Claudio Abbado

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Till Eulenspiegels lustige Streiche, Op. 28, TrV 171
New Year's Eve Concert 1992
March No. 1 in D Major, K. 335 (320a)
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March No. 2 in D Major, K. 335 (320a)
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Masonic Funeral Music, K. 477 (479a): Adagio
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Great Mass in C Minor, K. 427 (417a): II. Gloria - Gratias agimus tibe - Allegro
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Symphony No. 9 in D Minor, Op. 125 "Choral": Symphony No. 9 in D Minor, Op. 125: IV. Finale, "O Freunde, nicht diese Töne!"
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Ein Sommernachtstraum (A Midsummer Night's Dream) Ouvertüre, Op.21 & Schauspielmusik, Op.61: Ouvertüre - Allegro di molto
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Ein Sommernachtstraum (A Midsummer Night's Dream) Ouvertüre, Op.21 & Schauspielmusik, Op.61: Elfenmarsch - Allegro vivace - "Schlimm treffen wir bei Mondenlicht"
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Ein Sommernachtstraum (A Midsummer Night's Dream) Ouvertüre, Op.21 & Schauspielmusik, Op.61: No. 3 Lied mit Chor - Allegro ma non troppo - "Kommt! Einen Ringel, einen Feensang! ... Bunte Schlangen, zweigezüngt!"
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Ein Sommernachtstraum (A Midsummer Night's Dream) Ouvertüre, Op.21 & Schauspielmusik, Op.61: No. 4 Andante: "Was du wirst erwachend sehn"
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Ein Sommernachtstraum (A Midsummer Night's Dream) Ouvertüre, Op.21 & Schauspielmusik, Op.61: No. 5 Intermezzo - Allegro appassionato - "Stets irrst du dich"
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Ein Sommernachtstraum (A Midsummer Night's Dream) Ouvertüre, Op.21 & Schauspielmusik, Op.61: No. 9 Hochzeitsmarsch - Allegro vivace - "Jetzt beheult der Wolf den Mond"
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Ein Sommernachtstraum (A Midsummer Night's Dream) Ouvertüre, Op.21 & Schauspielmusik, Op.61: Finale - Allegro di molto - "Bei des Feuers mattem Flimmern"
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Introduction and Allegro Appassionato in G Major, Op. 92
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Introduction and Allegro Concertante in D Minor, Op. 134
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Scenes from Goethe's Faust for Solo Voices, Chorus and Orchestra: Part One, Nr. 1, Szene im Garten: "Du kanntest mich, o kleiner Engel, wieder"
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Scenes from Goethe's Faust for Solo Voices, Chorus and Orchestra: Part One, Nr. 2, Gretchen vor dem Bild der Mater Dolorosa: "Ach neige, du Schmerzensreiche"
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Scenes from Goethe's Faust for Solo Voices, Chorus and Orchestra: Part One, Nr. 3, Szene im Dom: "Wie anders, Gretchen, war dir's"
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Szenen aus Goethes Faust, Part Two: Nr. 4, Ariel, Sonnenaufgang: "Die ihr dies Haupt umschwebt im luft'gen Kreise"
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Szenen aus Goethes Faust, Part Two: Nr. 4, Ariel, Sonnenaufgang: "Täler grünen, Hügel schwellen"
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Szenen aus Goethes Faust, Part Two: Nr. 4, Ariel, Sonnenaufgang: "Des Lebens Pulse schlagen frisch lebendig"
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Szenen aus Goethes Faust, Part Two: Nr. 4, Ariel, Sonnenaufgang: "So ist es also, wenn ein sehnend Hoffen"
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Szenen aus Goethes Faust, Part Two: Nr. 5, Mitternacht: "Ich heisse der Mangel"
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Szenen aus Goethes Faust, Part Two: Nr. 5, Mitternacht: "Die Nacht scheint tiefer tief hereinzudringen"
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Szenen aus Goethes Faust, Part Three: Nr. 7, Fausts Verklärung I: "Waldung, sie schwankt heran"
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Szenen aus Goethes Faust, Part Three: Nr. 7, Fausts Verklärung II: "Ewiger Wonnebrand"
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Szenen aus Goethes Faust, Part Three: Nr. 7, Fausts Verklärung III: "Wie Felsenabgrund mir zu Füßen"
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Szenen aus Goethes Faust, Part Three: Nr. 7, Fausts Verklärung III: "Welch ein Morgenwolken schwebet"
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Szenen aus Goethes Faust, Part Three: Nr. 7, Fausts Verklärung IV: "Gerettet ist das edle Glied"
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Szenen aus Goethes Faust, Part Three: Nr. 7, Fausts Verklärung IV: "Gerettet ist das edle Glied"
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Szenen aus Goethes Faust, Part Three: Nr. 7, Fausts Verklärung V: "Hier ist die Aussicht frei"
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Szenen aus Goethes Faust, Part Three: Nr. 7, Fausts Verklärung VI: "Dir, der Unberührbaren"
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Szenen aus Goethes Faust, Part Three: Nr. 7, Fausts Verklärung VII: "Alles Vergängliche ist nur ein Gleichnis"
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The Noonday Witch, Op. 108
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Khovanshchina: Aria of Shaklovity "Spit streleckoe gnezdo"
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Khovanshchina: The Departure of Prince Golizyn
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Khovanshchina: Aria of Marfa "Sily potajnye"
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Festive March From "Mlada"
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Khovanshchina, Act IV: Introduction (Golitzyn's Journey - Remastered)
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Salammbo: Chorus of Priestesses (Remastered)
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The Destruction of Sennacherib (For Chorus and orchestra - Remastered)
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Khovanshchina: Prelude (Dawn Over The Moscov River - Remastered)
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Triumphal March (The Capture Of Kars - Remastered)
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The Nutcracker Suite, Op. 71a (Ballet Suite): II. Danses Caractéristiques a) Marche - Tempo di marcia viva
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The Nutcracker Suite, Op. 71a (Ballet Suite): II. Danses Caractéristiques b) Danse de la Fée-Dragée. Andante non troppo
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The Nutcracker Suite, Op. 71a (Ballet Suite): II. Danses Caractéristiques c) Danse Russe Trepak. Molto vivace
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The Nutcracker Suite, Op. 71a (Ballet Suite): II. Danses Caractéristiques d) Danse Arabe - Allegretto
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The Nutcracker Suite, Op. 71a (Ballet Suite): II. Danses Caractéristiques e) Danse Chinoise - Allegro moderato
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The Nutcracker Suite, Op. 71a (Ballet Suite): II. Danses Caractéristiques f) Danse des Mirlitons - Moderato assai
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The Voyevoda, Op. 78 (Symphonic Ballad)
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Chamber Concerto for Piano and Violin with 13 Wind Instruments: I. Thema scherzoso con Variazioni, Variation II - langsames Walzertempo
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Chamber Concerto for Piano and Violin with 13 Wind Instruments: I. Thema scherzoso con Variazioni, Variation III - kräftig bewegt
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Drei Hymnen for Voice and Orchestra, Op. 71: II. Rückkehr in die Heimat
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An die Hoffnung for Voice and Orchestra, Op. 124
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Hölderlin Fragmente for Voice and Orchestra: Fragment 92
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Hölderlin Fragmente for Voice and Orchestra: Fragment 17 - Empedokles auf dem Ätna
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Hölderlin Fragmente for Voice and Orchestra: Fragment 4 - Lied des Schweden
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The Creatures of Prometheus, Op. 43 (Excerpts): No. 14, Solo della Cassentini - Andante
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The Creatures of Prometheus, Op. 43 (Excerpts): No. 15, Solo di Vigano - Andantino
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Prometeo Suite (Excerpts): Isola seconda: (b) Hölderlin
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"Il canto sospeso" for Soprano, Contralto and Tenor Solo, Mixed Chorus and Orchestra: Sofia, Zentralgefängnis 22. Juli 1942
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"Il canto sospeso" for Soprano, Contralto and Tenor Solo, Mixed Chorus and Orchestra: III. Soprano, alto e tenore soli e orchestra "mi portano e Kessariani per l'esecuzione"
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"Il canto sospeso" for Soprano, Contralto and Tenor Solo, Mixed Chorus and Orchestra: Meine lieben Eltern! - Die Tore öffnen sich - Leb wohl, Mutter - Lieber Onkel! - Nach wenigen Stunden - Mein lieber Kamerad!
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"Il canto sospeso" for Soprano, Contralto and Tenor Solo, Mixed Chorus and Orchestra: VI. Coro e orchestra a) "...le porto s'aprono"
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"Il canto sospeso" for Soprano, Contralto and Tenor Solo, Mixed Chorus and Orchestra: VII. Soprano solo, coro femminile e orch "..addio mamma"
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Kindertotenlieder "Song Cycle on Poems by Friedrich Rückert": I. Nun will die Sonn so hell aufgehn
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Kindertotenlieder "Song Cycle on Poems by Friedrich Rückert": III. Wenn dein Mütterlein
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Kindertotenlieder "Song Cycle on Poems by Friedrich Rückert": IV. Oft denk ich, sie sind nur ausgegangen
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Kindertotenlieder "Song Cycle on Poems by Friedrich Rückert": V. In diesem Wetter, in diesem Braus
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Il viaggio a Reims - Dramma giocoso in un atto: No. 1 Introduzione "Benché, grazie al mio talento"
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Il viaggio a Reims - Dramma giocoso in un atto: No. 1 Introduzione - "Or state attenti, badate bene"
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Il viaggio a Reims - Dramma giocoso in un atto: No. 2 Recitativo e Aria - "Ahimè! Sta in gran pericolo"
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Il viaggio a Reims - Dramma giocoso in un atto: No. 2 Recitativo e Aria -"Che miro! ah! qual sorpresa!"
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Il viaggio a Reims - Dramma giocoso in un atto: No. 2 Recitativo e Aria - "Grazie vi rendo, o Dei!"
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Il viaggio a Reims - Dramma giocoso in un atto: No. 2 Recitativo e Aria - "Eh! senti, mastro Antonio"
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Il viaggio a Reims - Dramma giocoso in un atto: No. 3 Sestetto - Aria di Corinna "Arpa gentil, che fida"
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Il viaggio a Reims - Dramma giocoso in un atto: No. 3 Sestetto - "Simbol di pace e gloria"
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Il viaggio a Reims - Dramma giocoso in un atto: No. 4 Scena e Aria - "Invan strapper dal core"
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Il viaggio a Reims - Dramma giocoso in un atto: No. 4 Scena e Aria "Dell'alma diva"
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Il viaggio a Reims - Dramma giocoso in un atto: Scena XIII, "Milord, una parola"
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Il viaggio a Reims - Dramma giocoso in un atto: No. 5 Recitativo e Duetto di Corinna e del Cavaliere - "Sola ritrovo alfin la bella Dea"
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Il viaggio a Reims - Dramma giocoso in un atto: No. 7 Gran Pezzo Concertato a 14 Voci - "Savio della Contessa il consiglio mi pare"
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Il viaggio a Reims - Dramma giocoso in un atto: No. 8 Scena e Duetto del Conte e della Marchesa - "Di che son reo?"
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Il viaggio a Reims - Dramma giocoso in un atto: No. 8 Scena e Duetto del Conte e della Marchesa - "D'alma celeste, o Dio!"
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Il viaggio a Reims - Dramma giocoso in un atto: No. 8 Scena e Duetto del Conte e della Marchesa - "Al barbaro rigore"
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Il viaggio a Reims - Dramma giocoso in un atto: No. 8 Scena e Duetto del Conte e della Marchesa - "Madama qui mi manda"
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Il viaggio a Reims - Dramma giocoso in un atto: No. 9 Finale - "L'allegria e un sommo bene"
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Il viaggio a Reims - Dramma giocoso in un atto: No. 9 Finale - "Or, secondo l'uso"
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Il viaggio a Reims - Dramma giocoso in un atto: No. 9 Finale - Inno Inglese "Dell'aurea pianta"
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Il viaggio a Reims - Dramma giocoso in un atto: No. 9 Finale - Tirolese "Piu vivace e piu fecondo"
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Il viaggio a Reims - Dramma giocoso in un atto: No. 9 Finale - "Corinna, or spetta a voi"
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Boris Godunov: Opera in Four Acts With a Prologue: Prologue, Scene 1: "Who are you adandoning us to"
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Boris Godunov: Opera in Four Acts With a Prologue: Prologue, Scene 1: "Who are you adandoning us to"
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Boris Godunov: Opera in Four Acts With a Prologue: Prologue, Scene 2: "Long live Tsar Boris Fyodorovich!"
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Boris Godunov: Opera in Four Acts With a Prologue: Act I, Scene 1: "For alLong time, honoured father"
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Boris Godunov: Opera in Four Acts With a Prologue: Act II: "In Uglich, in the cathedral, in front of all the people"
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Boris Godunov: Opera in Four Acts With a Prologue: Act III, Scene 1: "By the sky-blue waters of the vistula, under a shady willow"
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Boris Godunov: Opera in Four Acts With a Prologue: Act III, Scene 2:"That crafty Jesuit, he has got me firmly in the grip"
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Boris Godunov: Opera in Four Acts With a Prologue: Act III, Scene 2:"Oh, my turtledoves!"
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Boris Godunov: Opera in Four Acts With a Prologue: Act IV, Scene 1 (1869 Version): Introduction
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