|
Piano Concerto in G Major, M. 83: II. Adagio assai
|
Zen Classics
|
|
Fancy Free: No. 6a, Galop Variation
|
Essential Bernstein
|
|
Fancy Free: No. 6b, Waltz Variation
|
Essential Bernstein
|
|
Fancy Free: No. 6c, Danzon Variation
|
Essential Bernstein
|
|
Symphony No. 6 in B Minor, Op. 74 "Pathétique": I. Adagio - Allegro non troppo
|
Tchaikovsky: Symphony No. 6 "Pathétique" & Piano Concerto No. 3
|
|
Symphony No. 6 in B Minor, Op. 74 "Pathétique": II. Allegro con grazia
|
Tchaikovsky: Symphony No. 6 "Pathétique" & Piano Concerto No. 3
|
|
Symphony No. 6 in B Minor, Op. 74 "Pathétique": III. Allegro molto vivace
|
Tchaikovsky: Symphony No. 6 "Pathétique" & Piano Concerto No. 3
|
|
Symphony No. 6 in B Minor, Op. 74 "Pathétique": IV. Finale. Adagio lamentoso
|
Tchaikovsky: Symphony No. 6 "Pathétique" & Piano Concerto No. 3
|
|
Piano Concerto in G Major, M. 83: II. Adagio assai
|
50 Best Adagios
|
|
Piano Concerto in G Major, M. 83: II. Adagio assai
|
Piano Treasures
|
|
Variations on an Original Theme, Op. 36 "Enigma": Variation XIII. Romanza. ***
|
Elgar - Orchestral Works
|
|
Variations on an Original Theme, Op. 36 "Enigma": Variation XIV. Finale. E.D.U.
|
Elgar - Orchestral Works
|
|
Symphony No. 6 in B Minor, Op. 74 "Pathétique": IV. Finale. Adagio lamentoso
|
The Very Best of Tchaikovsky
|
|
Symphony No. 4 in G Major: I. Bedächtig, nicht eilen
|
Mahler: Symphony No. 4
|
|
Symphony No. 4 in G Major: II. In gemächlicher Bewegung, ohne Hast
|
Mahler: Symphony No. 4
|
|
Symphony in D Minor, FWV 48: I. Lento - Allegro non troppo
|
Franck Symphony & Symphonic Variations
|
|
Symphony in D Minor, FWV 48: II. Allegretto
|
Franck Symphony & Symphonic Variations
|
|
Symphony in D Minor, FWV 48: III. Allegro non troppo
|
Franck Symphony & Symphonic Variations
|
|
Rédemption, FWV 52: Morceau symphonique
|
Franck Symphony & Symphonic Variations
|
|
Symphonic Variations for Piano and Orchestra, FWV 46
|
Franck Symphony & Symphonic Variations
|
|
Symphony No. 6 in B Minor, Op. 74 "Pathétique": I. Adagio - Allegro non troppo
|
Tchaikovsky: Symphonies Nos. 5 - 6, The Tempest & Romeo and Juliet, Fantasy Overture
|
|
Symphony No. 6 in B Minor, Op. 74 "Pathétique": II. Allegro con grazia
|
Tchaikovsky: Symphonies Nos. 5 - 6, The Tempest & Romeo and Juliet, Fantasy Overture
|
|
Symphony No. 6 in B Minor, Op. 74 "Pathétique": III. Allegro molto vivace
|
Tchaikovsky: Symphonies Nos. 5 - 6, The Tempest & Romeo and Juliet, Fantasy Overture
|
|
Symphony No. 6 in B Minor, Op. 74 "Pathétique": IV. Finale. Adagio lamentoso
|
Tchaikovsky: Symphonies Nos. 5 - 6, The Tempest & Romeo and Juliet, Fantasy Overture
|
|
Fancy Free: No. 6a, Galop Variation
|
Bernstein: Symphony No. 2 "The Age of Anxiety", Overture from Candide & Fancy Free
|
|
Fancy Free: No. 6b, Waltz Variation
|
Bernstein: Symphony No. 2 "The Age of Anxiety", Overture from Candide & Fancy Free
|
|
Fancy Free: No. 6c, Danzon Variation
|
Bernstein: Symphony No. 2 "The Age of Anxiety", Overture from Candide & Fancy Free
|
|
Piano Concerto in G Major, M. 83: II. Adagio assai
|
Zen piano
|
|
Piano Concerto in G Major, M. 83: II. Adagio assai
|
Nocturne - Music for Dreaming
|
|
Piano Concerto in G Major, M. 83: II. Adagio assai
|
100 Best Adagios
|
|
Symphony No. 6 in B Minor, Op. 74 "Pathétique": IV. Finale. Adagio lamentoso
|
100 Best Adagios
|
|
Piano Concerto in G Major, M. 83: II. Adagio assai
|
100 Best Concertos
|
|
Fancy Free: No. 6a, Galop Variation
|
Bernstein: The Age of Anxiety - Copland: Appalachian Spring
|
|
Fancy Free: No. 6b, Waltz Variation
|
Bernstein: The Age of Anxiety - Copland: Appalachian Spring
|
|
Fancy Free: No. 6c, Danzon Variation
|
Bernstein: The Age of Anxiety - Copland: Appalachian Spring
|
|
Fancy Free: No. 6a, Galop Variation
|
The Sound of Bernstein
|
|
Fancy Free: No. 6b, Waltz Variation
|
The Sound of Bernstein
|
|
Fancy Free: No. 6c, Danzon Variation
|
The Sound of Bernstein
|
|
3 Dance Episodes from On the Town: No. 3, Times Square, 1944
|
Leonard Bernstein: Portrait
|
|
Fancy Free: No. 6a, Galop Variation
|
Leonard Bernstein: Portrait
|
|
Fancy Free: No. 6b, Waltz Variation
|
Leonard Bernstein: Portrait
|
|
Fancy Free: No. 6c, Danzon Variation
|
Leonard Bernstein: Portrait
|
|
La Cour de Célimène, Act 1: Overture
|
Thomas: La Cour de Célimène
|
|
La Cour de Célimène, Act 1: "Bientot elle arrive" (Young Man, Adolescent, Old Man, Chorus of 12 Men)
|
Thomas: La Cour de Célimène
|
|
La Cour de Célimène, Act 1: "Il parait, chere soeur" (The Baroness, the Countess)
|
Thomas: La Cour de Célimène
|
|
La Cour de Célimène, Act 1: "Qui, c'est le plus grand des bonheurs" (The Countess, the Baroness)
|
Thomas: La Cour de Célimène
|
|
La Cour de Célimène, Act 1: "Charmez, brillez, c'est de votre age" (The Commander, the Baroness)
|
Thomas: La Cour de Célimène
|
|
La Cour de Célimène, Act 1: "C'est un mariage" (The Baroness, the Countess, Ensemble)
|
Thomas: La Cour de Célimène
|
|
La Cour de Célimène, Act 1: "Ainsi, un fois maries" (The Baroness, the Commander, the Countess)
|
Thomas: La Cour de Célimène
|
|
La Cour de Célimène, Act 1: "Que dites-vous?" (The Commander)
|
Thomas: La Cour de Célimène
|
|
La Cour de Célimène, Act 1: "Allons, rassurez-vous" (The Countess, the Commander, the Baroness)
|
Thomas: La Cour de Célimène
|
|
La Cour de Célimène, Act 1: "Ça va être bien divertissant" (The Commander, the Baroness)
|
Thomas: La Cour de Célimène
|
|
La Cour de Célimène, Act 1: "Ah, vous voila donc, chevalier?" (The Baroness, the Chevalier)
|
Thomas: La Cour de Célimène
|
|
La Cour de Célimène, Act 1: "Mais pardon ..." (The Chevalier, the Baroness)
|
Thomas: La Cour de Célimène
|
|
La Cour de Célimène, Act 1: "Eh bien! Monsieur" (The Countess, the Chevalier)
|
Thomas: La Cour de Célimène
|
|
La Cour de Célimène, Act 1: "Oh... Ah! Cessez de grâce" (The Chevalier, the Countess)
|
Thomas: La Cour de Célimène
|
|
La Cour de Célimène, Act 1: "Ainsi, madame" (The Chevaliers, the Countess)
|
Thomas: La Cour de Célimène
|
|
La Cour de Célimène, Act 1: "Quels fracas!" (Chorus, the Commander, the Chevalier)
|
Thomas: La Cour de Célimène
|
|
La Cour de Célimène, Act 2: "Dieu! Quel mortel ennui" (The Countess)
|
Thomas: La Cour de Célimène
|
|
La Cour de Célimène, Act 2: "Que voulez-vous" (The Countess)
|
Thomas: La Cour de Célimène
|
|
La Cour de Célimène, Act 2: "Ma soeur! Ma soeur!" (The Baroness, the Countess)
|
Thomas: La Cour de Célimène
|
|
La Cour de Célimène, Act 2: "Voila donc la cruelle" (Chorus of 12 Men, the Countess, the Baroness)
|
Thomas: La Cour de Célimène
|
|
La Cour de Célimène, Act 2: "Sur le terrain, tous deux enfin" (The Commander, All)
|
Thomas: La Cour de Célimène
|
|
La Cour de Célimène, Act 2: "Ainsi, commandeur, vous voila" (The Countess, the Baroness, the Commander)
|
Thomas: La Cour de Célimène
|
|
La Cour de Célimène, Act 2: "Nous pouvons arranger l'affaire" (The Commander, the Countess, the Baroness)
|
Thomas: La Cour de Célimène
|
|
La Cour de Célimène, Act 2: "Ainsi, noble baronne" (The Commander, the Baroness, the Countess)
|
Thomas: La Cour de Célimène
|
|
La Cour de Célimène, Act 2: "Aucun, et je proteste! ..." (The Chevalier, the Baroness)
|
Thomas: La Cour de Célimène
|
|
La Cour de Célimène, Act 2: "Et maintenant, chevalier" (The Baroness, the Chevalier)
|
Thomas: La Cour de Célimène
|
|
La Cour de Célimène, Act 2: "Que vois-je?" (The Chevalier, the Commander, the Baroness, the 12 Men, the Countess, the Baroness)
|
Thomas: La Cour de Célimène
|
|
La Cour de Célimène, Act 1: Overture
|
Thomas: La Cour de Célimène
|
|
La Cour de Célimène, Act 1: "Bientot elle arrive" (Young Man, Adolescent, Old Man, Chorus of 12 Men)
|
Thomas: La Cour de Célimène
|
|
La Cour de Célimène, Act 1: "Il parait, chere soeur" (The Baroness, the Countess)
|
Thomas: La Cour de Célimène
|
|
La Cour de Célimène, Act 1: "Qui, c'est le plus grand des bonheurs" (The Countess, the Baroness)
|
Thomas: La Cour de Célimène
|
|
La Cour de Célimène, Act 1: "Charmez, brillez, c'est de votre age" (The Commander, the Baroness)
|
Thomas: La Cour de Célimène
|
|
La Cour de Célimène, Act 1: "C'est un mariage" (The Baroness, the Countess, Ensemble)
|
Thomas: La Cour de Célimène
|
|
La Cour de Célimène, Act 1: "Ainsi, un fois maries" (The Baroness, the Commander, the Countess)
|
Thomas: La Cour de Célimène
|
|
La Cour de Célimène, Act 1: "Que dites-vous?" (The Commander)
|
Thomas: La Cour de Célimène
|
|
La Cour de Célimène, Act 1: "Allons, rassurez-vous" (The Countess, the Commander, the Baroness)
|
Thomas: La Cour de Célimène
|
|
La Cour de Célimène, Act 1: "Ça va être bien divertissant" (The Commander, the Baroness)
|
Thomas: La Cour de Célimène
|
|
La Cour de Célimène, Act 1: "Ah, vous voila donc, chevalier?" (The Baroness, the Chevalier)
|
Thomas: La Cour de Célimène
|
|
La Cour de Célimène, Act 1: "Mais pardon ..." (The Chevalier, the Baroness)
|
Thomas: La Cour de Célimène
|
|
La Cour de Célimène, Act 1: "Eh bien! Monsieur" (The Countess, the Chevalier)
|
Thomas: La Cour de Célimène
|
|
La Cour de Célimène, Act 1: "Oh... Ah! Cessez de grâce" (The Chevalier, the Countess)
|
Thomas: La Cour de Célimène
|
|
La Cour de Célimène, Act 1: "Ainsi, madame" (The Chevaliers, the Countess)
|
Thomas: La Cour de Célimène
|
|
La Cour de Célimène, Act 1: "Quels fracas!" (Chorus, the Commander, the Chevalier)
|
Thomas: La Cour de Célimène
|
|
La Cour de Célimène, Act 2: "Dieu! Quel mortel ennui" (The Countess)
|
Thomas: La Cour de Célimène
|
|
La Cour de Célimène, Act 2: "Que voulez-vous" (The Countess)
|
Thomas: La Cour de Célimène
|
|
La Cour de Célimène, Act 2: "Ma soeur! Ma soeur!" (The Baroness, the Countess)
|
Thomas: La Cour de Célimène
|
|
La Cour de Célimène, Act 2: "Voila donc la cruelle" (Chorus of 12 Men, the Countess, the Baroness)
|
Thomas: La Cour de Célimène
|
|
La Cour de Célimène, Act 2: "Sur le terrain, tous deux enfin" (The Commander, All)
|
Thomas: La Cour de Célimène
|
|
La Cour de Célimène, Act 2: "Ainsi, commandeur, vous voila" (The Countess, the Baroness, the Commander)
|
Thomas: La Cour de Célimène
|
|
La Cour de Célimène, Act 2: "Nous pouvons arranger l'affaire" (The Commander, the Countess, the Baroness)
|
Thomas: La Cour de Célimène
|
|
La Cour de Célimène, Act 2: "Ainsi, noble baronne" (The Commander, the Baroness, the Countess)
|
Thomas: La Cour de Célimène
|
|
La Cour de Célimène, Act 2: "Aucun, et je proteste! ..." (The Chevalier, the Baroness)
|
Thomas: La Cour de Célimène
|
|
La Cour de Célimène, Act 2: "Et maintenant, chevalier" (The Baroness, the Chevalier)
|
Thomas: La Cour de Célimène
|
|
La Cour de Célimène, Act 2: "Que vois-je?" (The Chevalier, the Commander, the Baroness, the 12 Men, the Countess, the Baroness)
|
Thomas: La Cour de Célimène
|
|
Fancy Free: No. 6a, Galop Variation
|
Bernstein: Symphony No. 2 "The Age of Anxiety", Overture from Candide & Fancy Free
|
|
Fancy Free: No. 6b, Waltz Variation
|
Bernstein: Symphony No. 2 "The Age of Anxiety", Overture from Candide & Fancy Free
|
|
Fancy Free: No. 6c, Danzon Variation
|
Bernstein: Symphony No. 2 "The Age of Anxiety", Overture from Candide & Fancy Free
|
|
Piano Concerto in G Major, M. 83: II. Adagio assai
|
Zen piano
|
