|
Olivet to Calvary, Pt. 1: IV. The Mount of Olives, 4. Solo and Chorus, "Come unto him, all ye that labour" (Chorus, Baritone)
|
English Choral Classics
|
|
Olivet to Calvary, Pt. 1: IV. The Mount of Olives, 5. Hymn, "Just as I am, without one plea" (Chorus, Baritone)
|
English Choral Classics
|
|
Variations on a Theme by Hindemith: IV. Moto perpetuo (con slancio)
|
Icon: Vernon Handley
|
|
2 Pieces for Small Orchestra, RT VI/19: II. Summer Night on the River (Very quietly)
|
Icon: Vernon Handley
|
|
Night on Bald Mountain (Rimsky-Korsakov's Version)
|
Icon: Vernon Handley
|
|
Capriccio espagnol Op. 34: I. Alborada (Vivo e strepitoso) -
|
Icon: Vernon Handley
|
|
Capriccio espagnol Op. 34: III. Alborada (Vivo e strepitoso) -
|
Icon: Vernon Handley
|
|
Eventyr (Once upon a time)
|
Delius: Brigg Fair & In a Summer Garden
|
|
Variations on an Original Theme, Op. 36 "Enigma": Variation XIII. Romanza. ***
|
Elgar Enigma Variations, Vaughan Williams The Lark Ascending [The National Gallery Collection] (The National Gallery Collection)
|
|
Variations on an Original Theme, Op. 36 "Enigma": Variation XIV. Finale. E.D.U.
|
Elgar Enigma Variations, Vaughan Williams The Lark Ascending [The National Gallery Collection] (The National Gallery Collection)
|
|
The Wasps, an Aristophanic Suite: III. March-Past of the Kitchen Utensils
|
Vaughan Williams: An English Music
|
|
5 Variants of "Dives and Lazarus": Theme. Adagio
|
Vaughan Williams: The Lark Ascending, Five Variants of Dives and Lazarus, The Wasps & Prelude and Fugue
|
|
5 Variants of "Dives and Lazarus": Variant I
|
Vaughan Williams: The Lark Ascending, Five Variants of Dives and Lazarus, The Wasps & Prelude and Fugue
|
|
5 Variants of "Dives and Lazarus": Variant III
|
Vaughan Williams: The Lark Ascending, Five Variants of Dives and Lazarus, The Wasps & Prelude and Fugue
|
|
5 Variants of "Dives and Lazarus": Variant V. Adagio
|
Vaughan Williams: The Lark Ascending, Five Variants of Dives and Lazarus, The Wasps & Prelude and Fugue
|
|
The Wasps, an Aristophanic Suite: III. March-Past of the Kitchen Utensils
|
Vaughan Williams: The Lark Ascending, Five Variants of Dives and Lazarus, The Wasps & Prelude and Fugue
|
|
Night on Bald Mountain (Rimsky-Korsakov's Version)
|
Russian Spectacular
|
|
Capriccio espagnol Op. 34: I. Alborada (Vivo e strepitoso) -
|
Russian Spectacular
|
|
Capriccio espagnol Op. 34: III. Alborada (Vivo e strepitoso) -
|
Russian Spectacular
|
|
The Wasps, an Aristophanic Suite: III. March-Past of the Kitchen Utensils
|
Vaughan Williams: An English Music
|
|
5 Variants of "Dives and Lazarus": Theme. Adagio
|
Vaughan Williams: The Lark Ascending, Five Variants of Dives and Lazarus, The Wasps & Prelude and Fugue
|
|
5 Variants of "Dives and Lazarus": Variant I
|
Vaughan Williams: The Lark Ascending, Five Variants of Dives and Lazarus, The Wasps & Prelude and Fugue
|
|
5 Variants of "Dives and Lazarus": Variant III
|
Vaughan Williams: The Lark Ascending, Five Variants of Dives and Lazarus, The Wasps & Prelude and Fugue
|
|
5 Variants of "Dives and Lazarus": Variant V. Adagio
|
Vaughan Williams: The Lark Ascending, Five Variants of Dives and Lazarus, The Wasps & Prelude and Fugue
|
|
The Wasps, an Aristophanic Suite: III. March-Past of the Kitchen Utensils
|
Vaughan Williams: The Lark Ascending, Five Variants of Dives and Lazarus, The Wasps & Prelude and Fugue
|
|
Variations on a Theme by Hindemith: IV. Moto perpetuo (con slancio)
|
Icon: Vernon Handley
|
|
2 Pieces for Small Orchestra, RT VI/19: II. Summer Night on the River (Very quietly)
|
Icon: Vernon Handley
|
|
Night on Bald Mountain (Rimsky-Korsakov's Version)
|
Icon: Vernon Handley
|
|
Capriccio espagnol Op. 34: I. Alborada (Vivo e strepitoso) -
|
Icon: Vernon Handley
|
|
Capriccio espagnol Op. 34: III. Alborada (Vivo e strepitoso) -
|
Icon: Vernon Handley
|
|
Variations on an Original Theme, Op. 36 "Enigma": Variation XIII. Romanza. ***
|
Elgar Enigma Variations, Vaughan Williams The Lark Ascending
|
|
Variations on an Original Theme, Op. 36 "Enigma": Variation XIV. Finale. E.D.U.
|
Elgar Enigma Variations, Vaughan Williams The Lark Ascending
|
|
The Crucifixion: XIII. The Mystery of the Intercession, "Jesus, the crucified, pleads for me" (Chorus)
|
English Choral Classics
|
|
The Crucifixion: XIV. Recitative, "And one of the malefactors" (Basses, Chorus)
|
English Choral Classics
|
|
The Crucifixion: XVI. Recitative, "When Jesus therefore saw his mother" (Tenor, Chorus, Bass)
|
English Choral Classics
|
|
The Crucifixion: XVII. Recitative, "Is it nothing to you" (Bass)
|
English Choral Classics
|
|
The Crucifixion: XVIII. The Appeal of the Crucified, "From the throne of his cross" (Chorus)
|
English Choral Classics
|
|
The Crucifixion: XIX. Recitative and Chorus, "After this, Jesus knowing that all things were now accomplished" (Tenor, Chorus)
|
English Choral Classics
|
|
Olivet to Calvary, Pt. 1: IV. The Mount of Olives, 1. Air, "Not of this world the kingdom of our Lord" (Tenor)
|
English Choral Classics
|
|
Olivet to Calvary, Pt. 1: IV. The Mount of Olives, 2. Chorus, "T' was night o'er lonely Olivet"
|
English Choral Classics
|
|
Olivet to Calvary, Pt. 1: IV. The Mount of Olives, 3. Solo, "He was despised and rejected of men" (Tenor)
|
English Choral Classics
|
|
Olivet to Calvary, Pt. 1: IV. The Mount of Olives, 4. Solo and Chorus, "Come unto him, all ye that labour" (Chorus, Baritone)
|
English Choral Classics
|
|
Olivet to Calvary, Pt. 1: IV. The Mount of Olives, 5. Hymn, "Just as I am, without one plea" (Chorus, Baritone)
|
English Choral Classics
|
|
Variations on an Original Theme, Op. 36 "Enigma": Variation XIII. Romanza. ***
|
Elgar Enigma Variations, Vaughan Williams The Lark Ascending [The National Gallery Collection] (The National Gallery Collection)
|
|
Variations on an Original Theme, Op. 36 "Enigma": Variation XIV. Finale. E.D.U.
|
Elgar Enigma Variations, Vaughan Williams The Lark Ascending [The National Gallery Collection] (The National Gallery Collection)
|
