Offenbach: Gaîté Parisienne: Valse (2)

Offenbach: Gaîté Parisienne: Allegro vivo - Valse

Offenbach: Gaîté Parisienne: Allegro

Offenbach: Gaîté Parisienne: Valse (3)

Offenbach: Gaîté Parisienne: Allegro - Cancan

Offenbach: Gaîté Parisienne: Quadrille - Cancan

Offenbach: Gaîté Parisienne: Allegro moderato

Offenbach: Gaîté Parisienne: Allegro (2)

Offenbach: Gaîté Parisienne: Leggiero

Offenbach: Gaîté Parisienne: Vivo

Offenbach: Gaîté Parisienne: Barcarolle

Bizet: Carmen Suite (Excerpts from Suites Nos. 1 & 2): Aragonaise

Bizet: Carmen Suite (Excerpts from Suites Nos. 1 & 2): Danse bohème

Bizet: L'Arlésienne Suite No. 1, WD 40: Prélude

Bizet: L'Arlésienne Suite No. 1, WD 40: Minuetto

Bizet: L'Arlésienne Suite No. 1, WD 40: Adagietto

Bizet: L'Arlésienne Suite No. 1, WD 40: Carillon

Bizet: L'Arlésienne Suite No. 2: Farandole

Barraud: Symphonie n 3: I. Pesante e marcato

Barraud: Symphonie n 3: II. Presto

Barraud: Symphonie n 3: III. Adagio

Barraud: Symphonie n 3: IV. Energetico

Roussel: Bacchus et Ariane - Ballet Suite No. 2, Op. 43: I. Prélude. Ariane dort - Réveil d'Ariane

Roussel: Bacchus et Ariane - Ballet Suite No. 2, Op. 43: II. Elle regarde avec étonnement de tous côtés

Roussel: Bacchus et Ariane - Ballet Suite No. 2, Op. 43: III. Le baiser - L'enchantement dionysiaque

Roussel: Bacchus et Ariane - Ballet Suite No. 2, Op. 43: IV. Danse d'Ariane et de Bacchus - Bacchanale - Le couronnement d'Ariane

Symphonie fantastique, Op. 14, H 48: I. Rêveries - Passions. Largo - Allegro agitato e appassionato assai

Symphonie fantastique, Op. 14, H 48: III. Scène aux champs. Adagio

Rapsodie espagnole: I. Prélude à la nuit. Très modéré (A Minor)

Rapsodie espagnole: II. Malagueña. Assez vif (A Minor)

Rapsodie espagnole: IV. Feria. Assez animé (C Major)

La princesse jaune, Op.30: Overture

Béatrice et Bénédict, H 138: Overture

Harold en Italie, Op. 16: II. Marche des pèlerins

Harold en Italie, Op. 16: III. Sérénade

Harold en Italie, Op. 16: IV. Orgie des brigands

Symphony No. 2 in D Major, Op. 73: I. Allegro non troppo

Symphony No. 2 in D Major, Op. 73: II. Adagio non troppo

Symphony No. 2 in D Major, Op. 73: III. Allegretto grazioso

Symphony No. 2 in D Major, Op. 73: IV. Allegro con spirito

Organ Concerto in G Minor, FP 93: V. Très calme - Lent

Organ Concerto in G Minor, FP 93: VII. Tempo d'introduction - Largo

Symphony No. 8 in B Minor, D. 759 "Unfinished": I. Allegro moderato (Redbook Stereo)

Symphony No. 8 in B Minor, D. 759 "Unfinished": II. Andante con moto (Redbook Stereo)

Symphony No. 9 in C Major, D.944 "The Great": I. Andante - Allegro ma non troppo

Symphony No. 9 in C Major, D.944 "The Great": II. Andante con moto

Symphony No. 9 in C Major, D.944 "The Great": III. Scherzo - Allegro vivace

Symphony No. 9 in C Major, D.944 "The Great": IV. Finale - Allegro vivace

Symphony No. 7, Op. 92: I. Poco sostenuto - Vivace

Symphony No. 7, Op. 92: II. Allegretto

Symphony No. 7, Op. 92: III. Presto

Symphony No. 7, Op. 92: IV. Allegro con brio

Piano Concerto No. 2 in G Minor, Op. 16: IV. Finale - Allegro tempetoso

Medea's Meditation & Dance of Vengeance, Op. 23a

Leonore Overture No. 2, Op. 72a

Leonore Overture No. 3, Op. 72b

Leonore Overture No. 1, Op. 138

Fidelio, Op. 72b: Overture

Coriolan, Op. 62: Overture

Boléro, M. 81

Rapsodie espagnole, M. 54: Prélude à la nuit

Rapsodie espagnole, M. 54: Malagueña

Images for Orchestra, L. 122: I. Gigues

Images for Orchestra, L. 122: II. Ibéria: 1. Par les rues et les chemins

Images for Orchestra, L. 122: II. Ibéria: 2. Les parfums de la nuit

Images for Orchestra, L. 122: II. Ibéria: 3. Le matin d'un jour de fête

Images for Orchestra, L. 122: II. Ibéria: III. Rondes de printemps

Symphonie sur un Chant Montagnard Français, Op. 25: I. Assez lent

Symphonie sur un Chant Montagnard Français, Op. 25: II. Assez modéré, mais sans lenteur

Symphonie sur un Chant Montagnard Français, Op. 25: III. Animé

Variations symphoniques, FWV 46

Piano Concerto No. 21 in C Major, K. 467: I. Allegro maestoso

Piano Concerto No. 21 in C Major, K. 467: II. Andante

Piano Concerto No. 21 in C Major, K. 467: III. Allegro vivace assai

Prélude à l'après-midi d'un faune, L. 86

Nocturnes, L. 91: I. Nuages

Nocturnes, L. 91: II. Fêtes

Printemps, Symphonic Suite for Piano and Orchestra, L. 61: Très modéré

Printemps, Symphonic Suite for Piano and Orchestra, L. 61: Modéré

Daphnis et Chloé, M. 57: Scene 1: Invocation to the Nymphs

Daphnis et Chloé, M. 57: Scene 1: Entrance of Daphnis and Chloé

Daphnis et Chloé, M. 57: Scene 1: Dance of the Young Girls Around Daphnis

Daphnis et Chloé, M. 57: Scene 1: Dorcon's Advance to Chloé

Daphnis et Chloé, M. 57: Scene 1: Daphnis Reasserts His Love for Chloé. The Dorcon-Daphnis Dance Contest for a Kiss from Chloé

Daphnis et Chloé, M. 57: Scene 1: Dorcon's Grotesque Dance

Daphnis et Chloé, M. 57: Scene 1: The Gracious Dance of Daphnis

Daphnis et Chloé, M. 57: Scene 1: The Triumph of Daphnis and the Ecstatic Union with Chloé

Daphnis et Chloé, M. 57: Scene 1: Entrance of the Temptress Lyceion and Dance of Veils

Daphnis et Chloé, M. 57: Scene 1: The Invasion of the Pirates and Daphnis's Unsuccessful Efforts to Save Chloé

Daphnis et Chloé, M. 57: Scene 1: Invocation to Pan by the Nymphs and the Prayer of Daphnis

Daphnis et Chloé, M. 57: Scene 2: Interlude

Daphnis et Chloé, M. 57: Scene 2: The Orgiastic Dance of the Pirates

Daphnis et Chloé, M. 57: Scene 2: Bryaxis Orders Chloé to Be Brought Forward and to Dance

Daphnis et Chloé, M. 57: Scene 2: Chloé's Dance of Supplication

Daphnis et Chloé, M. 57: Scene 2: Creatures of Pan Appear and Frighten the Pirates, Who Flee in Terror, Leaving Chloé Alone with a Shining Crown

Daphnis et Chloé, M. 57: Scene 3: Sunrise. Daphnis Prostrate at the Grotto of the Nymphs

Daphnis et Chloé, M. 57: Scene 3: Daphnis and Chloé are Reunited

Daphnis et Chloé, M. 57: Scene 3: Lammon Tells How Pan Saved Chloé in Memory of His Love for the Nymph Syrinx. Daphnis and Chloè Act out the Story.

Daphnis et Chloé, M. 57: Scene 3: Pan (Daphnis) Fashions a Flute from Some Reeds, on Which He Declares His Love for Syrinx (Chloé)

Daphnis et Chloé, M. 57: Scene 3: Abandoning Their Roles, the Lovers Embrace and Kneel at the Altar of the Nymphs