|
María de Buenos Aires, Scene 4: Milonga carrieguera (Gorríon, María) [Arr. Desyatnikov]
|
Piazzolla: Maria de Buenos Aires
|
|
María de Buenos Aires, Scene 5: Fuga y misterio (Arr. Desyatnikov)
|
Piazzolla: Maria de Buenos Aires
|
|
María de Buenos Aires, Scene 6: Poema valseado (María) [Arr. Desyatnikov]
|
Piazzolla: Maria de Buenos Aires
|
|
María de Buenos Aires, Scene 7: Tocata rea (El duende) [Arr. Desyatnikov]
|
Piazzolla: Maria de Buenos Aires
|
|
María de Buenos Aires, Scene 8: Miserere canyungue (Ladrón, María, Chorus) [Arr. Desyatnikov]
|
Piazzolla: Maria de Buenos Aires
|
|
María de Buenos Aires, Scene 9: Contramilonga a la funerala (El duende) [Arr. Desyatnikov]
|
Piazzolla: Maria de Buenos Aires
|
|
María de Buenos Aires, Scene 10: Tangata del alba (Arr. Desyatnikov)
|
Piazzolla: Maria de Buenos Aires
|
|
María de Buenos Aires, Scene 11: Carta a los árboles y a las chimineas (Sombra de María) [Arr. Desyatnikov]
|
Piazzolla: Maria de Buenos Aires
|
|
María de Buenos Aires, Scene 12: Aria de los analistas (Chorus, Analista primero, Sombra de María) [Arr. Desyatnikov]
|
Piazzolla: Maria de Buenos Aires
|
|
María de Buenos Aires, Scene 13: Romanza del duende (El duende, Chorus) [Arr. Desyatnikov]
|
Piazzolla: Maria de Buenos Aires
|
|
María de Buenos Aires, Scene 14: Allegro tangabile (Arr. Desyatnikov)
|
Piazzolla: Maria de Buenos Aires
|
|
María de Buenos Aires, Scene 15: Milonga de la anunciación (Sombra de María) [Arr. Desyatnikov]
|
Piazzolla: Maria de Buenos Aires
|
|
María de Buenos Aires, Scene 16: Tangus Dei (Voz de ese domingo, El duende, Sombra de María, Chorus) [Arr. Desyatnikov]
|
Piazzolla: Maria de Buenos Aires
|
|
María de Buenos Aires, Scene 1: Alevare (El duende) [Arr. Desyatnikov]
|
The Sound of Piazzolla
|
|
María de Buenos Aires, Scene 3: "Yo soy María" (María) [Arr. Desyatnikov]
|
The Sound of Piazzolla
|
|
María de Buenos Aires, Scene 5: Fuga y misterio (Arr. Desyatnikov)
|
The Sound of Piazzolla
|
|
María de Buenos Aires, Scene 8: Miserere canyungue (Ladrón, María, Chorus) [Arr. Desyatnikov]
|
The Sound of Piazzolla
|
|
María de Buenos Aires, Scene 10: Tangata del alba (Arr. Desyatnikov)
|
The Sound of Piazzolla
|
|
María de Buenos Aires, Scene 15: Milonga de la anunciación (Sombra de María) [Arr. Desyatnikov]
|
The Sound of Piazzolla
|
|
María de Buenos Aires, Scene 16: Tangus Dei (Voz de ese domingo, El duende, Sombra de María, Chorus) [Arr. Desyatnikov]
|
The Sound of Piazzolla
|
|
Sonata for Solo Violin, Sz. 117: I. Tempo di ciaccona
|
Martha Argerich - The Warner Classics Recordings
|
|
Sonata for Solo Violin, Sz. 117: II. Fuga. Risoluto non troppo vivo
|
Martha Argerich - The Warner Classics Recordings
|
|
Sonata for Solo Violin, Sz. 117: III. Melodia. Adagio
|
Martha Argerich - The Warner Classics Recordings
|
|
Sonata for Solo Violin, Sz. 117: IV. Presto
|
Martha Argerich - The Warner Classics Recordings
|
|
3 Old Viennese Dances for Violin and Piano: III. Schön Rosmarin (Grazioso)
|
Martha Argerich - The Warner Classics Recordings
|
|
Paert: Tabula Rasa, I. Ludus - Con moto
|
Silencio
|
|
Paert: Tabula Rasa, II. Silentium - Senza moto
|
Silencio
|
|
Glass: Company for String Orchestra, Movement I
|
Silencio
|
|
Glass: Company for String Orchestra, Movement II
|
Silencio
|
|
Glass: Compony for String Orchestra, Movement III
|
Silencio
|
|
Glass: Company for String Orchestra, Movement IV
|
Silencio
|
|
Martynov: "Come in!", Movement I
|
Silencio
|
|
Martynov: "Come in!", Movement II
|
Silencio
|
|
Martynov: "Come in!", Movement III
|
Silencio
|
|
Martynov: "Come in!", Movement IV
|
Silencio
|
|
Martynov: "Come in!", Movement V
|
Silencio
|
|
Martynov: "Come in!", Movement VI
|
Silencio
|
|
Paert: Darf ich
|
Silencio
|
|
Verano Porteño
|
40 Most Beautiful Summer Classics
|
|
Scene with Cranes
|
De Profundis
|
|
Passacaglia
|
De Profundis
|
|
De Profundis
|
De Profundis
|
|
Fugue No. 6 from Six Fugues on the Name B.A.C.H., Op. 60
|
De Profundis
|
|
Trysting Fields
|
De Profundis
|
|
Minuet No. 3 and Trios in D minor, D. 89
|
De Profundis
|
|
Lasset uns den nicht zerteilen
|
De Profundis
|
|
Adagio (from Lady Macbeth of the Mtsensk District)
|
De Profundis
|
|
Sogno di Stabat Mater
|
De Profundis
|
|
Melodía en La menor (Canto de Octubre)
|
De Profundis
|
|
Flowering Jasmine
|
De Profundis
|
|
Fragment
|
De Profundis
|
|
Violin Concerto, K207: Allegro moderato
|
Mozart: The Complete Violin Concertos
|
|
Violin Concerto, K207: Adagio
|
Mozart: The Complete Violin Concertos
|
|
Violin Concerto, K207: Presto
|
Mozart: The Complete Violin Concertos
|
|
Violin Concerto, K211: Allegro moderato
|
Mozart: The Complete Violin Concertos
|
|
Violin Concerto, K211: Andante
|
Mozart: The Complete Violin Concertos
|
|
Violin Concerto, K211: Rondeau Allegro
|
Mozart: The Complete Violin Concertos
|
|
Violin Concerto, K216: Allegro
|
Mozart: The Complete Violin Concertos
|
|
Violin Concerto, K216: Adagio
|
Mozart: The Complete Violin Concertos
|
|
Violin Concerto, K216: Rondeau Allegro
|
Mozart: The Complete Violin Concertos
|
|
Violin Concerto, K218: Allegro
|
Mozart: The Complete Violin Concertos
|
|
Violin Concerto, K218: Andante cantabile
|
Mozart: The Complete Violin Concertos
|
|
Violin Concerto, K218: Rondeau Andante graz.
|
Mozart: The Complete Violin Concertos
|
|
Violin Concerto, K219: Allegro aperto
|
Mozart: The Complete Violin Concertos
|
|
Violin Concerto, K219: Adagio
|
Mozart: The Complete Violin Concertos
|
|
Violin Concerto, K219: Rondeau Tempo di Men.
|
Mozart: The Complete Violin Concertos
|
|
Sonata for Solo Violin, Sz. 117: I. Tempo di Ciaccona
|
The Berlin Recital
|
|
Sonata for Solo Violin, Sz. 117: II. Fuga (Risoluto non troppo vivo)
|
The Berlin Recital
|
|
Sonata for Solo Violin, Sz. 117: III. Melodia (Adagio)
|
The Berlin Recital
|
|
Sonata for Solo Violin, Sz. 117: IV. Presto
|
The Berlin Recital
|
|
3 Old Viennese Dances for Violin and Piano: III. Schön Rosmarin (Grazioso)
|
The Berlin Recital
|
|
Revirado
|
El Tango
|
|
Pachouli
|
El Tango
|
|
Preludio para el ano 3001 (Rinascero)
|
El Tango
|
|
My Happiness
|
El Tango
|
|
El Tango
|
El Tango
|
|
Instead of a Tango
|
El Tango
|
|
Decarissimo
|
El Tango
|
|
Los Mareados
|
El Tango
|
|
Che Tango Che
|
El Tango
|
|
Milonga per tre
|
El Tango
|
|
Michelangelo 70
|
El Tango
|
|
La Calle 92
|
Tracing Astor
|
|
Tango Etudes, 1
|
Tracing Astor
|
|
Tango Etudes, 2
|
Tracing Astor
|
|
Tango Etudes, 3
|
Tracing Astor
|
|
Chiquilin de Bachin
|
Tracing Astor
|
|
Rio Sena
|
Tracing Astor
|
|
Tango Etudes, 4
|
Tracing Astor
|
|
Tango Etudes, 5
|
Tracing Astor
|
|
Tango Etudes, 6
|
Tracing Astor
|
|
Violoncelles, Vibrez!
|
Tracing Astor
|
|
Milonga sin Palabras
|
Tracing Astor
|
|
Tracing Astor
|
Tracing Astor
|
|
All in the Past (Remembering Oskar Strock)
|
Tracing Astor
|
|
Silvestrov : Dedication : I Allegro moderato con moto
|
Silvestrov: Dedication & Post Scriptum
|
|
Silvestrov : Dedication : II Moderato
|
Silvestrov: Dedication & Post Scriptum
|
|
Silvestrov : Dedication : III Moderato con moto
|
Silvestrov: Dedication & Post Scriptum
|
|
Silvestrov : Dedication : IV Andantino
|
Silvestrov: Dedication & Post Scriptum
|
|
Silvestrov : Dedication : V Allegretto
|
Silvestrov: Dedication & Post Scriptum
|
