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Les Éolides in A Major, CFF 127, ICF 22
|
FRANCK: PSICHÉ "POÈME SYMPHONIQUE POUR ORCHESTRE ET CHOEURS"; LES ÉOLIDES "POÈME SYMPHONIQUE"; SYMPHONY IN D Minor; RÉDEMPTION "POËME-SYMPHONIE"
|
|
Symphony in D Minor, CFF 130, ICF 70: I. Lento - Allegro non troppo
|
FRANCK: PSICHÉ "POÈME SYMPHONIQUE POUR ORCHESTRE ET CHOEURS"; LES ÉOLIDES "POÈME SYMPHONIQUE"; SYMPHONY IN D Minor; RÉDEMPTION "POËME-SYMPHONIE"
|
|
Symphony in D Minor, CFF 130, ICF 70: II. Allegretto
|
FRANCK: PSICHÉ "POÈME SYMPHONIQUE POUR ORCHESTRE ET CHOEURS"; LES ÉOLIDES "POÈME SYMPHONIQUE"; SYMPHONY IN D Minor; RÉDEMPTION "POËME-SYMPHONIE"
|
|
Symphony in D Minor, CFF 130, ICF 70: III. Allegro non troppo
|
FRANCK: PSICHÉ "POÈME SYMPHONIQUE POUR ORCHESTRE ET CHOEURS"; LES ÉOLIDES "POÈME SYMPHONIQUE"; SYMPHONY IN D Minor; RÉDEMPTION "POËME-SYMPHONIE"
|
|
Rédemption, CFF 184, ICF 63: Interlude symphonique
|
FRANCK: PSICHÉ "POÈME SYMPHONIQUE POUR ORCHESTRE ET CHOEURS"; LES ÉOLIDES "POÈME SYMPHONIQUE"; SYMPHONY IN D Minor; RÉDEMPTION "POËME-SYMPHONIE"
|
|
Symphony No. 7 in A Major, Op. 92, ILB 278: I. Poco sostenuto - Vivace
|
BEETHOVEN: SYMPHONY No. 7; SYMPHONY No. 8
|
|
Symphony No. 7 in A Major, Op. 92, ILB 278: II. Allegretto
|
BEETHOVEN: SYMPHONY No. 7; SYMPHONY No. 8
|
|
Symphony No. 7 in A Major, Op. 92, ILB 278: III. Presto
|
BEETHOVEN: SYMPHONY No. 7; SYMPHONY No. 8
|
|
Symphony No. 7 in A Major, Op. 92, ILB 278: IV. Allegro con brio
|
BEETHOVEN: SYMPHONY No. 7; SYMPHONY No. 8
|
|
Symphony No. 8 in F Major, Op. 93, ILB 279: I. Allegro vivace e con brio
|
BEETHOVEN: SYMPHONY No. 7; SYMPHONY No. 8
|
|
Symphony No. 8 in F Major, Op. 93, ILB 279: II. Allegretto scherzando
|
BEETHOVEN: SYMPHONY No. 7; SYMPHONY No. 8
|
|
Symphony No. 8 in F Major, Op. 93, ILB 279: III. Tempo di Menuetto
|
BEETHOVEN: SYMPHONY No. 7; SYMPHONY No. 8
|
|
Symphony No. 8 in F Major, Op. 93, ILB 279: IV. Allegro vivace
|
BEETHOVEN: SYMPHONY No. 7; SYMPHONY No. 8
|
|
Symphony No. 9 in E Minor, Op. 95, IAD 117: I. Adagio-Allegro molto
|
DVORÁK: SYMPHONY No. 9 "FROM THE NEW WORLD"; SYMPHONIC VARIATIONS Op. 78
|
|
Symphony No. 9 in E Minor, Op. 95, IAD 117: II. Largo
|
DVORÁK: SYMPHONY No. 9 "FROM THE NEW WORLD"; SYMPHONIC VARIATIONS Op. 78
|
|
Symphony No. 9 in E Minor, Op. 95, IAD 117: III. Molto vivace
|
DVORÁK: SYMPHONY No. 9 "FROM THE NEW WORLD"; SYMPHONIC VARIATIONS Op. 78
|
|
Symphony No. 9 in E Minor, Op. 95, IAD 117: IV. Allegro con fuoco
|
DVORÁK: SYMPHONY No. 9 "FROM THE NEW WORLD"; SYMPHONIC VARIATIONS Op. 78
|
|
Symphonic Variations in C Major, Op. 78, IAD 108
|
DVORÁK: SYMPHONY No. 9 "FROM THE NEW WORLD"; SYMPHONIC VARIATIONS Op. 78
|
|
Images, CD 118, ICD 35, Ibéria: I. Par les rues et les chemins
|
DEBUSSY: IBERIA; PRÉLUDE À L'APRÈS-MIDI D'UN FAUNE; LA MER; NOCTURNES;
|
|
Images, CD 118, ICD 35, Ibéria: II. Les parfums de la nuit
|
DEBUSSY: IBERIA; PRÉLUDE À L'APRÈS-MIDI D'UN FAUNE; LA MER; NOCTURNES;
|
|
Images, CD 118, ICD 35, Ibéria: III. Le matin d'un jour de fête
|
DEBUSSY: IBERIA; PRÉLUDE À L'APRÈS-MIDI D'UN FAUNE; LA MER; NOCTURNES;
|
|
Prélude à l'après-midi d'un faune, CD 87, ICD 70
|
DEBUSSY: IBERIA; PRÉLUDE À L'APRÈS-MIDI D'UN FAUNE; LA MER; NOCTURNES;
|
|
La mer, CD 111, ICD 50: I. De l'aube a midi sur la mer
|
DEBUSSY: IBERIA; PRÉLUDE À L'APRÈS-MIDI D'UN FAUNE; LA MER; NOCTURNES;
|
|
La mer, CD 111, ICD 50: II. Jeux de Vagues
|
DEBUSSY: IBERIA; PRÉLUDE À L'APRÈS-MIDI D'UN FAUNE; LA MER; NOCTURNES;
|
|
La mer, CD 111, ICD 50: III. Dialogue du Vent et de la Mer
|
DEBUSSY: IBERIA; PRÉLUDE À L'APRÈS-MIDI D'UN FAUNE; LA MER; NOCTURNES;
|
|
Nocturnes, CD 98, ICD 53: I. Nuages
|
DEBUSSY: IBERIA; PRÉLUDE À L'APRÈS-MIDI D'UN FAUNE; LA MER; NOCTURNES;
|
|
Nocturnes, CD 98, ICD 53: II. Fêtes
|
DEBUSSY: IBERIA; PRÉLUDE À L'APRÈS-MIDI D'UN FAUNE; LA MER; NOCTURNES;
|
|
Salome, Op. 54, IRS 86: Siebenschleiertanz
|
STRAUSS: DON QUIXOTE ; SALOMONE; DEATH AND TRANSFIGURATION
|
|
Tod und Verklärung, Op. 24, IRS 107
|
STRAUSS: DON QUIXOTE ; SALOMONE; DEATH AND TRANSFIGURATION
|
|
Die Walküre, WWV 86b, IRW 52, Act III: "Walkürenritt"
|
ARTURO TOSCANINI DIRIGE RICHARD WAGNER
|
|
Lohengrin, WWV 75, IRW 31, Act III: "Vorspiel"
|
ARTURO TOSCANINI DIRIGE RICHARD WAGNER
|
|
Lohengrin, WWV 75, IRW 31, Act III: "Sigfried Idyll"
|
ARTURO TOSCANINI DIRIGE RICHARD WAGNER
|
|
Götterdämmerung, WWV 86D, IRW 20, Act III: "Siegfrieds Tod und tauermarsch"
|
ARTURO TOSCANINI DIRIGE RICHARD WAGNER
|
|
Tristan und Isolde, WWV 90, IRW 51, Act III: "Vorspiel und Liebestod"
|
ARTURO TOSCANINI DIRIGE RICHARD WAGNER
|
|
Tannhäuser, WWV 70, IRW 48, Act III: "Vorspiel"
|
ARTURO TOSCANINI DIRIGE RICHARD WAGNER
|
|
Falstaff, IGV 10, Act I: "Falstaff! - Olà!" (Dr. Cajus, Falstaff, Bardolfo, Pistola)
|
VERDI: FALSTAFF
|
|
Falstaff, IGV 10, Act I: "Se polli: sei scellini" (Falstaff, Bardolfo, Pistola)
|
VERDI: FALSTAFF
|
|
Falstaff, IGV 10, Act I: "Ma è tempo d'assottigliar l'ingegno" (Falstaff, Bardolfo, Pistola)
|
VERDI: FALSTAFF
|
|
Falstaff, IGV 10, Act I: "L'onore! Ladri!" (Falstaff)
|
VERDI: FALSTAFF
|
|
Falstaff, IGV 10, Act I: "Alice - Meg - Nannetta" (Meg, Alice, Quickly, Nannetta)
|
VERDI: FALSTAFF
|
|
Falstaff, IGV 10, Act I: "Mostro! - Dobbiam gabbarlo" (Quickly, Alice, Nannetta, Meg, Dr. Cajus, Bardolfo, Fenton, Ford, Pistola)
|
VERDI: FALSTAFF
|
|
Falstaff, IGV 10, Act I: "Pst, pst, Nannetta" (Fenton, Nannetta, Alice, Meg, Quickly)
|
VERDI: FALSTAFF
|
|
Falstaff, IGV 10, Act I: "Udrai quanta egli sfoggia" (Bardolfo, Ford, Pistola, Dr. Cajus, Fenton, Alice, Nannetta, Meg, Quickly)
|
VERDI: FALSTAFF
|
|
Falstaff, IGV 10, Act II: "Siam pentiti e contriti" (Bardolfo, Pistola, Falstaff, Quickly)
|
VERDI: FALSTAFF
|
|
Falstaff, IGV 10, Act II: "Alice è mia!" (Falstaff, Bardolfo)
|
VERDI: FALSTAFF
|
|
Falstaff, IGV 10, Act II: "Signore, v'assista il cielo!" (Ford, Falstaff, Bardolfo, Pistola)
|
VERDI: FALSTAFF
|
|
Falstaff, IGV 10, Act II: "Ve lo dirò: voi siete un gentiluomo" (Ford, Falstaff)
|
VERDI: FALSTAFF
|
|
Falstaff, IGV 10, Act II: "E' sogno? O realtà!" (Ford)
|
VERDI: FALSTAFF
|
|
Falstaff, IGV 10, Act II: "Eccomi qua. Son pronto" (Falstaff, Ford)
|
VERDI: FALSTAFF
|
|
Falstaff, IGV 10, Act II: "Presenteremo un bill" (Alice, Quickly, Meg, Nannetta)
|
VERDI: FALSTAFF
|
|
Falstaff, IGV 10, Act II: "Alfin t'ho colto" (Falstaff, Alice, Quickly)
|
VERDI: FALSTAFF
|
|
Falstaff, IGV 10, Act II: "Signora Alice! - Chi c'è?" (Quickly, Alice, Falstaff, Meg, Ford, Bardolfo, Pistola, Nannetta, Fenton, Dr. Cajus)
|
VERDI: FALSTAFF
|
|
Falstaff, IGV 10, Act II: "Se t'agguanto - Se ti piglio!" (Ford, Dr. Cajus, Quickly, Meg, Bardolfo, Pistola, Falstaff, Nannetta, Fenton, Coro, Alice)
|
VERDI: FALSTAFF
|
|
Falstaff, IGV 10, Act III: "Ehi! Taverniere!" (Falstaff)
|
VERDI: FALSTAFF
|
|
Falstaff, IGV 10, Act III: "Reverenza. La bella Alice" (Quickly, Falstaff, Alice, Ford, Nannetta, Meg, Dr. Cajus)
|
VERDI: FALSTAFF
|
|
Falstaff, IGV 10, Act III: "Quando il rintocco della mezzanotte" (Quickly, Ford, Alice, Nannetta, Meg, Fenton)
|
VERDI: FALSTAFF
|
|
Falstaff, IGV 10, Act III: "Avrò con me dei putti" (Alice, Meg, Fenton, Nannetta, Ford, Dr. Cajus, Quickly)
|
VERDI: FALSTAFF
|
|
Falstaff, IGV 10, Act III: "Dal labbro il canto estasiato vola" (Fenton, Nannetta, Alice, Quickly, Meg)
|
VERDI: FALSTAFF
|
|
Falstaff, IGV 10, Act III: "Una, due, tre, quattro" (Falstaff, Alice, Meg)
|
VERDI: FALSTAFF
|
|
Falstaff, IGV 10, Act III: "Ninfe! Elfi! / Sul fil d'un soffio etesio" (Nannetta, Coro, Falstaff)
|
VERDI: FALSTAFF
|
|
Falstaff, IGV 10, Act III: "Alto là! - Chi va là!" (Bardolfo, Pistola, Falstaff, Quickly, Alice, Meg, Nannetta, Coro, Ford, Dr. Cajus)
|
VERDI: FALSTAFF
|
|
Falstaff, IGV 10, Act III: "Un poco di pausa. Sono stanco" (Falstaff, Quickly, Ford, Alice, Meg, Coro)
|
VERDI: FALSTAFF
|
|
Falstaff, IGV 10, Act III: "Ma basta. Ed or vo' che mi ascoltiate" (Ford, Coro, Alice, Dr. Cajus, Falstaff, Bardolfo, Fenton, Nannetta)
|
VERDI: FALSTAFF
|
|
Falstaff, IGV 10, Act III: "tutto nel mondo è burla" (Ford, Coro, Alice, Dr. Cajus, Falstaff, Bardolfo, Fenton, Nannetta)
|
VERDI: FALSTAFF
|
|
An American in Paris, IGG 1
|
GERSHWIN: RHAPSODY IN BLUE - AN AMERICAN IN PARIS - PIANO CONCERTO
|
|
Piano Concerto in F Major, IGG 12: I. Allegro
|
GERSHWIN: RHAPSODY IN BLUE - AN AMERICAN IN PARIS - PIANO CONCERTO
|
|
Piano Concerto in F Major, IGG 12: II. Adagio - Andante con moto
|
GERSHWIN: RHAPSODY IN BLUE - AN AMERICAN IN PARIS - PIANO CONCERTO
|
|
Piano Concerto in F Major, IGG 12: III. Allegro agitato
|
GERSHWIN: RHAPSODY IN BLUE - AN AMERICAN IN PARIS - PIANO CONCERTO
|
|
Symphony No.4, in B-Flat Major, Op.60, ILB 275: I. Adagio - Allegro vivace
|
BEETHOVEN: SYMPHONY No.4 - SYMPHONY No.6 "PASTORAL" - LEONORA OUVERTURE No.1
|
|
Symphony No.4, in B-Flat Major, Op.60, ILB 275: II. Adagio
|
BEETHOVEN: SYMPHONY No.4 - SYMPHONY No.6 "PASTORAL" - LEONORA OUVERTURE No.1
|
|
Symphony No.4, in B-Flat Major, Op.60, ILB 275: III. Allegro vivace
|
BEETHOVEN: SYMPHONY No.4 - SYMPHONY No.6 "PASTORAL" - LEONORA OUVERTURE No.1
|
|
Symphony No.4, in B-Flat Major, Op.60, ILB 275: IV. Allegro ma non troppo
|
BEETHOVEN: SYMPHONY No.4 - SYMPHONY No.6 "PASTORAL" - LEONORA OUVERTURE No.1
|
|
Symphony No.6, in F Major, Op.68, ILB 277: I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande. Allegro ma non troppo
|
BEETHOVEN: SYMPHONY No.4 - SYMPHONY No.6 "PASTORAL" - LEONORA OUVERTURE No.1
|
|
Symphony No.6, in F Major, Op.68, ILB 277: II. Scene am Bach. Andante molto moto
|
BEETHOVEN: SYMPHONY No.4 - SYMPHONY No.6 "PASTORAL" - LEONORA OUVERTURE No.1
|
|
Symphony No.6, in F Major, Op.68, ILB 277: III. Lustiges Zusammensein der Landleute. Allegro
|
BEETHOVEN: SYMPHONY No.4 - SYMPHONY No.6 "PASTORAL" - LEONORA OUVERTURE No.1
|
|
Symphony No.6, in F Major, Op.68, ILB 277: IV. Gewitter. Sturm. Allegro
|
BEETHOVEN: SYMPHONY No.4 - SYMPHONY No.6 "PASTORAL" - LEONORA OUVERTURE No.1
|
|
Symphony No.6, in F Major, Op.68, ILB 277: V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm. Allegretto
|
BEETHOVEN: SYMPHONY No.4 - SYMPHONY No.6 "PASTORAL" - LEONORA OUVERTURE No.1
|
|
Leonora Overture No.1, in C Major, Op.138, ILB 113
|
BEETHOVEN: SYMPHONY No.4 - SYMPHONY No.6 "PASTORAL" - LEONORA OUVERTURE No.1
|
|
Symphony No.4 in E Minor, Op.98, IJB 138: I. Allegro non troppo
|
BRAHMS: SYMPHONY No.4, TRAGIC OUVERTURE - WAGNER: PARSIFAL: PRELUDE AND GOOD FRIDAY MUSIC
|
|
Symphony No.4 in E Minor, Op.98, IJB 138: II. Andante moderato
|
BRAHMS: SYMPHONY No.4, TRAGIC OUVERTURE - WAGNER: PARSIFAL: PRELUDE AND GOOD FRIDAY MUSIC
|
|
Symphony No.4 in E Minor, Op.98, IJB 138: III. Allegro giocoso
|
BRAHMS: SYMPHONY No.4, TRAGIC OUVERTURE - WAGNER: PARSIFAL: PRELUDE AND GOOD FRIDAY MUSIC
|
|
Symphony No.4 in E Minor, Op.98, IJB 138: IV. Allegro energico e passionato
|
BRAHMS: SYMPHONY No.4, TRAGIC OUVERTURE - WAGNER: PARSIFAL: PRELUDE AND GOOD FRIDAY MUSIC
|
|
Tragic Overture, in D Minor, Op.81, IJB 142: Allegro ma non troppo - Molto più moderato - Tempo primo ma tranquillo
|
BRAHMS: SYMPHONY No.4, TRAGIC OUVERTURE - WAGNER: PARSIFAL: PRELUDE AND GOOD FRIDAY MUSIC
|
|
Parsifal, WWV 111, IRW 34: Ouverture and Good Friday Music
|
BRAHMS: SYMPHONY No.4, TRAGIC OUVERTURE - WAGNER: PARSIFAL: PRELUDE AND GOOD FRIDAY MUSIC
|
|
An American in Paris, IGG 1
|
GERSHWIN: RHAPSODY IN BLUE, AN AMERICAN IN PARIS, PIANO CONCERTO " CONCERTO IN FA MAGG"
|
|
Piano Concerto, in F Major, IGG 12: I. Allegro
|
GERSHWIN: RHAPSODY IN BLUE, AN AMERICAN IN PARIS, PIANO CONCERTO " CONCERTO IN FA MAGG"
|
|
Piano Concerto, in F Major, IGG 12: II. Adagio - Andante con moto
|
GERSHWIN: RHAPSODY IN BLUE, AN AMERICAN IN PARIS, PIANO CONCERTO " CONCERTO IN FA MAGG"
|
|
Piano Concerto, in F Major, IGG 12: III. Allegro agitato
|
GERSHWIN: RHAPSODY IN BLUE, AN AMERICAN IN PARIS, PIANO CONCERTO " CONCERTO IN FA MAGG"
|
|
La Bohème, IGP 1, Act I: "Questo Mar Rosso" (Marcello, Rodolfo, Colline)
|
PUCCINI: LA BOHÈME
|
|
La Bohème, IGP 1, Act I: "Legna! Sigari! Bordò!" (Rodolfo, Marcello, Colline, Schaunard)
|
PUCCINI: LA BOHÈME
|
|
La Bohème, IGP 1, Act I: "Si può? - Chi è là?" (Benoît, Marcello, Schaunard, Colline, Rodolfo)
|
PUCCINI: LA BOHÈME
|
|
La Bohème, IGP 1, Act I: "Non sono in vena" (Rodolfo, Mimì)
|
PUCCINI: LA BOHÈME
|
|
La Bohème, IGP 1, Act I: "Che gelida manina" (Rodolfo)
|
PUCCINI: LA BOHÈME
|
|
La Bohème, IGP 1, Act I: "Mi chiamano Mimì" (Mimì, Rodolfo, Marcello, Schaunard, Colline)
|
PUCCINI: LA BOHÈME
|
|
La Bohème, IGP 1, Act I: "O soave fanciulla" (Rodolfo, Mimì)
|
PUCCINI: LA BOHÈME
|
|
La Bohème, IGP 1, Act II: "Aranci, datteri" (Coro, Schaunard, Colline, Rodolfo, Mimì, Marcello)
|
PUCCINI: LA BOHÈME
|
|
La Bohème, IGP 1, Act II: "Ecco i giocattoli di Parpignol!" (Parpignol, Rodolfo, Colline, Marcello, Schaunard, Coro, Mimì)
|
PUCCINI: LA BOHÈME
|
|
La Bohème, IGP 1, Act II: "Ch'io beva del tossico!" (Marcello, Schaunard, Colline, Rodolfo, Coro, Alcindoro, Musetta, Mimì)
|
PUCCINI: LA BOHÈME
|
|
La Bohème, IGP 1, Act II: "Quando men vò" (Musetta, Marcello, Alcindoro, Mimì, Rodolfo, Schaunard, Colline)
|
PUCCINI: LA BOHÈME
|
|
La Bohème, IGP 1, Act II: "Caro! - Fuori il danaro!" (Colline, Rodolfo, Schaunard, Coro, Marcello, Musetta, Mimì)
|
PUCCINI: LA BOHÈME
|
