|
Le sacre du printemps (The Rite of Spring): Première partie: L'adoration de la terre (Part I: Adoration of the Earth): Le sage (The Sage)
|
Igor Stravinsky - Le sacre du printemps (100th Anniversary Collectors Edition)
|
|
Le sacre du printemps (The Rite of Spring): Première partie: L'adoration de la terre (Part I: Adoration of the Earth): Danse de la terre (Dance of the Earth)
|
Igor Stravinsky - Le sacre du printemps (100th Anniversary Collectors Edition)
|
|
Le sacre du printemps (The Rite of Spring): Seconde partie: Le sacrifice (Part II: The Sacrifice): Cercles mysterieux des adolescentes (Mystic Circles of the Young Girls)
|
Igor Stravinsky - Le sacre du printemps (100th Anniversary Collectors Edition)
|
|
Le sacre du printemps (The Rite of Spring): Seconde partie: Le sacrifice (Part II: The Sacrifice): Glorification de l'élue (Glorification of the Chosen One)
|
Igor Stravinsky - Le sacre du printemps (100th Anniversary Collectors Edition)
|
|
Le sacre du printemps (The Rite of Spring): Seconde partie: Le sacrifice (Part II: The Sacrifice): Evocation des ancêtres (Evocation of the Ancestors)
|
Igor Stravinsky - Le sacre du printemps (100th Anniversary Collectors Edition)
|
|
Le sacre du printemps (The Rite of Spring): Seconde partie: Le sacrifice (Part II: The Sacrifice): Action rituelle des ancêtres (Ritual Action of the Ancestors)
|
Igor Stravinsky - Le sacre du printemps (100th Anniversary Collectors Edition)
|
|
Le sacre du printemps (The Rite of Spring): Seconde partie: Le sacrifice (Part II: The Sacrifice): Danse sacrale (Sacrificial Dance)
|
Igor Stravinsky - Le sacre du printemps (100th Anniversary Collectors Edition)
|
|
Also Sprach Zarathustra, Op. 30 - Tone-poem for large orchestra (freely after Friedrich Nietzsche): Von den Hintersweltern
|
Richard Strauss: Also sprach Zarathustra, Op. 30, TrV 176 & Don Juan, Op. 20, TrV 156
|
|
Also Sprach Zarathustra, Op. 30 - Tone-poem for large orchestra (freely after Friedrich Nietzsche): Von den Freuden und Leidenschaften
|
Richard Strauss: Also sprach Zarathustra, Op. 30, TrV 176 & Don Juan, Op. 20, TrV 156
|
|
Also Sprach Zarathustra, Op. 30 - Tone-poem for large orchestra (freely after Friedrich Nietzsche): Das Grablied
|
Richard Strauss: Also sprach Zarathustra, Op. 30, TrV 176 & Don Juan, Op. 20, TrV 156
|
|
Also Sprach Zarathustra, Op. 30 - Tone-poem for large orchestra (freely after Friedrich Nietzsche): Von der Wissenschaft
|
Richard Strauss: Also sprach Zarathustra, Op. 30, TrV 176 & Don Juan, Op. 20, TrV 156
|
|
Also Sprach Zarathustra, Op. 30 - Tone-poem for large orchestra (freely after Friedrich Nietzsche): Das Tanzlied
|
Richard Strauss: Also sprach Zarathustra, Op. 30, TrV 176 & Don Juan, Op. 20, TrV 156
|
|
Also Sprach Zarathustra, Op. 30 - Tone-poem for large orchestra (freely after Friedrich Nietzsche): Nachtwandlerlied
|
Richard Strauss: Also sprach Zarathustra, Op. 30, TrV 176 & Don Juan, Op. 20, TrV 156
|
|
Also Sprach Zarathustra, Op. 30 - Tone-poem for large orchestra (freely after Friedrich Nietzsche): Langasm
|
Richard Strauss: Also sprach Zarathustra, Op. 30, TrV 176 & Don Juan, Op. 20, TrV 156
|
|
Symphony No. 2 in D Major, Op. 73: I. Allegro non troppo
|
Beethoven: Symphony No. 6
|
|
12 Contredanses, WoO 14
|
Beethoven: Symphony No. 3 in E-Flat Major, Op. 55 "Eroica" & 12 Contredanses, WoO 14
|
|
Variations on a Theme by Joseph Haydn, Op. 56a (St. Antoni): Thema: Chorale St. Antoni: Andante
|
Brahms: Serenade No. 2, Op. 16, Variations on a Theme by Joseph Haydn, Three Hungarian Dances, and Five Hungarian Dances
|
|
Variations on a Theme by Joseph Haydn, Op. 56a (St. Antoni): Variation I: Poco piu animato
|
Brahms: Serenade No. 2, Op. 16, Variations on a Theme by Joseph Haydn, Three Hungarian Dances, and Five Hungarian Dances
|
|
Variations on a Theme by Joseph Haydn, Op. 56a (St. Antoni): Variation II: Piu vivace
|
Brahms: Serenade No. 2, Op. 16, Variations on a Theme by Joseph Haydn, Three Hungarian Dances, and Five Hungarian Dances
|
|
Variations on a Theme by Joseph Haydn, Op. 56a (St. Antoni): Variation III: Con moto
|
Brahms: Serenade No. 2, Op. 16, Variations on a Theme by Joseph Haydn, Three Hungarian Dances, and Five Hungarian Dances
|
|
Variations on a Theme by Joseph Haydn, Op. 56a (St. Antoni): Variation IV: Andante con moto
|
Brahms: Serenade No. 2, Op. 16, Variations on a Theme by Joseph Haydn, Three Hungarian Dances, and Five Hungarian Dances
|
|
Variations on a Theme by Joseph Haydn, Op. 56a (St. Antoni): Variation V: Vivace
|
Brahms: Serenade No. 2, Op. 16, Variations on a Theme by Joseph Haydn, Three Hungarian Dances, and Five Hungarian Dances
|
|
Variations on a Theme by Joseph Haydn, Op. 56a (St. Antoni): Variation VI: Vivace
|
Brahms: Serenade No. 2, Op. 16, Variations on a Theme by Joseph Haydn, Three Hungarian Dances, and Five Hungarian Dances
|
|
Variations on a Theme by Joseph Haydn, Op. 56a (St. Antoni): Variation VII: Grazioso
|
Brahms: Serenade No. 2, Op. 16, Variations on a Theme by Joseph Haydn, Three Hungarian Dances, and Five Hungarian Dances
|
|
Variations on a Theme by Joseph Haydn, Op. 56a (St. Antoni): Variation VIII: Presto non troppo
|
Brahms: Serenade No. 2, Op. 16, Variations on a Theme by Joseph Haydn, Three Hungarian Dances, and Five Hungarian Dances
|
|
Variations on a Theme by Joseph Haydn, Op. 56a (St. Antoni): Finale: Andante
|
Brahms: Serenade No. 2, Op. 16, Variations on a Theme by Joseph Haydn, Three Hungarian Dances, and Five Hungarian Dances
|
|
Variations on a Theme by Joseph Haydn, Op. 56a (St. Antoni): Thema: Chorale St. Antoni: Andante
|
Brahms: Ungarische Tänze
|
|
Variations on a Theme by Joseph Haydn, Op. 56a (St. Antoni): Variation I: Poco piu animato
|
Brahms: Ungarische Tänze
|
|
Variations on a Theme by Joseph Haydn, Op. 56a (St. Antoni): Variation II: Piu vivace
|
Brahms: Ungarische Tänze
|
|
Variations on a Theme by Joseph Haydn, Op. 56a (St. Antoni): Variation III: Con moto
|
Brahms: Ungarische Tänze
|
|
Variations on a Theme by Joseph Haydn, Op. 56a (St. Antoni): Variation IV: Andante con moto
|
Brahms: Ungarische Tänze
|
|
Variations on a Theme by Joseph Haydn, Op. 56a (St. Antoni): Variation V: Vivace
|
Brahms: Ungarische Tänze
|
|
Variations on a Theme by Joseph Haydn, Op. 56a (St. Antoni): Variation VI: Vivace
|
Brahms: Ungarische Tänze
|
|
Variations on a Theme by Joseph Haydn, Op. 56a (St. Antoni): Variation VII: Grazioso
|
Brahms: Ungarische Tänze
|
|
Variations on a Theme by Joseph Haydn, Op. 56a (St. Antoni): Variation VIII: Presto non troppo
|
Brahms: Ungarische Tänze
|
|
Variations on a Theme by Joseph Haydn, Op. 56a (St. Antoni): Finale: Andante
|
Brahms: Ungarische Tänze
|
|
Tuck and Roll: Puffe
|
Tuck And Roll
|
|
Eating Greens: Part I: Religion, Food, Art: (Lethargical) Reformation
|
Tuck And Roll
|
|
Eating Greens: Part I: Religion, Food, Art: Whim And Rigor (Homage to Henri Matisse)
|
Tuck And Roll
|
|
Die sieben Todsünden (The Seven Deadly Sins): Introduction (Andante sostenuto)
|
Weill: The Seven Deadly Sins and The Threepenny Opera - The Sony Opera House
|
|
Die sieben Todsünden (The Seven Deadly Sins): Sloth (Allegro vivace)
|
Weill: The Seven Deadly Sins and The Threepenny Opera - The Sony Opera House
|
|
Die sieben Todsünden (The Seven Deadly Sins): Pride (Allegretto, quasi andantino - Schneller Walzer)
|
Weill: The Seven Deadly Sins and The Threepenny Opera - The Sony Opera House
|
|
Die sieben Todsünden (The Seven Deadly Sins): Anger (Molto agitato)
|
Weill: The Seven Deadly Sins and The Threepenny Opera - The Sony Opera House
|
|
Die sieben Todsünden (The Seven Deadly Sins): Gluttony (Largo)
|
Weill: The Seven Deadly Sins and The Threepenny Opera - The Sony Opera House
|
|
Die sieben Todsünden (The Seven Deadly Sins): Lechery (Moderato)
|
Weill: The Seven Deadly Sins and The Threepenny Opera - The Sony Opera House
|
|
Die sieben Todsünden (The Seven Deadly Sins): Avarice (Allegro giusto)
|
Weill: The Seven Deadly Sins and The Threepenny Opera - The Sony Opera House
|
|
Die sieben Todsünden (The Seven Deadly Sins): Envy (Allegro non troppo - Alla marcia, un poco tenuto)
|
Weill: The Seven Deadly Sins and The Threepenny Opera - The Sony Opera House
|
|
Die sieben Todsünden (The Seven Deadly Sins): Finaletto (Andante sostenuto)
|
Weill: The Seven Deadly Sins and The Threepenny Opera - The Sony Opera House
|
|
Kleine Dreigroschenmusik (Little Threepenny Music): Overture (Maestoso)
|
Weill: The Seven Deadly Sins and The Threepenny Opera - The Sony Opera House
|
|
Kleine Dreigroschenmusik (Little Threepenny Music): The Moritat of Mack The Knife (Moderato assai)
|
Weill: The Seven Deadly Sins and The Threepenny Opera - The Sony Opera House
|
|
Kleine Dreigroschenmusik (Little Threepenny Music): The Instead-of Song (Moderato)
|
Weill: The Seven Deadly Sins and The Threepenny Opera - The Sony Opera House
|
|
Kleine Dreigroschenmusik (Little Threepenny Music): The Ballad Of The Easy Life (Foxtrot: Molto leggiero)
|
Weill: The Seven Deadly Sins and The Threepenny Opera - The Sony Opera House
|
|
Kleine Dreigroschenmusik (Little Threepenny Music): Polly's Song (Andante con moto)
|
Weill: The Seven Deadly Sins and The Threepenny Opera - The Sony Opera House
|
|
Kleine Dreigroschenmusik (Little Threepenny Music): Tango-Ballad
|
Weill: The Seven Deadly Sins and The Threepenny Opera - The Sony Opera House
|
|
Kleine Dreigroschenmusik (Little Threepenny Music): Cannon Song (Charleston Tempo)
|
Weill: The Seven Deadly Sins and The Threepenny Opera - The Sony Opera House
|
|
Kleine Dreigroschenmusik (Little Threepenny Music): Threepenny Finale
|
Weill: The Seven Deadly Sins and The Threepenny Opera - The Sony Opera House
|
|
Bachianas Brasileiras No. 5, W. 389: I. Ária (Cantilena)
|
I Love Mom
|
|
Selections from "The Nutcracker": Scene IV: Arrival of Drosselmeyer
|
Tchaikovsky: The Nutcracker
|
|
Selections from "The Nutcracker": Scene XIII: Waltz of the Flowers
|
Tchaikovsky: The Nutcracker
|
|
Selections from "The Nutcracker": Scene XIV: a) Pas de Deux
|
Tchaikovsky: The Nutcracker
|
|
Selections from "The Nutcracker": Scene XV: Waltz Finale
|
Tchaikovsky: The Nutcracker
|
|
La Mer, L. 109: I. De l'aube à midi sur la mer
|
Debussy : Édition centenaire
|
|
La Mer, L. 109: II. Jeux de vagues
|
Debussy : Édition centenaire
|
|
La Mer, L. 109: III. Dialogue du vent et de la mer
|
Debussy : Édition centenaire
|
|
Nocturnes, L. 91: I. Nuages. Modéré - Un peu animé
|
Debussy : Édition centenaire
|
|
Nocturnes, L. 91: II. Fêtes. Animé et tres rythmé
|
Debussy : Édition centenaire
|
|
Nocturnes, L. 91: III. Sirènes. Modérément animé
|
Debussy : Édition centenaire
|
|
La Mer, L. 109: III. Dialogue du vent et de la mer
|
Je n'aime pas Debussy, mais ça j'aime bien !
|
|
Nocturnes, L. 91: II. Fêtes. Animé et tres rythmé
|
Je n'aime pas Debussy, mais ça j'aime bien !
|
|
Ye Christian Heralds
|
Michael Tilson Thomas Conducts Ives
|
|
Symphony No. 3, "The Camp Meeting": I. Old Folks Gatherin'. Andante maestoso
|
Michael Tilson Thomas Conducts Ives
|
|
Orchestral Set No. 2: II. The Rockstrewn Hills Join in the People's Outdoor Meeting
|
Michael Tilson Thomas Conducts Ives
|
|
A Symphony - New England Holidays: I. George Washington's Birthday
|
Michael Tilson Thomas Conducts Ives
|
|
A Symphony - New England Holidays: IV. Thanksgiving and Forefathers' Day
|
Michael Tilson Thomas Conducts Ives
|
|
114 Songs: No. 102, Memories
|
Michael Tilson Thomas Conducts Ives
|
|
Orchestral Set No. 1 - 3 Places in New England: II. Putnam's Camp, Redding, Connecticut
|
Michael Tilson Thomas Conducts Ives
|
|
Orchestral Set No. 1 - 3 Places in New England: III. The Housatonic at Stockbridge
|
Michael Tilson Thomas Conducts Ives
|
|
Ma mère l'oye, M. 60 (Five Pieces for Children): I. Pavane de la belles au bois dormant
|
Ravel: La Valse & Ma mère l'oye & Pavane pour une infante défunte - Debussy: Petite Suite - Satie: 2 Gymnopédies
|
|
Ma mère l'oye, M. 60 (Five Pieces for Children): II. Petit poucet
|
Ravel: La Valse & Ma mère l'oye & Pavane pour une infante défunte - Debussy: Petite Suite - Satie: 2 Gymnopédies
|
|
Ma mère l'oye, M. 60 (Five Pieces for Children): III. Laideronnette, Imperatrice des Pagodes
|
Ravel: La Valse & Ma mère l'oye & Pavane pour une infante défunte - Debussy: Petite Suite - Satie: 2 Gymnopédies
|
|
Ma mère l'oye, M. 60 (Five Pieces for Children): IV. Les entretiens de la belle et de la bête
|
Ravel: La Valse & Ma mère l'oye & Pavane pour une infante défunte - Debussy: Petite Suite - Satie: 2 Gymnopédies
|
|
Ma mère l'oye, M. 60 (Five Pieces for Children): V. Le jardin féerique
|
Ravel: La Valse & Ma mère l'oye & Pavane pour une infante défunte - Debussy: Petite Suite - Satie: 2 Gymnopédies
|
|
Ma mère l'oye, M. 60 (Five Pieces for Children): I. Pavane de la belles au bois dormant
|
Ravel: La Valse & Ma mère l'oye & Pavane pour une infante défunte - Debussy: Petite Suite - Satie: 2 Gymnopédies
|
|
Ma mère l'oye, M. 60 (Five Pieces for Children): II. Petit poucet
|
Ravel: La Valse & Ma mère l'oye & Pavane pour une infante défunte - Debussy: Petite Suite - Satie: 2 Gymnopédies
|
|
Ma mère l'oye, M. 60 (Five Pieces for Children): III. Laideronnette, Imperatrice des Pagodes
|
Ravel: La Valse & Ma mère l'oye & Pavane pour une infante défunte - Debussy: Petite Suite - Satie: 2 Gymnopédies
|
|
Ma mère l'oye, M. 60 (Five Pieces for Children): IV. Les entretiens de la belle et de la bête
|
Ravel: La Valse & Ma mère l'oye & Pavane pour une infante défunte - Debussy: Petite Suite - Satie: 2 Gymnopédies
|
|
Ma mère l'oye, M. 60 (Five Pieces for Children): V. Le jardin féerique
|
Ravel: La Valse & Ma mère l'oye & Pavane pour une infante défunte - Debussy: Petite Suite - Satie: 2 Gymnopédies
|
