Brigg Fair (An English Rhapsody), RT VI/16: Variation XIV

Brigg Fair (An English Rhapsody), RT VI/16: Variation XV

Brigg Fair (An English Rhapsody), RT VI/16: Variation XVI

Brigg Fair (An English Rhapsody), RT VI/16: Interlude III (Rather quicker)

Brigg Fair (An English Rhapsody), RT VI/16: Variation XVII (Rather slower and very broadly)

Brigg Fair (An English Rhapsody), RT VI/16: Coda (Very quietly)

In a Summer Garden, RT VI/17 (Andante - Animato - Pi - tranquillo)

Sir John Barbirolli is rehearsing Delius' Appalachia on July 1970, 16th

Appalachia (Variations on an Old Slave Song), RT II/2 (Beecham Version): Introduction (Molto moderato - Tranquillo - Poco pi - vivo)

Appalachia (Variations on an Old Slave Song), RT II/2 (Beecham Version): Theme (Andante)

Appalachia (Variations on an Old Slave Song), RT II/2 (Beecham Version): Variation I

Appalachia (Variations on an Old Slave Song), RT II/2 (Beecham Version): Variation II (Moderato sempre)

Appalachia (Variations on an Old Slave Song), RT II/2 (Beecham Version): Variation III (Pi— vivo)

Appalachia (Variations on an Old Slave Song), RT II/2 (Beecham Version): Variation IV (Molto moderato)

Appalachia (Variations on an Old Slave Song), RT II/2 (Beecham Version): Variation V (Con moto)

Appalachia (Variations on an Old Slave Song), RT II/2 (Beecham Version): Variation VI (Giocoso - Allegro moderato)

Appalachia (Variations on an Old Slave Song), RT II/2 (Beecham Version): Variation VII (Lento e molto tranquillo)

Appalachia (Variations on an Old Slave Song), RT II/2 (Beecham Version): Variation VIII (Misterioso)

Appalachia (Variations on an Old Slave Song), RT II/2 (Beecham Version): Variation IX (Andante con grazia)

Appalachia (Variations on an Old Slave Song), RT II/2 (Beecham Version): Variation X (Lento sostenuto e tranquillo)

Appalachia (Variations on an Old Slave Song), RT II/2 (Beecham Version): Variation XI (Allegro alla marcia)

Appalachia (Variations on an Old Slave Song), RT II/2 (Beecham Version): Variation XII (Marcia. Molto lento maestoso)

Appalachia (Variations on an Old Slave Song), RT II/2 (Beecham Version): Variation XIII (L'istesso tempo)

Appalachia (Variations on an Old Slave Song), RT II/2 (Beecham Version): Variation XIV (Misterioso lento)

Appalachia (Variations on an Old Slave Song), RT II/2 (Beecham Version): Finale (Lento - Pi— mosso)

2 Pieces for Small Orchestra, RT VI/19: I. On Hearing the First Cuckoo in Spring (Slow)

2 Pieces for Small Orchestra, RT VI/19: II. Summer Night on the River (Very quietly)

A Song before Sunrise, RT VI/24 (Freshly)

Hassan (Incidental Music), RT I/9, Act 1: No. 2, Interlude between Scenes 1 & 2 (Very quietly)

Hassan (Incidental Music), RT I/9, Act 1: No. 7, Serenade, with Tenor (Con moto moderato)

Koanga, RT I/4, Act 2: Dance. La Calinda (Arr. Fenby)

String Quartet in E Minor, RT VIII/8: III. Late Swallows. Slow and wistfully (Arr. for String Orchestra by Eric Fenby)

Irmelin, Prelude for Orchestra, RT VI/27

A Song of Summer, RT VI/26

Variations on a Theme by Haydn, Op. 56a "St. Antoni Chorale": Theme. Andante

Variations on a Theme by Haydn, Op. 56a "St. Antoni Chorale": Variation I. Poco più animato

Variations on a Theme by Haydn, Op. 56a "St. Antoni Chorale": Variation II. Più vivace

Variations on a Theme by Haydn, Op. 56a "St. Antoni Chorale": Variation III. Con moto

Variations on a Theme by Haydn, Op. 56a "St. Antoni Chorale": Variation IV. Andante con moto

Variations on a Theme by Haydn, Op. 56a "St. Antoni Chorale": Variation V. Vivace

Variations on a Theme by Haydn, Op. 56a "St. Antoni Chorale": Variation VI. Vivace

Variations on a Theme by Haydn, Op. 56a "St. Antoni Chorale": Variation VII. Grazioso

Variations on a Theme by Haydn, Op. 56a "St. Antoni Chorale": Variation VIII. Presto non troppo

Variations on a Theme by Haydn, Op. 56a "St. Antoni Chorale": Finale. Andante

Old Norwegian Romance with Variations, Op. 51: XIII. Allegro marcato (Orchestral Version)

Old Norwegian Romance with Variations, Op. 51: XIV. Tempo di valse (Orchestral Version)

Old Norwegian Romance with Variations, Op. 51: XV. Adagio molto espressivo - Più adagio (Orchestral Version)

Old Norwegian Romance with Variations, Op. 51: XVI. Allegro molto marcato (Orchestral Version)

Old Norwegian Romance with Variations, Op. 51: XVII. Pomposo (Orchestral Version)

Old Norwegian Romance with Variations, Op. 51: XVIII. Prestissimo (Orchestral Version)

Old Norwegian Romance with Variations, Op. 51: XIX. Andante molto tranquillo (Orchestral Version)

Lyric Pieces, Book 1, Op. 12: No. 4, Elves' Dance

Madama Butterfly, Act 1: "Questa è la cameriera" (Goro, Pinkerton, Suzuki, Sharpless)

Madama Butterfly, Act 1: "L'Imperial Commissario" (Goro, Pinkerton, Coro, Butterfly, Cugina, La Madre, Yakuside, Zia, Sharpless)

Madama Butterfly, Act 1: "Ieri son salita tutta sola" (Butterfly, Goro, Il Commissario, Coro, Sharpless, Ufficiale del Registro, Pinkerton)

Madama Butterfly, Act 1: "Ed eccoci in famiglia" (Pinkerton, Coro, Il Bonzo, Butterfly, Goro, Suzuki)

Madama Butterfly, Act 1: "Bimba dagli occhi pieni di malìa" (Pinkerton, Butterfly)

Madama Butterfly, Act 2: "E Izaghi ed Izanami" (Suzuki, Butterfly)

Madama Butterfly, Act 2: "Un bel dì vedremo" (Butterfly)

Madama Butterfly, Act 2: "C'è. Entrate" (Goro, Sharpless, Butterfly)

Madama Butterfly, Act 2: "Non lo sapete insomma" (Butterfly, Sharpless, Goro, Yamadori)

Madama Butterfly, Act 2: "A voi però giurerei fede costante" (Yamadori, Sharpless, Goro, Butterfly)

Madama Butterfly, Act 2: "Che tua madre dovrà" (Butterfly)

Madama Butterfly, Act 2: "Or vienmi ad adornar" (Suzuki, Butterfly)

Madama Butterfly, Act 2: Intermezzo. Coro a boccha chiusa

Madama Butterfly, Act 2: "Già il sole!" (Suzuki, Butterfly)

Madama Butterfly, Act 2: "Glielo dirai?" (Kate, Suzuki, Butterfly)

Les Nuits d'été, Op. 7, H. 81b: I. Villanelle, H. 82b

Les Nuits d'été, Op. 7, H. 81b: II. Le spectre de la rose, H. 83b

Les Nuits d'été, Op. 7, H. 81b: IV. Absence, H. 85b

Les Nuits d'été, Op. 7, H. 81b: III. Sur les lagunes, H. 84b

Les Nuits d'été, Op. 7, H. 81b: V. Au cimetière, H. 86b

Les Nuits d'été, Op. 7, H. 81b: VI. L'île inconnue, H. 87b

Symphony No. 6 in D Minor, Op. 104: I. Allegro molto moderato

Symphony No. 6 in D Minor, Op. 104: II. Allegretto moderato

Symphony No. 6 in D Minor, Op. 104: III. Poco vivace

Symphony No. 6 in D Minor, Op. 104: IV. Allegro molto

Symphony No. 7 in C Major, Op. 105: I. Adagio

Symphony No. 7 in C Major, Op. 105: II. Un pochettino meno adagio - Vivacissimo - Adagio

Symphony No. 7 in C Major, Op. 105: III. Allegro molto moderato

Symphony No. 7 in C Major, Op. 105: IV. Vivace - Presto - Adagio

Symphony No. 4 in A Minor, Op. 63: I. Tempo molto moderato, quasi adagio

Symphony No. 4 in A Minor, Op. 63: II. Allegro molto vivace

Symphony No. 4 in A Minor, Op .63: III. Il tempo largo

Symphony No. 4 in A Minor, Op. 63: IV. Allegro

Symphony No. 3 in E-Flat Major, Op. 55, "Eroica": I. Allego con brio

Madama Butterfly, Act 1: "Questa è la cameriera" (Goro, Pinkerton, Suzuki)

Madama Butterfly, Act 1: "Ecco! Son giunte al sommo del pendio" (Goro, Chorus, Butterfly, Sharpless)

Madama Butterfly, Act 1: "Tutti zitti! ... È concesso al nominato" (Goro, Commissioner, Chorus, Butterfly, Pinkerton, Sharpless, Official Registrar)

Madama Butterfly, Act 1: "Ed eccoci in famiglia" (Pinkerton, Chorus, Bonze, Butterfly, Suzuki)

Madama Butterfly, Act 1: "Quest'obi pomposa" (Butterfly, Pinkerton)

Madama Butterfly, Act 2: "E Izaghi ed Izanami" (Suzuki, Butterfly)

Madama Butterfly, Act 2: "Suzuki, è lungi la miseria?" (Butterfly, Suzuki)

Madama Butterfly, Act 2: "Un bel dì vedremo" (Butterfly)

Madama Butterfly, Act 2: "C'è. Entrate" (Goro, Sharpless, Butterfly)

Madama Butterfly, Act 2: "Ah sì. Goro, appena B.F. Pinkerton fu in mare" (Butterfly, Goro, Yamadori, Sharpless)

Madama Butterfly, Act 2: "Si sa che aprir la porta" (Butterfly, Sharpless, Yamadori, Goro)

Madama Butterfly, Act 2: "Qui troncarla conviene" (Sharpless, Butterfly)

Madama Butterfly, Act 2: "Che tua madre dovrà" (Butterfly, Sharpless)

Madama Butterfly, Act 2: "Or vienmi ad adornar" (Butterfly, Suzuki)