Armida: Dramma per musica in tre atti di Giovanni Schmidt: No. 12 Coro di Ninfe: T'inganni - Qui tutto e calma (Bruce Fowler, Jorio Zennaro, Chorus) (Voice)

Armida: Dramma per musica in tre atti di Giovanni Schmidt: Recitativo: Fuggite, inferni mostri (Jorio Zennaro, Bruce Fowler) (Voice)

Armida: Dramma per musica in tre atti di Giovanni Schmidt: No. 13 Duetto: Soavi catene (Renée Fleming, Gregory Kunde) (Voice)

Armida: Dramma per musica in tre atti di Giovanni Schmidt: Recitativo: O mio Rinaldo (Renée Fleming, Gregory Kunde) (Voice)

Armida: Dramma per musica in tre atti di Giovanni Schmidt: Amico, inoltra il pie (Jorio Zennaro, Gregory Kunde, Bruce Fowler) (Voice)

Armida: Dramma per musica in tre atti di Giovanni Schmidt: No. 14 Terzetto: In quale aspetto imbelle (Gregory Kunde, Bruce Fowler, Jorio Zennaro) (Voice)

Armida: Dramma per musica in tre atti di Giovanni Schmidt: Vedi qual reo governo (Jorio Zennaro, Bruce Fowler, Gregory Kunde) (Voice)

Armida: Dramma per musica in tre atti di Giovanni Schmidt: Unitevi a gara (Gregory Kunde, Jorio Zennaro, Bruce Fowler) (Voice)

Armida: Dramma per musica in tre atti di Giovanni Schmidt: Recitativo: Dov'e...dove si cela? (Renée Fleming) (Voice)

Armida: Dramma per musica in tre atti di Giovanni Schmidt: Sia lode al ciel (Jorio Zennaro, Bruce Fowler, Gregory Kunde, Renée Fleming) (Voice)

Armida: Dramma per musica in tre atti di Giovanni Schmidt: Ed e pur vero? (Renée Fleming, Gregory Kunde, Jorio Zennaro, Bruce Fowler) (Voice)

Armida: Dramma per musica in tre atti di Giovanni Schmidt: No. 15 Finale terzo: Se al mio crudel (Renée Fleming, Gregory Kunde, Jorio Zennaro, Bruce Fowler) (Voice)

Armida: Dramma per musica in tre atti di Giovanni Schmidt: Dove son io?...Fuggi! (Renée Fleming) (Voice)

Armida: Dramma per musica in tre atti di Giovanni Schmidt: E' ver...gode quest anima (Renée Fleming, Chorus) (Voice)

La mer, L. 109: No. 1, De l'aube a midi sur la mer

La mer, L. 109: No. 2, Jeux de vagues

La mer, L. 109: No. 3, Dialogue du vent et de la mer

Prélude à l'après-midi d'un faune, L. 86

Images pour orchestre, L. 122: I. Gigues

Images pour orchestre, L. 122: IIa. Ibéria. Par les rues et par les chemins

Images pour orchestre, L. 122: IIb. Ibéria. Les parfums de la nuit

Images pour orchestre, L. 122: IIc. Ibéria. Le matin d'un jour de fête

Images pour orchestre, L. 122: III. Rondes de printemps

La mer, L. 109: No. 1, De l'aube a midi sur la mer

La mer, L. 109: No. 2, Jeux de vagues

La mer, L. 109: No. 3, Dialogue du vent et de la mer

Prélude à l'après-midi d'un faune, L. 86

Images pour orchestre, L. 122: I. Gigues

Images pour orchestre, L. 122: IIa. Ibéria. Par les rues et par les chemins

Images pour orchestre, L. 122: IIb. Ibéria. Les parfums de la nuit

Images pour orchestre, L. 122: IIc. Ibéria. Le matin d'un jour de fête

Images pour orchestre, L. 122: III. Rondes de printemps

Petroushka: Scene 1: The Shrove-tide Fair

Petroushka: Scene 1: The Conjuring Trick ((Fig 58, P.34))

Petroushka: Scene 1: Russian Dance ((Fig 64, P.39))

Petroushka: Scene 2: Petroushka's Room ((Fig 93, P.58))

Petroushka: Scene 3: The Moor's Room ((Fig 120, P.74))

Petroushka: Scene 3: Dance of the Ballerina ((1 Bar Before Fig 134, P.81))

Petroushka: Scene 3: Waltz (Ballerina and Moor) ((Fig 140, P.83))

Petroushka: Scene 4: The Shrove-tide Fair (Towards Evening) ((Fig 161, P.95))

Petroushka: Scene 4: Dance of the Wet Nurses ((Fig 170, P.104))

Petroushka: Scene 4: Dance of the Peasant and the Bear ((Fig 188, P.121))

Petroushka: Scene 4: Dance of the Gypsy Girls ((Fig 196, P.126))

Petroushka: Scene 4: Dance of the Coachmen and Grooms ((Fig 213, P.136))

Petroushka: Scene 4: The Masqueraders ((Fig 234, P.152))

Petroushka: Scene 4: The Scuffle ((Fig 251, P.165))

Petroushka: Scene 4: The Death of Petroushka ((Fig 258, P.168))

Petroushka: Scene 4: Police and the Juggler ((Fig 260, P.169))

Petroushka: Scene 4: Apparition of Petroushka's Double ((Fig 265, P.171))

Le sacre du printemps (The Rite of Spring): Part One: The Adoration of the Earth: Introduction (Lento - Più mosso - Tempo I)

Le sacre du printemps (The Rite of Spring): Part One: The Adoration of the Earth: Spring Khorovod [Round Dance] (Tranquillo - Sostenuto e pesante - Vivo - Tempo I)

Le sacre du printemps (The Rite of Spring): Part Two: The Sacrifice: Mystical Circles of the Young Girls (Andante con moto - Più mosso - Tempo I)

Petroushka: Scene 1: The Shrove-tide Fair

Petroushka: Scene 1: The Conjuring Trick ((Fig 58, P.34))

Petroushka: Scene 1: Russian Dance ((Fig 64, P.39))

Petroushka: Scene 2: Petroushka's Room ((Fig 93, P.58))

Petroushka: Scene 3: The Moor's Room ((Fig 120, P.74))

Petroushka: Scene 3: Dance of the Ballerina ((1 Bar Before Fig 134, P.81))

Petroushka: Scene 3: Waltz (Ballerina and Moor) ((Fig 140, P.83))

Petroushka: Scene 4: The Shrove-tide Fair (Towards Evening) ((Fig 161, P.95))

Petroushka: Scene 4: Dance of the Wet Nurses ((Fig 170, P.104))

Petroushka: Scene 4: Dance of the Peasant and the Bear ((Fig 188, P.121))

Petroushka: Scene 4: Dance of the Gypsy Girls ((Fig 196, P.126))

Petroushka: Scene 4: Dance of the Coachmen and Grooms ((Fig 213, P.136))

Petroushka: Scene 4: The Masqueraders ((Fig 234, P.152))

Petroushka: Scene 4: The Scuffle ((Fig 251, P.165))

Petroushka: Scene 4: The Death of Petroushka ((Fig 258, P.168))

Petroushka: Scene 4: Police and the Juggler ((Fig 260, P.169))

Petroushka: Scene 4: Apparition of Petroushka's Double ((Fig 265, P.171))

Le sacre du printemps (The Rite of Spring): Part One: The Adoration of the Earth: Introduction (Lento - Più mosso - Tempo I)

Le sacre du printemps (The Rite of Spring): Part One: The Adoration of the Earth: Spring Khorovod [Round Dance] (Tranquillo - Sostenuto e pesante - Vivo - Tempo I)

Le sacre du printemps (The Rite of Spring): Part Two: The Sacrifice: Mystical Circles of the Young Girls (Andante con moto - Più mosso - Tempo I)

Prélude à l'après-midi d'un faune, L. 86

Prélude à l'après-midi d'un faune, L. 86

Petroushka: Scene 1: The Shrove-tide Fair

Petroushka: Scene 1: The Conjuring Trick ((Fig 58, P.34))

Petroushka: Scene 1: Russian Dance ((Fig 64, P.39))

Petroushka: Scene 2: Petroushka's Room ((Fig 93, P.58))

Petroushka: Scene 3: The Moor's Room ((Fig 120, P.74))

Petroushka: Scene 3: Dance of the Ballerina ((1 Bar Before Fig 134, P.81))

Petroushka: Scene 3: Waltz (Ballerina and Moor) ((Fig 140, P.83))

Petroushka: Scene 4: The Shrove-tide Fair (Towards Evening) ((Fig 161, P.95))

Petroushka: Scene 4: Dance of the Wet Nurses ((Fig 170, P.104))

Petroushka: Scene 4: Dance of the Peasant and the Bear ((Fig 188, P.121))

Petroushka: Scene 4: Dance of the Gypsy Girls ((Fig 196, P.126))

Petroushka: Scene 4: Dance of the Coachmen and Grooms ((Fig 213, P.136))

Petroushka: Scene 4: The Masqueraders ((Fig 234, P.152))

Petroushka: Scene 4: The Scuffle ((Fig 251, P.165))

Petroushka: Scene 4: The Death of Petroushka ((Fig 258, P.168))

Petroushka: Scene 4: Police and the Juggler ((Fig 260, P.169))

Petroushka: Scene 4: Apparition of Petroushka's Double ((Fig 265, P.171))

Le sacre du printemps (The Rite of Spring): Part One: The Adoration of the Earth: Introduction (Lento - Più mosso - Tempo I)

Le sacre du printemps (The Rite of Spring): Part One: The Adoration of the Earth: Spring Khorovod [Round Dance] (Tranquillo - Sostenuto e pesante - Vivo - Tempo I)

Le sacre du printemps (The Rite of Spring): Part Two: The Sacrifice: Mystical Circles of the Young Girls (Andante con moto - Più mosso - Tempo I)

La mer, L. 109: No. 1, De l'aube a midi sur la mer

La mer, L. 109: No. 2, Jeux de vagues

La mer, L. 109: No. 3, Dialogue du vent et de la mer

Prélude à l'après-midi d'un faune, L. 86

Images pour orchestre, L. 122: I. Gigues

Images pour orchestre, L. 122: IIa. Ibéria. Par les rues et par les chemins