmäheten ihn auch die Mörder"

Matthäus-Passion, BWV 244, Pt. 2: No. 59, Rezitativ. "Ach Golgotha"

Matthäus-Passion, BWV 244, Pt. 2: No. 61, Rezitative und Chöre. "Und von der sechsten Stunde an"

Matthäus-Passion, BWV 244, Pt. 2: No. 62, Choral. "Wenn ich einmal soll scheiden"

Matthäus-Passion, BWV 244, Pt. 2: No. 63, Rezitative und Chor. "Und siehe da, der Vorhang im Tempel zerriß"

Matthäus-Passion, BWV 244, Pt. 2: No. 64, Rezitativ. "Am Abend, da es kühle war"

Matthäus-Passion, BWV 244, Pt. 2: No. 66, Rezitative und Chor. "Und Joseph nahm den Leib"

Matthäus-Passion, BWV 244, Pt. 2: No. 67, Rezitativ mit Chor. "Nun ist der Herr zur Ruh gebracht"

Matthäus-Passion, BWV 244, Pt. 2: No. 68, Chor. "Wir setzen uns mit Tränen nieder"

Tannhäuser (1993 Remastered Version): Overture

Symphony No. 40 in G Minor, K. 550: I. Molto allegro

Symphony No. 40 in G Minor, K. 550: II. Andante

Symphony No. 40 in G Minor, K. 550: III. Menuetto. Allegretto

Symphony No. 40 in G Minor, K. 550: IV. Allegro assai

Symphony No. 94 in G Major, Hob. I:94 "Surprise": I. Adagio cantabile - Vivace assai

Symphony No. 94 in G Major, Hob. I:94 "Surprise": II. Andante

Symphony No. 94 in G Major, Hob. I:94 "Surprise": III. Menuetto - Trio

Symphony No. 94 in G Major, Hob. I:94 "Surprise": IV. Finale. Allegro di molto

Symphony No. 8 in B Minor, D. 759 "Unfinished": I. Allegro moderato

Symphony No. 8 in B Minor, D. 759 "Unfinished": II. Andante con moto

Manfred, Op. 115: Overture

The Hebrides, Op. 26, MWV P7 "Fingal's Cave"

Má Vlast (1994 Remastered Version): Vltava (The River Moldau)

Oberon: Overture, J.306

Rosamunde, Op. 26, D. 797: Overture from Die Zauberharfe, D. 644

Rosamunde, Op. 26, D. 797: Entr'acte III

Rosamunde, Op. 26, D. 797: Ballet Music II

Anacréon: Ouverture

Alceste: Overture

Iphigénie en Aulide: Overture

Der Freischütz: Overture

Euryanthe: Overture, J.291

Till Eulenspiegels lustige Streiche, Op. 28

Les Préludes, S. 97

Symphony No. 5 in C Minor, Op. 67: I. Allegro con brio

Symphony No. 5 in C Minor, Op. 67: II. Andante con moto

Symphony No. 5 in C Minor, Op. 67: III. Allegro -

Symphony No. 5 in C Minor, Op. 67: IV. Allegro - Presto

Symphony No. 7 in A Major, Op. 92: I. Poco sostenuto - Vivace

Symphony No. 7 in A Major, Op. 92: II. Allegretto

Symphony No. 7 in A Major, Op. 92: III. Presto - Assai meno presto

Symphony No. 7 in A Major, Op. 92: IV. Allegro con brio

Symphony No. 7 in A Major, Op. 92: I. Poco sostenuto - Vivace

Symphony No. 5 in C Minor, Op. 67: II. Andante con moto

Symphony No. 5 in C Minor, Op. 67: III. Allegro -

Symphony No. 9 in D Minor, Op. 125 "Choral": I. Allegro ma non troppo, un poco maestoso (Live at Festspielhaus, Bayreuth, 29.VII.1951)

Symphony No. 9 in D Minor, Op. 125 "Choral": II. Molto vivace - Presto (Live at Festspielhaus, Bayreuth, 29.VII.1951)

Symphony No. 9 in D Minor, Op. 125 "Choral": III. Adagio molto e cantabile - Andante moderato (Live at Festspielhaus, Bayreuth, 29.VII.1951)

Symphony No. 9 in D Minor, Op. 125 "Choral": IV. Presto - "O Freunde, nicht diese Töne!" (Ode to Joy) [Live at Festspielhaus, Bayreuth, 29.VII.1951]

Symphony No. 9 in D Minor, Op. 125 "Choral": I. Allegro ma non troppo, un poco maestoso (Live at Festspielhaus, Bayreuth, 29.VII.1951)

Symphony No. 9 in D Minor, Op. 125 "Choral": II. Molto vivace - Presto (Live at Festspielhaus, Bayreuth, 29.VII.1951)

Symphony No. 9 in D Minor, Op. 125 "Choral": III. Adagio molto e cantabile - Andante moderato (Live at Festspielhaus, Bayreuth, 29.VII.1951)

Symphony No. 9 in D Minor, Op. 125 "Choral": IV. Presto - "O Freunde, nicht diese Töne!" (Ode to Joy) [Live at Festspielhaus, Bayreuth, 29.VII.1951]

Applause - Beethoven: Symphony No. 9 (PLG(IVT) - 2011 - Remaster)

Symphony No. 9 in D Minor, Op.125 'Choral': I. Allegro ma non troppo, un poco maestoso (PLG(IVT) - 2011 - Remaster)

Symphony No. 9 in D Minor, Op.125 'Choral': II. Molto vivace - Presto - Molto vivace - Presto (PLG(IVT) - 2011 - Remaster)

Symphony No. 9 in D Minor, Op. 125 "Choral": III. Adagio molto e cantabile - Andante moderato

Symphony No. 9 in D Minor, Op.125 'Choral': IV. Presto - Allegro ma non troppo - Allegro assai - Allegro assai vivace - Alla marcia - Andante maestoso - Allegro energico, sempre ben marcato - Allegro ma non tanto - Poco adagio - Prestissimo

Don Giovanni, K. 527: Overture

Don Giovanni, K. 527, Act 1: "Notte e giorno faticar" (Leporello)

Don Giovanni, K. 527, Act 1: "Non sperar, se non m'uccidi" (Donna Anna, Don Giovanni, Leporello)

Don Giovanni, K. 527, Act 1: "Lasciala, indegno! ... Leporello, ove sei?" (Commendatore, Don Giovanni, Leporello, Donna Anna, Don Ottavio)

Don Giovanni, K. 527, Act 1: "Ma qual mai s'offre, oh Dei" (Donna Anna, Don Ottavio)

Don Giovanni, K. 527, Act 1: "Fuggi, crudele, fuggi!" (Donna Anna, Don Ottavio)

Don Giovanni, K. 527, Act 1: "Orsù, spicciati presto" (Don Giovanni, Leporello)

Don Giovanni, K. 527, Act 1: "Ah, chi mi dice mai" (Donna Elvira, Don Giovanni, Leporello)

Don Giovanni, K. 527, Act 1: "Chi è là?" (Donna Elvira, Don Giovanni, Leporello)

Don Giovanni, K. 527, Act 1: "Madamina, il catalogo è questo" (Leporello)

Don Giovanni, K. 527, Act 1: "Giovinette, che fate all'amore" (Zerlina, Masetto, Chorus)

Don Giovanni, K. 527, Act 1: "Manco male è partita" (Don Giovanni, Leporello, Zerlina, Masetto)

Don Giovanni, K. 527, Act 1: "Ho capito, signor, sì! "(Masetto)

Don Giovanni, K. 527, Act 1: "Alfin siam liberati" (Don Giovanni, Zerlina)