Romanzen und Balladen, Heft I, Op. 45: No. 3, Abends am Strand

5 Lieder und Gesänge, Op. 127: No. 2, Dein Angesicht

Romanzen und Balladen, Heft II, Op. 49: No. 1, Die beiden Grenadiere

4 Gesänge, Op. 142: No. 4, Mein Wagen rollet langsam

4 Mélodies, Op. 39: No. 2, Fleur jetée

3 Mélodies, Op. 23: No. 1, Les berceaux

3 Mélodies, Op. 8: No. 1, Au bord de l'eau

2 Mélodies, Op. 83: No. 1, Prison

2 Mélodies, Op. 46: No. 2, Clair de lune

3 Mélodies, Op. 18: No. 1, Nell

Fêtes galantes, Livre II, CD 114, L. 104

Folksong Arrangements, Book 1 "British Isles": No. 6, The Ash Grove

Folksong Arrangements, Book 8: No. 4, Greensleeves

Linden Lea

The Death of Queen Jane

Brigg Fair

Die Forelle, Op. 32, D. 550

Auf der Bruck, Op. 93 No. 2, D. 853

Auf dem Wasser zu singen, Op. 72, D. 774

Im Frühling, Op. Posth 101 No. 1, D. 882

4 Lieder, Op. 88: No. 4, An die Musik, D. 547

4 Lieder, Op. 106: No. 4, An Sylvia, D. 891

Erlkönig, Op. 1, D. 328

Romanzen und Balladen, Heft I, Op. 45: No. 3, Abends am Strand

5 Lieder und Gesänge, Op. 127: No. 2, Dein Angesicht

Romanzen und Balladen, Heft II, Op. 49: No. 1, Die beiden Grenadiere

4 Gesänge, Op. 142: No. 4, Mein Wagen rollet langsam

4 Mélodies, Op. 39: No. 2, Fleur jetée

3 Mélodies, Op. 23: No. 1, Les berceaux

3 Mélodies, Op. 8: No. 1, Au bord de l'eau

2 Mélodies, Op. 83: No. 1, Prison

2 Mélodies, Op. 46: No. 2, Clair de lune

3 Mélodies, Op. 18: No. 1, Nell

Fêtes galantes, Livre II, CD 114, L. 104

Folksong Arrangements, Book 1 "British Isles": No. 6, The Ash Grove

Folksong Arrangements, Book 8: No. 4, Greensleeves

Linden Lea

The Death of Queen Jane

Brigg Fair

3 Auden Songs : I. In Memoriam L.K.A. 1950-1952

Semele, HWV 58, Act 2: Air. "Where'er your walk, cool gales shall fan the glade" (Jupiter)

Messiah, HWV 56, Pt. 1: Sinfonia

Messiah, HWV 56, Pt. 1, Scene 1: Aria. "Ev'ry Valley Shall Be Exalted"

Serse, HWV 40, Act 1, Scene 1: Accompagnato. "Frondi tenere" (Serse)

Serse, HWV 40, Act 1, Scene 1: Arioso. "Ombra mai fù" (Serse)

La Resurrezione, HWV 47, Pt. 1: Aria. "Così la tortorella" (San Giovanni)

Acis and Galatea, HWV 49, Act 2: Air. "Love sounds th'alarm" (Acis)

Acis and Galatea, HWV 49, Act 1: Air. "Love in her eyes sits playing" (Acis)

Acis and Galatea, HWV 49, Act 1: Duett. "Happy we!" (Acis, Galatea)

Ariodante, HWV 33, Act 2: Aria. "Scherza infida!" (Ariodante)

Ariodante, HWV 33, Act 3: Aria. "Dopo notte, atra e funesta" (Ariodante)

Samson, HWV 57, Act 1, Scene 2: Aria. "Total eclipse!" (Samson)

L'Allegro, il Penseroso ed il Moderato, HWV 55, Pt. 3: Duet. "As steals the morn upon the night"

Jephtha, HWV 70, Act 3: Air. "Hide thou thy hated beams" (Jephtha)

Jephtha, HWV 70, Act 3: Accompagnato. "A father, offering up" (Jephtha)

Jephtha, HWV 70, Act 3: Air. "Waft her, angels" (Jephtha)

Semele, HWV 58, Act 2: Air. "Where'er your walk, cool gales shall fan the glade" (Jupiter)

Messiah, HWV 56, Pt. 1: Sinfonia

Messiah, HWV 56, Pt. 1, Scene 1: Aria. "Ev'ry Valley Shall Be Exalted"

Serse, HWV 40, Act 1, Scene 1: Accompagnato. "Frondi tenere" (Serse)

Serse, HWV 40, Act 1, Scene 1: Arioso. "Ombra mai fù" (Serse)

La Resurrezione, HWV 47, Pt. 1: Aria. "Così la tortorella" (San Giovanni)

Acis and Galatea, HWV 49, Act 2: Air. "Love sounds th'alarm" (Acis)

Acis and Galatea, HWV 49, Act 1: Air. "Love in her eyes sits playing" (Acis)

Acis and Galatea, HWV 49, Act 1: Duett. "Happy we!" (Acis, Galatea)

Ariodante, HWV 33, Act 2: Aria. "Scherza infida!" (Ariodante)

Ariodante, HWV 33, Act 3: Aria. "Dopo notte, atra e funesta" (Ariodante)

Samson, HWV 57, Act 1, Scene 2: Aria. "Total eclipse!" (Samson)

L'Allegro, il Penseroso ed il Moderato, HWV 55, Pt. 3: Duet. "As steals the morn upon the night"

Jephtha, HWV 70, Act 3: Air. "Hide thou thy hated beams" (Jephtha)

Jephtha, HWV 70, Act 3: Accompagnato. "A father, offering up" (Jephtha)

Jephtha, HWV 70, Act 3: Air. "Waft her, angels" (Jephtha)

3 Auden Songs : I. In Memoriam L.K.A. 1950-1952

Don Chisciotte in Sierra Morena: Aria, "Qui sto appeso eil ciel sa quando" (Don Chisciotte)

Hercules, HWV 60, Act 1: Air. "Where congeal's the northern streams" (Hyllus)

Hercules, HWV 60, Act 2: Air. "From coelestial seats descending" (Hyllus)

Arsilda, regina di Ponto, RV 700: "La tiranna e avversa sorte" (Tamese)

Il Bajazet, Act 1 Scene 1: No. 1, Aria, "Forte e lieto a morte andrei" (Bajazet)

Tamerlano, HWV 18, Act 1: Aria. "Forte e lieto a morte andrei" (Bajazet)

Rosamond: Aria, "Rise, Glory, rise in all thy Charms" (King Henry)

Joaz: Aria, "Lo so, lo so, con periglio" (Azaria)

Poro, re dell'Indie, HWV 28, Act 2: Aria. "D'un barbaro scortese" (Alessandro)

Marco Attilio Regolo: Aria. "Se non sà qual vento il guida"

Giulio Cesare in Egitto, HWV 17, Act 2: Aria. "Scorta siate a passi miei" (Sesto)

L'Atenaide, RV 702: "Ti stringo in quest' amplesso" (Leontino)

Ipermestra, RV 722: "Sazierò col morir mio" (Danao)

Solomon, A Serenata: No. 23, Air, "Softly arise, O Southern breeze!" (A Man) - No. 24, Chorus, "Ye Southern breezes!"

The Royal Chace: Aria, "With early horn salute the morn" (The Royal Hunter)

Don Chisciotte in Sierra Morena: Aria, "Qui sto appeso eil ciel sa quando" (Don Chisciotte)

Hercules, HWV 60, Act 1 Scene 2: No. 7, Aria, "Where congeal's the northern streams" (Hyllus)

Hercules, HWV 60, Act 2 Scene 3: No. 24, Aria, "From celestial seats descending" (Hyllus)

Arsilda, regina di Ponto, RV 700, Act 1 Scene 7: No. 7, Aria, "La tiranna e avversa sorte" (Tamese)

Il Bajazet, Act 1 Scene 1: No. 1, Aria, "Forte e lieto a morte andrei" (Bajazet)

Tamerlano, HWV 18, Act 1 Scene 1: No. 3, Aria, "Forte e lieto a morte andrei" (Bajazet)

Rosamond: Aria, "Rise, Glory, rise in all thy Charms" (King Henry)

Joaz: Aria, "Lo so, lo so, con periglio" (Azaria)

Poro, Re dell'Indie, HWV 28, Act 2 Scene 4: No. 15, Aria, "D'un barbaro scortese non rammentar l'offese" (Alessandro)

Marco Attilio Regolò: Aria, "Se non sà qual vento il guida" (Santippo)

Giulio Cesare in Egitto, HWV 17, Act 2 Scene 11: No. 31b, Aria, "Scorta siate a passi miei" (Sesto)

L'Atenaide, RV 702, Act 1 Scene 1: No. 1, Aria, "Ti stringo in quest' amplesso" (Leontino)