Armida: Dramma per musica in tre atti di Giovanni Schmidt: Amico, inoltra il pie (Jorio Zennaro, Gregory Kunde, Bruce Fowler) (Voice)

Armida: Dramma per musica in tre atti di Giovanni Schmidt: No. 14 Terzetto: In quale aspetto imbelle (Gregory Kunde, Bruce Fowler, Jorio Zennaro) (Voice)

Armida: Dramma per musica in tre atti di Giovanni Schmidt: Vedi qual reo governo (Jorio Zennaro, Bruce Fowler, Gregory Kunde) (Voice)

Armida: Dramma per musica in tre atti di Giovanni Schmidt: Unitevi a gara (Gregory Kunde, Jorio Zennaro, Bruce Fowler) (Voice)

Armida: Dramma per musica in tre atti di Giovanni Schmidt: Recitativo: Dov'e...dove si cela? (Renée Fleming) (Voice)

Armida: Dramma per musica in tre atti di Giovanni Schmidt: Sia lode al ciel (Jorio Zennaro, Bruce Fowler, Gregory Kunde, Renée Fleming) (Voice)

Armida: Dramma per musica in tre atti di Giovanni Schmidt: Ed e pur vero? (Renée Fleming, Gregory Kunde, Jorio Zennaro, Bruce Fowler) (Voice)

Armida: Dramma per musica in tre atti di Giovanni Schmidt: No. 15 Finale terzo: Se al mio crudel (Renée Fleming, Gregory Kunde, Jorio Zennaro, Bruce Fowler) (Voice)

Armida: Dramma per musica in tre atti di Giovanni Schmidt: Dove son io?...Fuggi! (Renée Fleming) (Voice)

Armida: Dramma per musica in tre atti di Giovanni Schmidt: E' ver...gode quest anima (Renée Fleming, Chorus) (Voice)

La mer, L. 109: No. 1, De l'aube a midi sur la mer

La mer, L. 109: No. 2, Jeux de vagues

La mer, L. 109: No. 3, Dialogue du vent et de la mer

Prélude à l'après-midi d'un faune, L. 86

Images pour orchestre, L. 122: I. Gigues

Images pour orchestre, L. 122: IIa. Ibéria. Par les rues et par les chemins

Images pour orchestre, L. 122: IIb. Ibéria. Les parfums de la nuit

Images pour orchestre, L. 122: IIc. Ibéria. Le matin d'un jour de fête

Images pour orchestre, L. 122: III. Rondes de printemps

La mer, L. 109: No. 1, De l'aube a midi sur la mer

La mer, L. 109: No. 2, Jeux de vagues

La mer, L. 109: No. 3, Dialogue du vent et de la mer

Prélude à l'après-midi d'un faune, L. 86

Images pour orchestre, L. 122: I. Gigues

Images pour orchestre, L. 122: IIa. Ibéria. Par les rues et par les chemins

Images pour orchestre, L. 122: IIb. Ibéria. Les parfums de la nuit

Images pour orchestre, L. 122: IIc. Ibéria. Le matin d'un jour de fête

Images pour orchestre, L. 122: III. Rondes de printemps

La mer, L. 109: No. 1, De l'aube a midi sur la mer

La mer, L. 109: No. 2, Jeux de vagues

La mer, L. 109: No. 3, Dialogue du vent et de la mer

Prélude à l'après-midi d'un faune, L. 86

Images pour orchestre, L. 122: I. Gigues

Images pour orchestre, L. 122: IIa. Ibéria. Par les rues et par les chemins

Images pour orchestre, L. 122: IIb. Ibéria. Les parfums de la nuit

Images pour orchestre, L. 122: IIc. Ibéria. Le matin d'un jour de fête

Images pour orchestre, L. 122: III. Rondes de printemps

Petroushka: Scene 1: The Shrove-tide Fair

Petroushka: Scene 1: The Conjuring Trick ((Fig 58, P.34))

Petroushka: Scene 1: Russian Dance ((Fig 64, P.39))

Petroushka: Scene 2: Petroushka's Room ((Fig 93, P.58))

Petroushka: Scene 3: The Moor's Room ((Fig 120, P.74))

Petroushka: Scene 3: Dance of the Ballerina ((1 Bar Before Fig 134, P.81))

Petroushka: Scene 3: Waltz (Ballerina and Moor) ((Fig 140, P.83))

Petroushka: Scene 4: The Shrove-tide Fair (Towards Evening) ((Fig 161, P.95))

Petroushka: Scene 4: Dance of the Wet Nurses ((Fig 170, P.104))

Petroushka: Scene 4: Dance of the Peasant and the Bear ((Fig 188, P.121))

Petroushka: Scene 4: Dance of the Gypsy Girls ((Fig 196, P.126))

Petroushka: Scene 4: Dance of the Coachmen and Grooms ((Fig 213, P.136))

Petroushka: Scene 4: The Masqueraders ((Fig 234, P.152))

Petroushka: Scene 4: The Scuffle ((Fig 251, P.165))

Petroushka: Scene 4: The Death of Petroushka ((Fig 258, P.168))

Petroushka: Scene 4: Police and the Juggler ((Fig 260, P.169))

Petroushka: Scene 4: Apparition of Petroushka's Double ((Fig 265, P.171))

Le sacre du printemps (The Rite of Spring): Part One: The Adoration of the Earth: Introduction (Lento - Più mosso - Tempo I)

Le sacre du printemps (The Rite of Spring): Part One: The Adoration of the Earth: Spring Khorovod [Round Dance] (Tranquillo - Sostenuto e pesante - Vivo - Tempo I)

Le sacre du printemps (The Rite of Spring): Part Two: The Sacrifice: Mystical Circles of the Young Girls (Andante con moto - Più mosso - Tempo I)

Fontane di Roma (1916): I. La fontana di Valle Guilia all'alba

Fontane di Roma (1916): II. La fontana del Tritone al mattino

Fontane di Roma (1916): III. La fontana di Trevi al meriggio

Fontane di Roma (1916): IV. La fontana di Villa Medici al tramonto

Pini di Roma (1924): I. I pini di Villa Borghese

Pini di Roma (1924): II. Pini presso una catacomba

Pini di Roma (1924): III. I pini del Gianicolo

Pini di Roma (1924): IV. I pini della Via Appia

Symphony No.4: I. Heiter, bedächtig

Symphony No.4: II. In gemächlicher Bewegung

Ich ging mit Lust (Lieder und Gesänge, No. 7)

Ablösung im Sommer (Lieder und Gesänge, No. 11)

Starke Einbildungskraft (Lieder und Gesänge, No. 9)

Nicht wiedersehen! (Lieder und Gesänge, No. 13)

Symphony No. 5: Second Movement: (Stürmisch bewegt, mit größter Vehemenz)

Symphony No. 5: Third Movement: Scherzo. (Kräftig, nicht zu schnel)

Petroushka: Scene 1: The Shrove-tide Fair

Petroushka: Scene 1: The Conjuring Trick ((Fig 58, P.34))

Petroushka: Scene 1: Russian Dance ((Fig 64, P.39))

Petroushka: Scene 2: Petroushka's Room ((Fig 93, P.58))

Petroushka: Scene 3: The Moor's Room ((Fig 120, P.74))

Petroushka: Scene 3: Dance of the Ballerina ((1 Bar Before Fig 134, P.81))

Petroushka: Scene 3: Waltz (Ballerina and Moor) ((Fig 140, P.83))

Petroushka: Scene 4: The Shrove-tide Fair (Towards Evening) ((Fig 161, P.95))

Petroushka: Scene 4: Dance of the Wet Nurses ((Fig 170, P.104))

Petroushka: Scene 4: Dance of the Peasant and the Bear ((Fig 188, P.121))

Petroushka: Scene 4: Dance of the Gypsy Girls ((Fig 196, P.126))

Petroushka: Scene 4: Dance of the Coachmen and Grooms ((Fig 213, P.136))

Petroushka: Scene 4: The Masqueraders ((Fig 234, P.152))

Petroushka: Scene 4: The Scuffle ((Fig 251, P.165))

Petroushka: Scene 4: The Death of Petroushka ((Fig 258, P.168))

Petroushka: Scene 4: Police and the Juggler ((Fig 260, P.169))

Petroushka: Scene 4: Apparition of Petroushka's Double ((Fig 265, P.171))

Le sacre du printemps (The Rite of Spring): Part One: The Adoration of the Earth: Introduction (Lento - Più mosso - Tempo I)

Le sacre du printemps (The Rite of Spring): Part One: The Adoration of the Earth: Spring Khorovod [Round Dance] (Tranquillo - Sostenuto e pesante - Vivo - Tempo I)

Le sacre du printemps (The Rite of Spring): Part Two: The Sacrifice: Mystical Circles of the Young Girls (Andante con moto - Più mosso - Tempo I)

Prélude à l'après-midi d'un faune, L. 86

Prélude à l'après-midi d'un faune, L. 86