|
Porgy and Bess, Act 2, Scene 3: "Why you been out on that wharf so long, Clara?" (Maria, Clara)
|
Gershwin: Porgy & Bess
|
|
Porgy and Bess, Act 2, Scene 4: "Oh, Doctor Jesus" (Porgy, Clara, Serena, Sporting Life, Chorus)
|
Gershwin: Porgy & Bess
|
|
Porgy and Bess, Act 2, Scene 4: "One of these mornings'" (Clara, Porgy, Bess, Chorus)
|
Gershwin: Porgy & Bess
|
|
Porgy and Bess, Act 2, Scene 4: "Oh dere's somebody knockin' at de do'" (Peter, Maria, Lily, Mingo, Bess, Chorus)
|
Gershwin: Porgy & Bess
|
|
Porgy and Bess, Act 2, Scene 4: "You is a nice parcel of Christians!" (Crown, Serena, Bess, Porgy, Chorus)
|
Gershwin: Porgy & Bess
|
|
Porgy and Bess, Act 2, Scene 4: "A red-headed woman" (Crown, Clara, Bess, Chorus)
|
Gershwin: Porgy & Bess
|
|
Porgy and Bess, Act 2, Scene 4: "All right, I'm goin' out to get Clara" (Crown, Porgy, Singers)
|
Gershwin: Porgy & Bess
|
|
Porgy and Bess, Act 3, Scene 1: "Clara, Clara, don't you be downhearted" (Sporting Life, Maria, Chorus)
|
Gershwin: Porgy & Bess
|
|
Porgy and Bess, Act 3, Scene 1: "Summertime" (Bess, Porgy)
|
Gershwin: Porgy & Bess
|
|
Porgy and Bess, Act 3, Scene 2: "Wait for us at the corner" (Detective, Annie, Serena, Lily, Coroner, Woman)
|
Gershwin: Porgy & Bess
|
|
Porgy and Bess, Act 3, Scene 2: "Come out here, both of you" (Detective, Coroner, Porgy)
|
Gershwin: Porgy & Bess
|
|
Porgy and Bess, Act 3, Scene 2: "Oh, Lawd, what I goin' do?" (Porgy, Bess, Sporting Life, Policeman)
|
Gershwin: Porgy & Bess
|
|
Porgy and Bess, Act 3, Scene 2: "There's a boat dat's leavin' soon for New York" (Sporting Life, Bess)
|
Gershwin: Porgy & Bess
|
|
Porgy and Bess, Act 3, Scene 3: Introduction
|
Gershwin: Porgy & Bess
|
|
Porgy and Bess, Act 3, Scene 3: "Good mornin', sistuh!" (Mingo, Porgy, Chorus)
|
Gershwin: Porgy & Bess
|
|
Porgy and Bess, Act 3, Scene 3: "Dem white folks sure ain' put nuttin' over on this baby" (Porgy, Lily)
|
Gershwin: Porgy & Bess
|
|
Porgy and Bess, Act 3, Scene 3: "Here Mingo, what's de matter wid you all?" (Porgy)
|
Gershwin: Porgy & Bess
|
|
Porgy and Bess, Act 3, Scene 3: "Where's my Bess?" (Porgy, Maria, Serena)
|
Gershwin: Porgy & Bess
|
|
Porgy and Bess, Act 3, Scene 3: "Bess is gone" (Lily, Porgy, Serena, Mingo, Maria, Clara, Chorus)
|
Gershwin: Porgy & Bess
|
|
Porgy and Bess, Act 3, Scene 3: "Oh Lawd, I'm on my way" (Porgy, Chorus)
|
Gershwin: Porgy & Bess
|
|
Miroirs, M. 43: V. La vallée des cloches (Arr. Grainger)
|
Grainger - In a Nutshell
|
|
Symphony No. 2 in E Minor, Op. 27: I. Largo - Allegro moderato
|
Rachmaninov: Symphony No. 2, Op. 27
|
|
Symphony No. 2 in E Minor, Op. 27: II. Allegro molto
|
Rachmaninov: Symphony No. 2, Op. 27
|
|
Symphony No. 2 in E Minor, Op. 27: III. Adagio
|
Rachmaninov: Symphony No. 2, Op. 27
|
|
Symphony No. 2 in E Minor, Op. 27: IV. Allegro vivace
|
Rachmaninov: Symphony No. 2, Op. 27
|
|
Boléro, M. 81
|
100 Best Classics
|
|
Ceres
|
Holst: The Planets - World Premiere Recording of Asteroids
|
|
Komarov's Fall
|
Holst: The Planets - World Premiere Recording of Asteroids
|
|
Symphony No. 9 in D Minor, Op. 125 "Choral": IV. Presto - "O Freunde, nicht diese Töne!" (Ode to Joy) [Excerpt]
|
Classical: The Collection
|
|
Concierto de Aranjuez: II. Adagio (Excerpt, Opening)
|
Classical: The Collection
|
|
Symphony No. 1 in D Major "Titan": I. Blumine. Andante
|
Mahler: Complete Symphonies
|
|
Symphony No. 1 in D Major "Titan": II. Langsam. Schleppend
|
Mahler: Complete Symphonies
|
|
Symphony No. 1 in D Major "Titan": III. Kräftig bewegt, doch nicht zu schnell
|
Mahler: Complete Symphonies
|
|
Symphony No. 1 in D Major "Titan": IV. Feierlich und gemessen, ohne zu schleppen
|
Mahler: Complete Symphonies
|
|
Symphony No. 2 in C Minor "Resurrection": I. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck
|
Mahler: Complete Symphonies
|
|
Symphony No. 2 in C Minor "Resurrection": III. In ruhig fließender Bewegung
|
Mahler: Complete Symphonies
|
|
Symphony No. 2 in C Minor "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht
|
Mahler: Complete Symphonies
|
|
Symphony No. 2 in C Minor "Resurrection": V. (a) Im Tempo des Scherzos. Wild herausfahrend
|
Mahler: Complete Symphonies
|
|
Symphony No. 2 in C Minor "Resurrection": V. (b) Wieder sehr breit
|
Mahler: Complete Symphonies
|
|
Symphony No. 2 in C Minor "Resurrection": V. (c) Molto ritenuto - Maestoso
|
Mahler: Complete Symphonies
|
|
Symphony No. 2 in C Minor "Resurrection": V. (d) Wieder zurückhaltend
|
Mahler: Complete Symphonies
|
|
Symphony No. 2 in C Minor "Resurrection": V. (e) Langsam. Misterioso. "Aufersteh'n, ja aufersteh'n wirst du"
|
Mahler: Complete Symphonies
|
|
Symphony No. 2 in C Minor "Resurrection": V. (f) Etwas bewegter. "O glaube, mein Herz !"
|
Mahler: Complete Symphonies
|
|
Symphony No. 2 in C Minor "Resurrection": V. (g) Mit Aufschwung aber nicht eilen. "O Schmerz !"
|
Mahler: Complete Symphonies
|
|
Symphony No. 3 in D Minor: II. Tempo di menuetto. Sehr mässig
|
Mahler: Complete Symphonies
|
|
Symphony No. 3 in D Minor: III. Comodo, Scherzando. Ohne Hast
|
Mahler: Complete Symphonies
|
|
Symphony No. 3 in D Minor: IV. Sehr Langsam. Misterioso. Durchaus Leise
|
Mahler: Complete Symphonies
|
|
Symphony No. 3 in D Minor: V. Lustig im Tempo und keck im Ausdruck
|
Mahler: Complete Symphonies
|
|
Symphony No. 4 in G Major: I. Bedächtig, nicht eilen
|
Mahler: Complete Symphonies
|
|
Symphony No. 4 in G Major: II. In gemächlicher Bewegung, ohne Hast
|
Mahler: Complete Symphonies
|
|
Symphony No. 4 in G Major: III. Ruhevoll
|
Mahler: Complete Symphonies
|
|
Symphony No. 4 in G Major: IV. Sehr behaglich
|
Mahler: Complete Symphonies
|
|
Symphony No. 6 in A Minor "Tragic": I. Allegro energico, ma non troppo
|
Mahler: Complete Symphonies
|
|
Symphony No. 6 in A Minor "Tragic": II. Andante moderato
|
Mahler: Complete Symphonies
|
|
Symphony No. 6 in A Minor "Tragic": III. Scherzo. Wuchtig
|
Mahler: Complete Symphonies
|
|
Symphony No. 6 in A Minor "Tragic": IV. Finale. Sostenuto - Allegro moderato - Allegro energico
|
Mahler: Complete Symphonies
|
|
Symphony No. 7 in E Minor: I. Langsam - Allegro risoluto ma non troppo
|
Mahler: Complete Symphonies
|
|
Symphony No. 7 in E Minor: II. Nachtmusik. Allegro moderato
|
Mahler: Complete Symphonies
|
|
Symphony No. 7 in E Minor: III. Scherzo
|
Mahler: Complete Symphonies
|
|
Symphony No. 7 in E Minor: IV. Nachtmusik. Andante amoroso
|
Mahler: Complete Symphonies
|
|
Symphony No. 7 in E Minor: V. Rondo-Finale
|
Mahler: Complete Symphonies
|
|
Symphony No. 8 in E-Flat Major "Of a Thousand", Pt. 1 "Hymnus": II. Imple superna gratia
|
Mahler: Complete Symphonies
|
|
Symphony No. 8 in E-Flat Major "Of a Thousand", Pt. 1 "Hymnus": III. Infirma nostri corporis
|
Mahler: Complete Symphonies
|
|
Symphony No. 8 in E-Flat Major "Of a Thousand", Pt. 1 "Hymnus": IV. Tempo I. Allegro, etwas hastig
|
Mahler: Complete Symphonies
|
|
Symphony No. 8 in E-Flat Major "Of a Thousand", Pt. 1 "Hymnus": V. Infirma nostri corporis (Reprise)
|
Mahler: Complete Symphonies
|
|
Symphony No. 8 in E-Flat Major "Of a Thousand", Pt. 1 "Hymnus": VI. Accende lumen sensibus
|
Mahler: Complete Symphonies
|
|
Symphony No. 8 in E-Flat Major "Of a Thousand", Pt. 1 "Hymnus": VII. Qui Paraclitus diceris
|
Mahler: Complete Symphonies
|
|
Symphony No. 8 in E-Flat Major "Of a Thousand", Pt. 1 "Hymnus": VIII. Gloria sit Patri Domino
|
Mahler: Complete Symphonies
|
|
Symphony No. 8 in E-Flat Major "Of a Thousand", Pt. 2 "Final Scene from Faust": I. Poco adagio
|
Mahler: Complete Symphonies
|
|
Symphony No. 8 in E-Flat Major "Of a Thousand", Pt. 2 "Final Scene from Faust": II. Più mosso. Allegro moderato
|
Mahler: Complete Symphonies
|
|
Symphony No. 8 in E-Flat Major "Of a Thousand", Pt. 2 "Final Scene from Faust": III. Waldung, sie schwankt heran
|
Mahler: Complete Symphonies
|
|
Symphony No. 8 in E-Flat Major "Of a Thousand", Pt. 2 "Final Scene from Faust": IV. Ewiger Wonnebrand
|
Mahler: Complete Symphonies
|
|
Symphony No. 8 in E-Flat Major "Of a Thousand", Pt. 2 "Final Scene from Faust": V. Wie Felsenabgrund mir zu Füssen
|
Mahler: Complete Symphonies
|
|
Symphony No. 8 in E-Flat Major "Of a Thousand", Pt. 2 "Final Scene from Faust": VI. Gerettet ist das edle Glied
|
Mahler: Complete Symphonies
|
|
Symphony No. 8 in E-Flat Major "Of a Thousand", Pt. 2 "Final Scene from Faust": VII. Uns bleibt ein Erdenrest
|
Mahler: Complete Symphonies
|
|
Symphony No. 8 in E-Flat Major "Of a Thousand", Pt. 2 "Final Scene from Faust": VIII. Ich spür soeben
|
Mahler: Complete Symphonies
|
|
Symphony No. 8 in E-Flat Major "Of a Thousand", Pt. 2 "Final Scene from Faust": IX. Höchste Herrscherin der Welt!
|
Mahler: Complete Symphonies
|
|
Symphony No. 8 in E-Flat Major "Of a Thousand", Pt. 2 "Final Scene from Faust": X. Dir, der Unberührbaren
|
Mahler: Complete Symphonies
|
|
Symphony No. 8 in E-Flat Major "Of a Thousand", Pt. 2 "Final Scene from Faust": XI. Bei der Liebe, die den Füssen
|
Mahler: Complete Symphonies
|
|
Symphony No. 8 in E-Flat Major "Of a Thousand", Pt. 2 "Final Scene from Faust": XII. Neige, neige, du Ohnegleiche
|
Mahler: Complete Symphonies
|
|
Symphony No. 8 in E-Flat Major "Of a Thousand", Pt. 2 "Final Scene from Faust": XIII. Er überwächst uns schon
|
Mahler: Complete Symphonies
|
|
Symphony No. 8 in E-Flat Major "Of a Thousand", Pt. 2 "Final Scene from Faust": XIV. Komm! Komm!
|
Mahler: Complete Symphonies
|
|
Symphony No. 8 in E-Flat Major "Of a Thousand", Pt. 2 "Final Scene from Faust": XV. Blicket auf zum Retterblick
|
Mahler: Complete Symphonies
|
|
Symphony No. 8 in E-Flat Major "Of a Thousand", Pt. 2 "Final Scene from Faust": XVI. Chorus mysticus
|
Mahler: Complete Symphonies
|
|
Symphony No. 8 in E-Flat Major "Of a Thousand", Pt. 2 "Final Scene from Faust": XVII. Chorus mysticus (Reprise)
|
Mahler: Complete Symphonies
|
|
Symphony No. 9 in D Major: I. Andante comodo
|
Mahler: Complete Symphonies
|
|
Symphony No. 9 in D Major: II. Im Tempo eines gemächlichen Ländlers
|
Mahler: Complete Symphonies
|
|
Symphony No. 9 in D Major: III. Rondo-Burleske. Allegro assai. Sehr trotzig
|
Mahler: Complete Symphonies
|
|
Symphony No. 10 in F-Sharp Major: I. Adagio (1989 Cooke Version)
|
Mahler: Complete Symphonies
|
|
Symphony No. 10 in F-Sharp Major: II. Scherzo I
|
Mahler: Complete Symphonies
|
|
Symphony No. 10 in F-Sharp Major: III. Purgatorio. Allegro moderato
|
Mahler: Complete Symphonies
|
|
Symphony No. 10 in F-Sharp Major: IV. Scherzo II
|
Mahler: Complete Symphonies
|
|
Symphony No. 10 in F-Sharp Major: V. Finale
|
Mahler: Complete Symphonies
|
|
Images, L. 118a: I. Gigues
|
Debussy: The Complete Works
|
|
Images, L. 118a: II. Ibéria - Par les rues et par les chemins
|
Debussy: The Complete Works
|
|
Images, L. 118a: II. Ibéria - Les parfums de la nuit
|
Debussy: The Complete Works
|
|
Images, L. 118a: II. Iberia - Le matin d'un jour de fête
|
Debussy: The Complete Works
|
|
Images, L. 118a: III. Rondes de printemps
|
Debussy: The Complete Works
|
|
Bernstein: Wonderful Town, Act 1: Overture
|
The Sound of Bernstein
|
|
Fidelio, Op. 72: Overture
|
Beethoven: Fidelio
|