Beethoven: Musical Analysis (Bernstein on Beethoven´s Symphony No. 3, Op. 55 "Eroica") - I. "Simplicity Itself..." (1st Movt.)

Beethoven: Musical Analysis (Bernstein on Beethoven´s Symphony No. 3, Op. 55 "Eroica") - II. "I Always Feel This Gigantism" (2nd Movt.)

Beethoven: Musical Analysis (Bernstein on Beethoven´s Symphony No. 3, Op. 55 "Eroica") - III. "We Have Just Been Examining..." (3rd Movt.)

Beethoven: Musical Analysis (Bernstein on Beethoven´s Symphony No. 3, Op. 55 "Eroica") - IV. "All That We Have Said" (4th Movt.)

Dvořák: Musical Analysis: Bernstein on Dvo?ák, Symphony No. 9, Op. 95, B. 178 "From The New World" - I. "Does This Music Sound Like the New World to You?" (3rd Movt.,Trio II; 1st Movt.)

Dvořák: Musical Analysis: Bernstein on Dvo?ák, Symphony No. 9, Op. 95, B. 178 "From The New World" - IV. "And Now the Last Movement. In General I Should Say That This Is the Most Slavic of All" (4th Movt.)

Musical Analysis: Bernstein on Schumann, Symphony No. 2, Op. 61 - III. "Now Let´s Look at the Symphony Itself" (1st Movement)

Musical Analysis: Bernstein on Schumann, Symphony No. 2, Op. 61 - IV. "And So We Have Arrived at the Allegro Section..." (1st Movement Cont.)

Brahms: Musical Analysis: Bernstein on Brahms, Symphony No. 4, Op. 98, 1st Movement - II. "Our Journey Begins Without Introduction..."

Brahms: Musical Analysis: Bernstein on Brahms, Symphony No. 4, Op. 98, 1st Movement - III. "Do You See Now What a Symphonic Theme Is?"

Brahms: Musical Analysis: Bernstein on Brahms, Symphony No. 4, Op. 98, 1st Movement - IV. "Now, Think of It - We Have So Far Only Had 44 Bars of Music"

Brahms: Musical Analysis: Bernstein on Brahms, Symphony No. 4, Op. 98, 1st Movement - VII. And Here We Are Back Home, Ready for the Rehearing of the Exposition..."

Tchaikovsky: Musical Analysis: Bernstein on Tchaikovsky's Symphony No. 6, Op. 74 "Pathétique" - 2. "Now The Development Section Erupts..." (1st Movt. Cont.)

Tchaikovsky: Musical Analysis: Bernstein on Tchaikovsky's Symphony No. 6, Op. 74 "Pathétique" - 5. "Perhaps the Most Admirable Example of This Is To Be Found in the Wonderful Last Movement, ..." (4th Movt.)

Tchaikovsky: Musical Analysis: Bernstein on Tchaikovsky's Symphony No. 6, Op. 74 "Pathétique" - 6. "Now I Don´t Want To Give You the Impression That Scales Are the Only Unifying Force in This Work"

Beethoven: Musical Analysis (Bernstein on Beethoven´s Symphony No. 3, Op. 55 "Eroica") - I. "Simplicity Itself..." (1st Movt.)

Beethoven: Musical Analysis (Bernstein on Beethoven´s Symphony No. 3, Op. 55 "Eroica") - II. "I Always Feel This Gigantism" (2nd Movt.)

Beethoven: Musical Analysis (Bernstein on Beethoven´s Symphony No. 3, Op. 55 "Eroica") - III. "We Have Just Been Examining..." (3rd Movt.)

Beethoven: Musical Analysis (Bernstein on Beethoven´s Symphony No. 3, Op. 55 "Eroica") - IV. "All That We Have Said" (4th Movt.)

Beethoven: Musical Analysis (Bernstein on Beethoven´s Symphony No. 3, Op. 55 "Eroica") - I. "Simplicity Itself..." (1st Movt.)

Beethoven: Musical Analysis (Bernstein on Beethoven´s Symphony No. 3, Op. 55 "Eroica") - II. "I Always Feel This Gigantism" (2nd Movt.)

Beethoven: Musical Analysis (Bernstein on Beethoven´s Symphony No. 3, Op. 55 "Eroica") - III. "We Have Just Been Examining..." (3rd Movt.)

Beethoven: Musical Analysis (Bernstein on Beethoven´s Symphony No. 3, Op. 55 "Eroica") - IV. "All That We Have Said" (4th Movt.)

Beethoven: Musical Analysis (Bernstein on Beethoven´s Symphony No. 3, Op. 55 "Eroica") - I. "Simplicity Itself..." (1st Movt.)

Beethoven: Musical Analysis (Bernstein on Beethoven´s Symphony No. 3, Op. 55 "Eroica") - II. "I Always Feel This Gigantism" (2nd Movt.)

Beethoven: Musical Analysis (Bernstein on Beethoven´s Symphony No. 3, Op. 55 "Eroica") - III. "We Have Just Been Examining..." (3rd Movt.)

Beethoven: Musical Analysis (Bernstein on Beethoven´s Symphony No. 3, Op. 55 "Eroica") - IV. "All That We Have Said" (4th Movt.)

Dvořák: Musical Analysis: Bernstein on Dvo?ák, Symphony No. 9, Op. 95, B. 178 "From The New World" - I. "Does This Music Sound Like the New World to You?" (3rd Movt.,Trio II; 1st Movt.)

Dvořák: Musical Analysis: Bernstein on Dvo?ák, Symphony No. 9, Op. 95, B. 178 "From The New World" - IV. "And Now the Last Movement. In General I Should Say That This Is the Most Slavic of All" (4th Movt.)

Musical Analysis: Bernstein on Schumann, Symphony No. 2, Op. 61 - III. "Now Let´s Look at the Symphony Itself" (1st Movement)

Musical Analysis: Bernstein on Schumann, Symphony No. 2, Op. 61 - IV. "And So We Have Arrived at the Allegro Section..." (1st Movement Cont.)

Brahms: Musical Analysis: Bernstein on Brahms, Symphony No. 4, Op. 98, 1st Movement - II. "Our Journey Begins Without Introduction..."

Brahms: Musical Analysis: Bernstein on Brahms, Symphony No. 4, Op. 98, 1st Movement - III. "Do You See Now What a Symphonic Theme Is?"

Brahms: Musical Analysis: Bernstein on Brahms, Symphony No. 4, Op. 98, 1st Movement - IV. "Now, Think of It - We Have So Far Only Had 44 Bars of Music"

Brahms: Musical Analysis: Bernstein on Brahms, Symphony No. 4, Op. 98, 1st Movement - VII. And Here We Are Back Home, Ready for the Rehearing of the Exposition..."

Tchaikovsky: Musical Analysis: Bernstein on Tchaikovsky's Symphony No. 6, Op. 74 "Pathétique" - 2. "Now The Development Section Erupts..." (1st Movt. Cont.)

Tchaikovsky: Musical Analysis: Bernstein on Tchaikovsky's Symphony No. 6, Op. 74 "Pathétique" - 5. "Perhaps the Most Admirable Example of This Is To Be Found in the Wonderful Last Movement, ..." (4th Movt.)

Tchaikovsky: Musical Analysis: Bernstein on Tchaikovsky's Symphony No. 6, Op. 74 "Pathétique" - 6. "Now I Don´t Want To Give You the Impression That Scales Are the Only Unifying Force in This Work"

Dvořák: Musical Analysis: Bernstein on Dvo?ák, Symphony No. 9, Op. 95, B. 178 "From The New World" - V. "The Final Claim of Those Who Argue for the New World Symphony as American Music, ..." (4th Movt.,Cont.)

Dvořák: Musical Analysis: Bernstein on Dvo?ák, Symphony No. 9, Op. 95, B. 178 "From The New World" - V. "The Final Claim of Those Who Argue for the New World Symphony as American Music, ..." (4th Movt.,Cont.)

Beethoven: Symphony No. 3 in E-Flat Major, Op. 55 "Eroica" - I. Allegro con brio

Beethoven: Symphony No. 3 in E-Flat Major, Op. 55 "Eroica" - II. Marcia funebre. Adagio assai

Beethoven: Symphony No. 3 in E-Flat Major, Op. 55 "Eroica" - III. Scherzo. Allegro vivace

Beethoven: Symphony No. 3 in E-Flat Major, Op. 55 "Eroica" - IV. Finale. Allegro molto

Beethoven: Symphony No. 3 in E-Flat Major, Op. 55 "Eroica" - I. Allegro con brio

Beethoven: Symphony No. 3 in E-Flat Major, Op. 55 "Eroica" - II. Marcia funebre. Adagio assai

Beethoven: Symphony No. 3 in E-Flat Major, Op. 55 "Eroica" - III. Scherzo. Allegro vivace

Beethoven: Symphony No. 3 in E-Flat Major, Op. 55 "Eroica" - IV. Finale. Allegro molto

Beethoven: Symphony No. 3 in E-Flat Major, Op. 55 "Eroica" - I. Allegro con brio

Beethoven: Symphony No. 3 in E-Flat Major, Op. 55 "Eroica" - II. Marcia funebre. Adagio assai

Beethoven: Symphony No. 3 in E-Flat Major, Op. 55 "Eroica" - III. Scherzo. Allegro vivace

Beethoven: Symphony No. 3 in E-Flat Major, Op. 55 "Eroica" - IV. Finale. Allegro molto

Beethoven: Symphony No. 3 in E-Flat Major, Op. 55 "Eroica" - I. Allegro con brio

Beethoven: Symphony No. 3 in E-Flat Major, Op. 55 "Eroica" - II. Marcia funebre. Adagio assai

Beethoven: Symphony No. 3 in E-Flat Major, Op. 55 "Eroica" - III. Scherzo. Allegro vivace

Beethoven: Symphony No. 3 in E-Flat Major, Op. 55 "Eroica" - IV. Finale. Allegro molto

Musical Analysis: Bernstein on Schumann, Symphony No. 2, Op. 61 - VII. "Even in the Final Movement" (4th Movement)

Musical Analysis: Bernstein on Schumann, Symphony No. 2, Op. 61 - VII. "Even in the Final Movement" (4th Movement)

Schumann: Symphony No. 2 in C Major, Op. 61 - I. Sostenuto assai – Allegro ma non troppo

Schumann: Symphony No. 2 in C Major, Op. 61 - II. Scherzo. Allegro vivace

Schumann: Symphony No. 2 in C Major, Op. 61 - IV. Allegro molto vivace

Brahms: Symphony No. 4 in E Minor, Op. 98 - I. Allegro non troppo

Brahms: Symphony No. 4 in E Minor, Op. 98 - II. Andante moderato

Brahms: Symphony No. 4 in E Minor, Op. 98 - III. Allegro giocoso

Brahms: Symphony No. 4 in E Minor, Op. 98 - IV. Allegro energico e passionato

Schumann: Symphony No. 2 in C Major, Op. 61 - I. Sostenuto assai – Allegro ma non troppo

Schumann: Symphony No. 2 in C Major, Op. 61 - II. Scherzo. Allegro vivace

Schumann: Symphony No. 2 in C Major, Op. 61 - IV. Allegro molto vivace

Brahms: Symphony No. 4 in E Minor, Op. 98 - I. Allegro non troppo

Brahms: Symphony No. 4 in E Minor, Op. 98 - II. Andante moderato

Brahms: Symphony No. 4 in E Minor, Op. 98 - III. Allegro giocoso

Brahms: Symphony No. 4 in E Minor, Op. 98 - IV. Allegro energico e passionato

Schumann: Symphony No. 2 in C Major, Op. 61 - I. Sostenuto assai – Allegro ma non troppo

Schumann: Symphony No. 2 in C Major, Op. 61 - II. Scherzo. Allegro vivace

Schumann: Symphony No. 2 in C Major, Op. 61 - IV. Allegro molto vivace

Brahms: Symphony No. 4 in E Minor, Op. 98 - I. Allegro non troppo

Brahms: Symphony No. 4 in E Minor, Op. 98 - II. Andante moderato

Brahms: Symphony No. 4 in E Minor, Op. 98 - III. Allegro giocoso

Brahms: Symphony No. 4 in E Minor, Op. 98 - IV. Allegro energico e passionato

Schumann: Symphony No. 2 in C Major, Op. 61 - I. Sostenuto assai – Allegro ma non troppo

Schumann: Symphony No. 2 in C Major, Op. 61 - II. Scherzo. Allegro vivace

Schumann: Symphony No. 2 in C Major, Op. 61 - IV. Allegro molto vivace

Brahms: Symphony No. 4 in E Minor, Op. 98 - I. Allegro non troppo

Brahms: Symphony No. 4 in E Minor, Op. 98 - II. Andante moderato

Brahms: Symphony No. 4 in E Minor, Op. 98 - III. Allegro giocoso

Brahms: Symphony No. 4 in E Minor, Op. 98 - IV. Allegro energico e passionato

Schumann: Symphony No. 2 in C Major, Op. 61 - III. Adagio espresssivo

Schumann: Symphony No. 2 in C Major, Op. 61 - III. Adagio espresssivo

Schumann: Symphony No. 2 in C Major, Op. 61 - III. Adagio espresssivo

Schumann: Symphony No. 2 in C Major, Op. 61 - III. Adagio espresssivo

Brahms: Musical Analysis: Bernstein on Brahms, Symphony No. 4, Op. 98, 1st Movement - V. "Here Is That 2nd Theme"

Brahms: Musical Analysis: Bernstein on Brahms, Symphony No. 4, Op. 98, 1st Movement - V. "Here Is That 2nd Theme"

Brahms: Musical Analysis: Bernstein on Brahms, Symphony No. 4, Op. 98, 1st Movement - VIII. "So We Arrive at the Coda"

Brahms: Musical Analysis: Bernstein on Brahms, Symphony No. 4, Op. 98, 1st Movement - VIII. "So We Arrive at the Coda"

Musical Analysis: Bernstein on Schumann, Symphony No. 2, Op. 61 - II. "To My Mind Schumann Follows in This Tradition"

Musical Analysis: Bernstein on Schumann, Symphony No. 2, Op. 61 - II. "To My Mind Schumann Follows in This Tradition"

Dvořák: Symphony No. 9 in E Minor, Op. 95, B. 178 "From the New World" - I. Adagio – Allegro molto

Dvořák: Symphony No. 9 in E Minor, Op. 95, B. 178 "From the New World" - II. Largo

Dvořák: Symphony No. 9 in E Minor, Op. 95, B. 178 "From the New World" - III. Scherzo. Molto vivace

Dvořák: Symphony No. 9 in E Minor, Op. 95, B. 178 "From the New World" - IV. Allegro con fuoco