Sonata for Piano Four-Hands in C Major, K. 521: I. Allegro

Sonata for Piano Four-Hands in C Major, K. 521: II. Andante

Sonata for Piano Four-Hands in C Major, K. 521: III. Allegretto

Sonata for Piano Four-Hands in B-Flat Major, K. 358/186c: I. Allegro

Sonata for Piano Four-Hands in B-Flat Major, K. 358/186c: II. Adagio

Sonata for Piano Four-Hands in B-Flat Major, K. 358/186c: III. Molto presto

Andante with 5 Variations, K. 501

Sonata for Piano Four-Hands in F Major, K. 497: I. Adagio - Allegro di molto

Sonata for Piano Four-Hands in F Major, K. 497: II. Andante

Sonata for Piano Four-Hands in F Major, K. 497: III. Allegro

Fugue in G Minor, K. 401/375e

Fantasia in F Minor, K. 608 "Orgelstück für eine Uhr" (Arr. for 2 Pianos)

Sonata for Piano Four-Hands in B-Flat Major, K. 358/186c: I. Allegro

Sonata for Piano Four-Hands in B-Flat Major, K. 358/186c: II. Adagio

Sonata for Piano Four-Hands in B-Flat Major, K. 358/186c: III. Molto presto

Andante with 5 Variations, K. 501

Sonata for Piano Four-Hands in F Major, K. 497: I. Adagio - Allegro di molto

Sonata for Piano Four-Hands in F Major, K. 497: II. Andante

Sonata for Piano Four-Hands in F Major, K. 497: III. Allegro

Fugue in G Minor, K. 401/375e

Fantasia in F Minor, K. 608 "Orgelstück für eine Uhr" (Arr. for 2 Pianos)

Sonata for 2 Pianos in D Major, K. 448/375a: I. Allegro

Sonata for 2 Pianos in D Major, K. 448/375a: II. Andante

Sonata for 2 Pianos in D Major, K. 448/375a: III. Molto allegro

Allegro & Andante in G Major, K. 357/497a & 500a: I. Allegro (Arr. for 2 Pianos)

Allegro & Andante in G Major, K. 357/497a & 500a: II. Andante (Arr. for 2 Pianos)

Sonata for Piano Four-Hands in C Major, K. 19d: I. Allegro

Sonata for Piano Four-Hands in C Major, K. 19d: II. Menuetto - Trio

Sonata for Piano Four-Hands in C Major, K. 19d: III. Rondeau. Allegretto

Larghetto & Allegro for 2 Pianos in E-Flat Major, K. deest: I. Larghetto

Larghetto & Allegro for 2 Pianos in E-Flat Major, K. deest: II. Allegro

Adagio, K. 546 & Fugue in C Minor, K. 426: I. Adagio (Arr. for 2 Pianos)

Adagio, K. 546 & Fugue in C Minor, K. 426: II. Fugue: Allegro moderato (Arr. for 2 Pianos)

Sonata for Piano Four-Hands in D Major, K. 381/123a: I. Allegro

Sonata for Piano Four-Hands in D Major, K. 381/123a: II. Andante

Sonata for Piano Four-Hands in D Major, K. 381/123a: III. Allegro molto

Fantasia in F Minor, K. 594 "Stück für ein Orgelwerk in einer Uhr" (Arr. for 2 Pianos): Adagio - Allegro - Adagio

Allegro & Andante in G Major, K. 357/497a & 500a: I. Allegro

Allegro & Andante in G Major, K. 357/497a & 500a: II. Andante

Sonata for Piano Four-Hands in C Major, K. 521: I. Allegro

Sonata for Piano Four-Hands in C Major, K. 521: II. Andante

Sonata for Piano Four-Hands in C Major, K. 521: III. Allegretto

Studies for 2 Pianos on "The Art of Fugue", BWV 1080 by J.S. Bach: Studie 1: Nicht zu langsam (Contrapunctus 1)

Studies for 2 Pianos on "The Art of Fugue", BWV 1080 by J.S. Bach: Studie 2: Sehr schnell (Contrapunctus 2)

Studies for 2 Pianos on "The Art of Fugue", BWV 1080 by J.S. Bach: Studie 3: Leicht schwebend, nicht zu langsam (Contrapunctus 3)

Studies for 2 Pianos on "The Art of Fugue", BWV 1080 by J.S. Bach: Studie 4: Nicht zu langsam (Contrapunctus 4)

Studies for 2 Pianos on "The Art of Fugue", BWV 1080 by J.S. Bach: Studie 5: Langsam (Contrapunctus 5)

Studies for 2 Pianos on "The Art of Fugue", BWV 1080 by J.S. Bach: Studie 6: Langsam (Contrapunctus 6 per Diminutionem in Stylo Francese)

Studies for 2 Pianos on "The Art of Fugue", BWV 1080 by J.S. Bach: Studie 7: Nicht zu schnell (Contrapunctus 7 per Augmentationem et Diminutionem)

Studies for 2 Pianos on "The Art of Fugue", BWV 1080 by J.S. Bach: Studie 8: Nicht zu langsam (Contrapunctus 8)

Studies for 2 Pianos on "The Art of Fugue", BWV 1080 by J.S. Bach: Studie 9: Sehr schnell (Contrapunctus 9 alla Duodecima)

Studies for 2 Pianos on "The Art of Fugue", BWV 1080 by J.S. Bach: Studie 10: Schnell (Contrapunctus 10 alla Decima)

Studies for 2 Pianos on "The Art of Fugue", BWV 1080 by J.S. Bach: Studie 11: Prestissimo possibile (Contrapunctus 11)

Studies for 2 Pianos on "The Art of Fugue", BWV 1080 by J.S. Bach: Studie 12: Langsam (Contrapunctus 12 Rectus+Inversus)

Studies for 2 Pianos on "The Art of Fugue", BWV 1080 by J.S. Bach: Studie 12a: Nicht zu langsam (Contrapunctus 12 Rectus+Inversus)

Studies for 2 Pianos on "The Art of Fugue", BWV 1080 by J.S. Bach: Studie 13: Prestissimo possibile (Contrapunctus 13 Rectus+Inversus)

Studies for 2 Pianos on "The Art of Fugue", BWV 1080 by J.S. Bach: Studie 13a: Schnell (Contrapunctus 13 Rectus+Inversus)

Studies for 2 Pianos on "The Art of Fugue", BWV 1080 by J.S. Bach: Studie 14: Nicht zu langsam (Canon in Hypodiatesseron per Augmentationem in Contrario Motu)

Studies for 2 Pianos on "The Art of Fugue", BWV 1080 by J.S. Bach: Studie 15: Schnell (Canon in Hypodiapason - Canon alla Ottava)

Studies for 2 Pianos on "The Art of Fugue", BWV 1080 by J.S. Bach: Studie 16: Nicht zu schnell (Canon alla Decima. Contrapunto alla Terza)

Studies for 2 Pianos on "The Art of Fugue", BWV 1080 by J.S. Bach: Studie 17: Presto feroce (Canon alla Duodecima in Contrapunto alla Quinta)

Studies for 2 Pianos on "The Art of Fugue", BWV 1080 by J.S. Bach: Studie 18: Maestoso, ma molto calmo (Fuga a 3 (4) Soggetti)

Studies for 2 Pianos on "The Art of Fugue", BWV 1080 by J.S. Bach: Studie 1: Nicht zu langsam (Contrapunctus 1)

Studies for 2 Pianos on "The Art of Fugue", BWV 1080 by J.S. Bach: Studie 2: Sehr schnell (Contrapunctus 2)

Studies for 2 Pianos on "The Art of Fugue", BWV 1080 by J.S. Bach: Studie 3: Leicht schwebend, nicht zu langsam (Contrapunctus 3)

Studies for 2 Pianos on "The Art of Fugue", BWV 1080 by J.S. Bach: Studie 4: Nicht zu langsam (Contrapunctus 4)

Studies for 2 Pianos on "The Art of Fugue", BWV 1080 by J.S. Bach: Studie 5: Langsam (Contrapunctus 5)

Studies for 2 Pianos on "The Art of Fugue", BWV 1080 by J.S. Bach: Studie 6: Langsam (Contrapunctus 6 per Diminutionem in Stylo Francese)

Studies for 2 Pianos on "The Art of Fugue", BWV 1080 by J.S. Bach: Studie 7: Nicht zu schnell (Contrapunctus 7 per Augmentationem et Diminutionem)

Studies for 2 Pianos on "The Art of Fugue", BWV 1080 by J.S. Bach: Studie 8: Nicht zu langsam (Contrapunctus 8)

Studies for 2 Pianos on "The Art of Fugue", BWV 1080 by J.S. Bach: Studie 9: Sehr schnell (Contrapunctus 9 alla Duodecima)

Studies for 2 Pianos on "The Art of Fugue", BWV 1080 by J.S. Bach: Studie 10: Schnell (Contrapunctus 10 alla Decima)

Studies for 2 Pianos on "The Art of Fugue", BWV 1080 by J.S. Bach: Studie 11: Prestissimo possibile (Contrapunctus 11)

Studies for 2 Pianos on "The Art of Fugue", BWV 1080 by J.S. Bach: Studie 12: Langsam (Contrapunctus 12 Rectus+Inversus)

Studies for 2 Pianos on "The Art of Fugue", BWV 1080 by J.S. Bach: Studie 12a: Nicht zu langsam (Contrapunctus 12 Rectus+Inversus)

Studies for 2 Pianos on "The Art of Fugue", BWV 1080 by J.S. Bach: Studie 13: Prestissimo possibile (Contrapunctus 13 Rectus+Inversus)

Studies for 2 Pianos on "The Art of Fugue", BWV 1080 by J.S. Bach: Studie 13a: Schnell (Contrapunctus 13 Rectus+Inversus)

Studies for 2 Pianos on "The Art of Fugue", BWV 1080 by J.S. Bach: Studie 14: Nicht zu langsam (Canon in Hypodiatesseron per Augmentationem in Contrario Motu)

Studies for 2 Pianos on "The Art of Fugue", BWV 1080 by J.S. Bach: Studie 15: Schnell (Canon in Hypodiapason - Canon alla Ottava)

Studies for 2 Pianos on "The Art of Fugue", BWV 1080 by J.S. Bach: Studie 16: Nicht zu schnell (Canon alla Decima. Contrapunto alla Terza)

Studies for 2 Pianos on "The Art of Fugue", BWV 1080 by J.S. Bach: Studie 17: Presto feroce (Canon alla Duodecima in Contrapunto alla Quinta)

Studies for 2 Pianos on "The Art of Fugue", BWV 1080 by J.S. Bach: Studie 18: Maestoso, ma molto calmo (Fuga a 3 (4) Soggetti)

Studies for 2 Pianos on "The Art of Fugue", BWV 1080 by J.S. Bach: Studie 1: Nicht zu langsam (Contrapunctus 1)

Studies for 2 Pianos on "The Art of Fugue", BWV 1080 by J.S. Bach: Studie 2: Sehr schnell (Contrapunctus 2)

Studies for 2 Pianos on "The Art of Fugue", BWV 1080 by J.S. Bach: Studie 3: Leicht schwebend, nicht zu langsam (Contrapunctus 3)

Studies for 2 Pianos on "The Art of Fugue", BWV 1080 by J.S. Bach: Studie 4: Nicht zu langsam (Contrapunctus 4)

Studies for 2 Pianos on "The Art of Fugue", BWV 1080 by J.S. Bach: Studie 5: Langsam (Contrapunctus 5)

Studies for 2 Pianos on "The Art of Fugue", BWV 1080 by J.S. Bach: Studie 6: Langsam (Contrapunctus 6 per Diminutionem in Stylo Francese)

Studies for 2 Pianos on "The Art of Fugue", BWV 1080 by J.S. Bach: Studie 7: Nicht zu schnell (Contrapunctus 7 per Augmentationem et Diminutionem)

Studies for 2 Pianos on "The Art of Fugue", BWV 1080 by J.S. Bach: Studie 8: Nicht zu langsam (Contrapunctus 8)

Studies for 2 Pianos on "The Art of Fugue", BWV 1080 by J.S. Bach: Studie 9: Sehr schnell (Contrapunctus 9 alla Duodecima)

Studies for 2 Pianos on "The Art of Fugue", BWV 1080 by J.S. Bach: Studie 10: Schnell (Contrapunctus 10 alla Decima)

Studies for 2 Pianos on "The Art of Fugue", BWV 1080 by J.S. Bach: Studie 11: Prestissimo possibile (Contrapunctus 11)

Studies for 2 Pianos on "The Art of Fugue", BWV 1080 by J.S. Bach: Studie 12: Langsam (Contrapunctus 12 Rectus+Inversus)

Studies for 2 Pianos on "The Art of Fugue", BWV 1080 by J.S. Bach: Studie 12a: Nicht zu langsam (Contrapunctus 12 Rectus+Inversus)

Studies for 2 Pianos on "The Art of Fugue", BWV 1080 by J.S. Bach: Studie 13: Prestissimo possibile (Contrapunctus 13 Rectus+Inversus)

Studies for 2 Pianos on "The Art of Fugue", BWV 1080 by J.S. Bach: Studie 13a: Schnell (Contrapunctus 13 Rectus+Inversus)

Studies for 2 Pianos on "The Art of Fugue", BWV 1080 by J.S. Bach: Studie 14: Nicht zu langsam (Canon in Hypodiatesseron per Augmentationem in Contrario Motu)

Studies for 2 Pianos on "The Art of Fugue", BWV 1080 by J.S. Bach: Studie 15: Schnell (Canon in Hypodiapason - Canon alla Ottava)

Studies for 2 Pianos on "The Art of Fugue", BWV 1080 by J.S. Bach: Studie 16: Nicht zu schnell (Canon alla Decima. Contrapunto alla Terza)