Symphony No.4 in E Minor, Op.98, IJB 138: III. Allegro giocoso

Symphony No.4 in E Minor, Op.98, IJB 138: IV. Allegro energico e passionato

Violin Concerto, in D Major, Op.77, IJB 151: I. Allegro non troppo

Violin Concerto, in D Major, Op.77, IJB 151: II. Adagio

Violin Concerto, in D Major, Op.77, IJB 151: III. Allegro giocoso, ma non troppo vivace

Variations on a Theme by Haydn, in B-Flat Major, Op.56a, IJB 146: I. Theme. Andante

Variations on a Theme by Haydn, in B-Flat Major, Op.56a, IJB 146: II. Variation 1. Poco più animato

Variations on a Theme by Haydn, in B-Flat Major, Op.56a, IJB 146: III. Variation 2. Più vivace

Variations on a Theme by Haydn, in B-Flat Major, Op.56a, IJB 146: IV. Variation 3. Con moto

Variations on a Theme by Haydn, in B-Flat Major, Op.56a, IJB 146: V. Variation 4. Andante con moto

Variations on a Theme by Haydn, in B-Flat Major, Op.56a, IJB 146: VI. Variation 5. Vivace

Variations on a Theme by Haydn, in B-Flat Major, Op.56a, IJB 146: VII. Variation 6. Vivace

Variations on a Theme by Haydn, in B-Flat Major, Op.56a, IJB 146: VIII. Variation 7. Grazioso

Variations on a Theme by Haydn, in B-Flat Major, Op.56a, IJB 146: IX. Variation 8. Presto non troppo

Variations on a Theme by Haydn, in B-Flat Major, Op.56a, IJB 146: X. Finale. Andante

Symphony No.3, in E-Flat Major, Op.55, ILB 274: I. Allegro con brio

Symphony No.3, in E-Flat Major, Op.55, ILB 274: II. Marcia funebre. Adagio assai

Symphony No.3, in E-Flat Major, Op.55, ILB 274: III. Scherzo. Allegro vivace - Trio

Symphony No.3, in E-Flat Major, Op.55, ILB 274: IV. Finale. Allegro molto

Leonora Overture No.3, in C Major, Op.72b, ILB 114: Adagio - Allegro

Variations on a Theme by Haydn, in B-Flat Major, Op.56a, IJB 146: I. Theme. Andante (2000 Remastered Version)

Variations on a Theme by Haydn, in B-Flat Major, Op.56a, IJB 146: II. Variation 1. Poco più animato (2000 Remastered Version)

Variations on a Theme by Haydn, in B-Flat Major, Op.56a, IJB 146: III. Variation 2. Più vivace (2000 Remastered Version)

Variations on a Theme by Haydn, in B-Flat Major, Op.56a, IJB 146: IV. Variation 3. Con moto (2000 Remastered Version)

Variations on a Theme by Haydn, in B-Flat Major, Op.56a, IJB 146: V. Variation 4. Andante con moto (2000 Remastered Version)

Variations on a Theme by Haydn, in B-Flat Major, Op.56a, IJB 146: VI. Variation 5. Vivace (2000 Remastered Version)

Variations on a Theme by Haydn, in B-Flat Major, Op.56a, IJB 146: VII. Variation 6. Vivace (2000 Remastered Version)

Variations on a Theme by Haydn, in B-Flat Major, Op.56a, IJB 146: VIII. Variation 7. Grazioso (2000 Remastered Version)

Variations on a Theme by Haydn, in B-Flat Major, Op.56a, IJB 146: IX. Variation 8. Presto non troppo (2000 Remastered Version)

Variations on a Theme by Haydn, in B-Flat Major, Op.56a, IJB 146: X. Finale. Andante (2000 Remastered Version)

Symphonic Metamorphosis of Themes by Carl Maria von Weber, IPH 150: I. Allegro (2000 Remastered Version)

Symphonic Metamorphosis of Themes by Carl Maria von Weber, IPH 150: II. Turandot, Scherzo (2000 Remastered Version)

Symphonic Metamorphosis of Themes by Carl Maria von Weber, IPH 150: III. Andantino (2000 Remastered Version)

Symphonic Metamorphosis of Themes by Carl Maria von Weber, IPH 150: IV. Marsch (2000 Remastered Version)

Metamorphosen, TrV 290, IRS 73 (2000 Remastered Version)

Fidelio, Op.72, ILB 67: "Ouvertüre"

Fidelio, Op.72, ILB 67, Act I: "Jetzt, Schätzchen, jetzt sind wir allein" (Jaquino, Marzelline)

Fidelio, Op.72, ILB 67, Act I: "O wär ich schon mit dir vereint" (Marzelline, Rocco, Leonore)

Fidelio, Op.72, ILB 67, Act I: "Mir ist so wunderbar" (Marzelline, Leonore, Rocco, Jaquino)

Fidelio, Op.72, ILB 67, Act I: "Hat man nicht auch Gold beineben" (Rocco, Leonore, Marzelline)

Fidelio, Op.72, ILB 67, Act I: "Gut, Söhnchen, gut, Hab immer Mut" (Rocco, Leonore, Marzelline)

Fidelio, Op.72, ILB 67, Act I: "Marsch / Ist etwas Neues vorgefallen?" (Pizarro, Rocco)

Fidelio, Op.72, ILB 67, Act I: "Ha! welch' ein Augenblick!" (Pizarro, Chor)

Fidelio, Op.72, ILB 67, Act I: "Jetzt, Alter, jetzt hat es Eile!" (Pizarro, Rocco)

Fidelio, Op.72, ILB 67, Act I: "Abscheulicher! Wo eilst du hin?" (Leonore)

Fidelio, Op.72, ILB 67, Act I: "Komm, Hoffnung, lass den letzten Stern" (Leonore, Marzelline, Rocco)

Fidelio, Op.72, ILB 67, Act I: "O welche Lust, in freier Luft" (Chor, Erster Gefangener, Zweiter Gefangerer)

Fidelio, Op.72, ILB 67, Act I: "Nun sprecht, wie ging's?" (Leonore, Rocco)

Fidelio, Op.72, ILB 67, Act I: "Ach, Vater, Vater, eilt!" (Marzelline, Rocco, Jaquino, Leonore, Pizarro)

Fidelio, Op.72, ILB 67, Act I: "Leb' wohl, du warmes Sonnenlicht" (Chor, Marzelline, Leonore, Jaquino, Pizarro, Rocco)

Fidelio, Op.72, ILB 67, Act II: "Introduktion"

Fidelio, Op.72, ILB 67, Act II: "Gott! Welch Dunkel hier!" (Florestan)

Fidelio, Op.72, ILB 67, Act II: "Wie kalt ist es in diesem unterirdischen Gewölbe!" (Leonore, Rocco, Florestan)

Fidelio, Op.72, ILB 67, Act II: "Euch werde Lohn in bessern Welten" (Florestan, Rocco, Leonore, Pizarro)

Fidelio, Op.72, ILB 67, Act II: "Er sterbe! - Doch er soll erst wissen" (Pizarro, Florestan, Leonore, Rocco, Jaquino)

Fidelio, Op.72, ILB 67, Act II: "O namenlose Freude!" (Leonore, Florestan)

Fidelio, Op.72, ILB 67, Act II: "Leonore - Ouvertüre No.3"

Fidelio, Op.72, ILB 67, Act II: "Heil sei dem Tag, heil sei der Stunde" (Chorus, Fernando, Rocco, Pizarro, Leonore, Marzelline)

Fidelio, Op.72, ILB 67, Act II: "Du schlossest auf des Edlen Grab" (Fernando, Leonore, Florestan, Marzelline, Rocco, Chor)

Fidelio, Op.72, ILB 67, Act II: "Wer ein holdes Weib errungen" (Chor, Florestan, Leonore, Rocco, Marzelline, Jaquino, Fernando)

Don Giovanni, K.527, IWM 167: "Ouverture"

Don Giovanni, K.527, IWM 167, Act I: "Notte e giorno faticar" (Leporello)

Don Giovanni, K.527, IWM 167, Act I: "Non sperar, se non m'uccidi" (Donna Anna, Don Giovanni, Leporello, Commendatore)

Don Giovanni, K.527, IWM 167, Act I: "Leporello, ove sei?" (Don Giovanni, Leporello, Donna Anna, Don Ottavio)

Don Giovanni, K.527, IWM 167, Act I: "Fuggi, crudele, fuggi!" (Donna Anna, Don Ottavio)

Don Giovanni, K.527, IWM 167, Act I: "Orsù, spìcciati presto" (Don Giovanni, Leporello)

Don Giovanni, K.527, IWM 167, Act I: "Ah! chi mi dice mai" (Donna Elvira, Don Giovanni, Leporello)

Don Giovanni, K.527, IWM 167, Act I: "Chi è là?" (Donna Elvira, Don Giovanni, Leporello)

Don Giovanni, K.527, IWM 167, Act I: "Madamina, il catalogo è questo" (Leporello, Donna Elvira)

Don Giovanni, K.527, IWM 167, Act I: "Giovinette che fate all'amore" (Zerlina, Coro, Masetto, Don Giovanni, Leporello)

Don Giovanni, K.527, IWM 167, Act I: "Ho capito, signorsì!" (Masetto, Don Giovanni, Zerlina)

Don Giovanni, K.527, IWM 167, Act I: "Là ci darem la mano" (Don Giovanni, Zerlina)

Don Giovanni, K.527, IWM 167, Act I: "Fermati, scellerato!" (Donna Elvira, Zerlina, Don Giovanni)

Don Giovanni, K.527, IWM 167, Act I: "Mi par ch'oggi il demonio si diverta" (Don Giovanni, Don Ottavio, Donna Anna, Donna Elvira)

Don Giovanni, K.527, IWM 167, Act I: "Povera sventurata!" (Don Giovanni, Donna Anna, Don Ottavio)

Don Giovanni, K.527, IWM 167, Act I: "Or sai che l'onore" (Donna Anna)

Don Giovanni, K.527, IWM 167, Act I: "Come mai creder deggio / Dalla sua pace" (Don Ottavio)

Don Giovanni, K.527, IWM 167, Act I: "Io deggio ad ogni patto / Fin ch'han dal vino" (Leporello, Don Giovanni)

Don Giovanni, K.527, IWM 167, Act I: "Masetto, senti un po'" (Zerlina, Masetto)

Don Giovanni, K.527, IWM 167, Act I: "Batti, batti, o bel Masetto" (Zerlina)

Don Giovanni, K.527, IWM 167, Act I: "Guarda un po'" (Masetto, Don Giovanni, Zerlina, Coro)

Don Giovanni, K.527, IWM 167, Act I: "Tra quest'arbori celata" (Zerlina, Don Giovanni, Masetto)

Don Giovanni, K.527, IWM 167, Act I: "Bisogna aver coraggio" (Donna Elvira, Don Ottavio, Donna Anna, Leporello, Don Giovanni)

Don Giovanni, K.527, IWM 167, Act I: "Riposate, vezzose ragazze" (Don Giovanni, Leporello, Masetto, Zerlina, Donna Anna, Donna Elvira, Don Ottavio)

Don Giovanni, K.527, IWM 167, Act I: "Ecco il birbo che t'ha offesa!" (Don Giovanni, Leporello, Don Ottavio, Donna Anna, Donna Elvira, Zerlina)

Don Giovanni, K.527, IWM 167, Act II: "Eh, via, buffone, non mi seccar" (Don Giovanni, Leporello)

Don Giovanni, K.527, IWM 167, Act II: "Ah taci, ingiusto core" (Donna Elvira, Leporello, Don Giovanni)

Don Giovanni, K.527, IWM 167, Act II: "Amico, che ti par?" (Don Giovanni, Leporello, Donna Elvira)

Don Giovanni, K.527, IWM 167, Act II: "Deh vieni alla finestra" (Don Giovanni)

Don Giovanni, K.527, IWM 167, Act II: "V'è gente alla finestra" (Don Giovanni, Masetto)

Don Giovanni, K.527, IWM 167, Act II: "Metà di voi qua vadano" (Don Giovanni)

Don Giovanni, K.527, IWM 167, Act II: "Zitto, lascia ch'io senta" (Don Giovanni, Masetto, Zerlina)

Don Giovanni, K.527, IWM 167, Act II: "Vedrai, carino, se sei buonino" (Zerlina)

Don Giovanni, K.527, IWM 167, Act II: "Di molte faci il lume" (Leporello, Donna Elvira, Don Ottavio, Donna Anna)

Don Giovanni, K.527, IWM 167, Act II: "Ferma, briccone" (Zerlina, Masetto, Donna Anna, Don Ottavio, Donna Elvira, Leporello)

Don Giovanni, K.527, IWM 167, Act II: "Dunque quello sei tu" (Zerlina, Donna Elvira, Don Ottavio, Masetto, Leporello)

Don Giovanni, K.527, IWM 167, Act II: "Il mio tesoro intanto" (Don Ottavio)

Don Giovanni, K.527, IWM 167, Act II: "In quali eccessi, o Numi" (Donna Elvira)

Don Giovanni, K.527, IWM 167, Act II: "Mi tradì, quell'alma ingrata" (Donna Elvira)

Don Giovanni, K.527, IWM 167, Act II: "Ah, ah, ah, questa è buona" (Don Giovanni, Leporello, La statua del Commendatore)