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Die Zauberflöte, K. 620, Act 1: Lied. "Der Vogelfänger bin ich ja" (Papageno)
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Otto Klemperer Conducts Mozart
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Die Zauberflöte, K. 620, Act 2: Aria. "Ein Mädchen oder Weibchen" (Papageno)
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Otto Klemperer Conducts Mozart
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Symphony No. 41 in C Major, K. 551 "Jupiter": I. Allegro vivace
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Otto Klemperer Conducts Mozart
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Symphony No. 41 in C Major, K. 551 "Jupiter": II. Andante cantabile
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Otto Klemperer Conducts Mozart
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Symphony No. 41 in C Major, K. 551 "Jupiter": III. Menuetto. Allegretto
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Otto Klemperer Conducts Mozart
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Symphony No. 41 in C Major, K. 551 "Jupiter": IV. Molto allegro
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Otto Klemperer Conducts Mozart
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Symphony No. 9 in D Minor, Op. 125 "Choral": IV. Presto - "O Freunde, nicht diese Töne!" (Ode to Joy)
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Philharmonia Orchestra - Beethoven
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Fidelio, Op. 72, Act 1: No. 1, Duet "Jetzt, Schätzchen, jetzt sind wir allein" (Jaquino, Marzelline)
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Beethoven: Fidelio
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Fidelio, Op. 72, Act 1: No. 1, Recitative "Der arme Jaquino dauert mich beinahe" (Marzelline)
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Beethoven: Fidelio
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Fidelio, Op. 72, Act 1: Aria. "O wär ich schon mit dir vereint" (Marzelline)
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Beethoven: Fidelio
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Fidelio, Op. 72, Act 1: No. 2, Recitative "Guten Tag, Marzelline, ist Fidelio noch nicht zurück?" (Rocco, Marzelline, Leonore)
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Beethoven: Fidelio
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Fidelio, Op. 72, Act 1: "Mir ist so wunderbar" (Marzelline, Leonore, Jaquino, Rocco)
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Beethoven: Fidelio
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Fidelio, Op. 72, Act 1: No. 3, Recitative "Höre, Fidelio, weisst du, was ich tue?" (Rocco)
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Beethoven: Fidelio
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Fidelio, Op. 72, Act 1: Aria. "Hat man nicht auch Gold beineben" (Rocco)
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Beethoven: Fidelio
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Fidelio, Op. 72, Act 1: No. 4, Recitative "Ihr könnt das leicht sagen, Meister Rocco" (Leonore, Rocco, Marzelline)
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Beethoven: Fidelio
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Fidelio, Op. 72, Act 1: No. 5, Trio "Gut, Söhnchen, gut, hab'immer Mut" (Marzelline, Leonore, Rocco)
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Beethoven: Fidelio
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Fidelio, Op. 72, Act 1: No. 5, "Der Gouverneur soll heut" (Rocco, Leonore, Marzelline)
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Beethoven: Fidelio
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Fidelio, Op. 72, Act 1: No. 6, Recitative "Wo sind die Depeschen?" (Pizzaro, Rocco)
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Beethoven: Fidelio
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Fidelio, Op. 72, Act 1: "Ha! Welch'ein Augenblick!" - "Er spricht von Tode und Wunde" (Pizarro, Chor)
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Beethoven: Fidelio
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Fidelio, Op. 72, Act 1: No. 7, Recitative "Hauptmann, besteigen Sie mit einem Trompeter" (Pizzaro, Rocco)
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Beethoven: Fidelio
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Fidelio, Op. 72, Act 1: No. 8, Duet "Jetzt, Alter, jetzt hat es Eile!" (Pizarro, Rocco)
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Beethoven: Fidelio
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Fidelio, Op. 72, Act 1: No. 9, Recitative "Rocco, ihr verspracht mir so oft" (Leonore, Marzelline, Rocco)
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Beethoven: Fidelio
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Fidelio, Op. 72, Act 1: No. 10, Final "Wir wollen mit Vertrauen auf Gottes Hülfe bauen" (Two Prisoners, Chorus)
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Beethoven: Fidelio
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Fidelio, Op. 72, Act 1: No. 10, Recitative "Nun sprecht, wie ging's? … Noch heute? … Wir müssen gleich" (Leonore, Rocco)
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Beethoven: Fidelio
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Fidelio, Op. 72, Act 1: No. 10, "Ach Vater, Vater eilt" (Marzelline, Leonore, Jaquino, Rocco)
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Beethoven: Fidelio
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Fidelio, Op. 72, Act 1: No. 10, "Verwegner Alter, welche Rechte legst du dir" (Pizarro, Rocco)
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Beethoven: Fidelio
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Fidelio, Op. 72, Act 1: No. 10, "Leb wohl, du warmes Sonnenlicht" (Chorus, Marzelline, Leonore, Jaquino, Pizarro, Rocco)
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Beethoven: Fidelio
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Fidelio, Op. 72, Act 2: No. 11, Recitative "Gott! Welch' Dunkel hier!" (Florestan)
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Beethoven: Fidelio
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Fidelio, Op. 72, Act 2: No. 11, Aria "In des Lebens Frühlingstagen ist das Glück..." (Florestan)
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Beethoven: Fidelio
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Fidelio, Op. 72, Act 2: No. 11, Aria "… Und spür ich nicht linde" (Florestan)
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Beethoven: Fidelio
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Fidelio, Op. 72, Act 2: No. 12, Melodram "Wie kalt ist es in diesem unterirdischen Gewölbe!" (Leonore, Rocco)
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Beethoven: Fidelio
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Fidelio, Op. 72, Act 2: No. 12, Duet "Nur hurtig fort, nur frisch gegraben" (Rocco, Leonore)
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Beethoven: Fidelio
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Fidelio, Op. 72, Act 2: No. 13, Trio "Euch werde Lohn in bessern Welten" (Leonore, Florestan, Rocco)
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Beethoven: Fidelio
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Fidelio, Op. 72, Act 2: No. 14, Quartet "Er sterbe!" (Leonore, Florestan, Pizarro, Rocco) - "Vater Rocco, der Herr Minister" (Jaquino, Rocco)
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Beethoven: Fidelio
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Fidelio, Op. 72, Act 2: No. 14, Recitative "Vater Rocco!" (Jaquino, Rocco)
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Beethoven: Fidelio
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Fidelio, Op. 72, Act 2: No. 14, "Es schlägt der Rache Stunde … Verflucht sei diese Stunde … O fürchterliche Stunde" (Leonore, Florestan, Pizarro, Rocco)
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Beethoven: Fidelio
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Fidelio, Op. 72, Act 2: No. 16, Final "Heil sei dem Tag" (Chorus)
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Beethoven: Fidelio
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Fidelio, Op. 72, Act 2: No. 16, "Des besten Königs Wink und Wille führt mich zu euch" (Don Fernando, Chorus)
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Beethoven: Fidelio
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Fidelio, Op. 72, Act 2: No. 16, "Wohlan! So helfet, helft den Armen!" (Rocco, Pizarro, Fernando, Leonore, Marzelline, Chorus)
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Beethoven: Fidelio
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Fidelio, Op. 72, Act 2: No. 16, "Du schlossest auf des Edlen Grab" (Fernando)
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Beethoven: Fidelio
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Fidelio, Op. 72, Act 2: No. 16, "Wer ein holdes Weib errungen" (Chorus, Leonore, Marzelline, Florestan, Jaquino, Fernando, Rocco)
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Beethoven: Fidelio
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Leonore Overture No. 3, Op. 72b
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Beethoven: Fidelio
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Leonore Overture No. 2, Op. 72a
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Otto Klemperer Conducts Beethoven
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König Stephan, Op. 117: Overture
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Otto Klemperer Conducts Beethoven
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Leonore Overture No. 1, Op. 138
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Otto Klemperer Conducts Beethoven
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Symphony No. 7 in A Major, Op. 92: I. Poco sostenuto - Vivace
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Otto Klemperer Conducts Beethoven
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Symphony No. 7 in A Major, Op. 92: II. Allegretto
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Otto Klemperer Conducts Beethoven
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Symphony No. 7 in A Major, Op. 92: III. Presto - Assai meno presto
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Otto Klemperer Conducts Beethoven
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Symphony No. 7 in A Major, Op. 92: IV. Allegro con brio
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Otto Klemperer Conducts Beethoven
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Missa solemnis, Op. 123: I. Kyrie
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Otto Klemperer Conducts Beethoven
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Missa solemnis, Op. 123: Gloria in excelsis Deo
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Otto Klemperer Conducts Beethoven
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Missa solemnis, Op. 123: Qui tollis
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Otto Klemperer Conducts Beethoven
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Missa solemnis, Op. 123: Quoniam tu solus sanctus
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Otto Klemperer Conducts Beethoven
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Missa solemnis, Op. 123: Credo in unum Deum
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Otto Klemperer Conducts Beethoven
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Missa solemnis, Op. 123: Et incarnatus est
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Otto Klemperer Conducts Beethoven
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Missa solemnis, Op. 123: Et resurrexit
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Otto Klemperer Conducts Beethoven
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Missa solemnis, Op. 123: Sanctus
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Otto Klemperer Conducts Beethoven
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Missa solemnis, Op. 123: Benedictus
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Otto Klemperer Conducts Beethoven
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Missa solemnis, Op. 123: Agnus Dei
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Otto Klemperer Conducts Beethoven
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Missa solemnis, Op. 123: Dona nobis pacem
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Otto Klemperer Conducts Beethoven
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Coriolan Overture, Op. 62
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Otto Klemperer Conducts Beethoven
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Symphony No. 9 in D Minor, Op. 125 "Choral": IV. Presto - "O Freunde, nicht diese Töne!" (Ode to Joy)
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Otto Klemperer Conducts Beethoven
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Fidelio, Op. 72, Act 1: Aria. "O wär ich schon mit dir vereint" (Marzelline)
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Otto Klemperer Conducts Beethoven
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Fidelio, Op. 72, Act 1: "Mir ist so wunderbar" (Marzelline, Leonore, Jaquino, Rocco)
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Otto Klemperer Conducts Beethoven
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Fidelio, Op. 72, Act 1: Aria. "Hat man nicht auch Gold beineben" (Rocco)
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Otto Klemperer Conducts Beethoven
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Fidelio, Op. 72, Act 1: "Ha! Welch'ein Augenblick!" - "Er spricht von Tode und Wunde" (Pizarro, Chor)
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Otto Klemperer Conducts Beethoven
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Leonore Overture No. 3, Op. 72b
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Otto Klemperer Conducts Beethoven
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Die Weihe des Hauses Overture, Op. 124
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Otto Klemperer Conducts Beethoven
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Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": I. Allegro
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Otto Klemperer Conducts Beethoven
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Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": II. Adagio un poco mosso
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Otto Klemperer Conducts Beethoven
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Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": III. Rondo. Allegro
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Otto Klemperer Conducts Beethoven
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Die Zauberflöte, K. 620, Act 1: "Zu Hilfe! Zu Hilfe!" (Tamino, Die drei Damen)
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Elisabeth Schwarzkopf Sings Mozart
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Die Zauberflöte, K. 620, Act 1: "Hm! hm! hm! hm!" (Papageno, Tamino, Die drei Damen)
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Elisabeth Schwarzkopf Sings Mozart
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Die Zauberflöte, K. 620, Act 2: "Wie? wie? wie?" (Die drei Damen, Papageno, Tamino, Chor)
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Elisabeth Schwarzkopf Sings Mozart
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Symphony No. 4 in B-Flat Major, Op. 60, ILB 275: I. Adagio - Allegro vivace
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BEETHOVEN: SYMPHONY No. 4; No. 8; EGMONT "MUSIK ZU GOETHE'S TRAUERSPIEL"; DIE GESCHÖPFE DES PROMETHEUS
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Symphony No. 4 in B-Flat Major, Op. 60, ILB 275: II. Adagio
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BEETHOVEN: SYMPHONY No. 4; No. 8; EGMONT "MUSIK ZU GOETHE'S TRAUERSPIEL"; DIE GESCHÖPFE DES PROMETHEUS
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Symphony No. 4 in B-Flat Major, Op. 60, ILB 275: III. Allegro vivace
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BEETHOVEN: SYMPHONY No. 4; No. 8; EGMONT "MUSIK ZU GOETHE'S TRAUERSPIEL"; DIE GESCHÖPFE DES PROMETHEUS
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Symphony No. 4 in B-Flat Major, Op. 60, ILB 275: IV. Allegro ma non troppo
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BEETHOVEN: SYMPHONY No. 4; No. 8; EGMONT "MUSIK ZU GOETHE'S TRAUERSPIEL"; DIE GESCHÖPFE DES PROMETHEUS
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Symphony No. 8 in F Major, Op. 93, ILB 279: I. Allegro vivace e con brio
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BEETHOVEN: SYMPHONY No. 4; No. 8; EGMONT "MUSIK ZU GOETHE'S TRAUERSPIEL"; DIE GESCHÖPFE DES PROMETHEUS
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Symphony No. 8 in F Major, Op. 93, ILB 279: II. Allegretto scherzando
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BEETHOVEN: SYMPHONY No. 4; No. 8; EGMONT "MUSIK ZU GOETHE'S TRAUERSPIEL"; DIE GESCHÖPFE DES PROMETHEUS
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Symphony No. 8 in F Major, Op. 93, ILB 279: III. Tempo di Menuetto
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BEETHOVEN: SYMPHONY No. 4; No. 8; EGMONT "MUSIK ZU GOETHE'S TRAUERSPIEL"; DIE GESCHÖPFE DES PROMETHEUS
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Symphony No. 8 in F Major, Op. 93, ILB 279: IV. Allegro vivace
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BEETHOVEN: SYMPHONY No. 4; No. 8; EGMONT "MUSIK ZU GOETHE'S TRAUERSPIEL"; DIE GESCHÖPFE DES PROMETHEUS
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Egmont in F Minor, Op. 84, ILB 57: Ouverture. Sostenuto, ma non troppo - Allegro - Allegro con brio
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BEETHOVEN: SYMPHONY No. 4; No. 8; EGMONT "MUSIK ZU GOETHE'S TRAUERSPIEL"; DIE GESCHÖPFE DES PROMETHEUS
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Die Geschöpfe des Prometheus, Op. 43, ILB 84: Overture - Adagio - Allegro molto e con brio
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BEETHOVEN: SYMPHONY No. 4; No. 8; EGMONT "MUSIK ZU GOETHE'S TRAUERSPIEL"; DIE GESCHÖPFE DES PROMETHEUS
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Symphony No. 9 in D Major, IGM 15: I. Andante comodo
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MAHLER: SYMPHONY No. 4, SYMPHONY No. 9
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Symphony No. 9 in D Major, IGM 15: II. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb
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MAHLER: SYMPHONY No. 4, SYMPHONY No. 9
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Symphony No. 9 in D Major, IGM 15: III. Rondo-Burleske: Allegro assai. Sehr trotzig
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MAHLER: SYMPHONY No. 4, SYMPHONY No. 9
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Symphony No. 9 in D Major, IGM 15: IV. Adagio. Sehr langsam und noch zurückhaltend
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MAHLER: SYMPHONY No. 4, SYMPHONY No. 9
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Symphony No. 4 in G Major, IGM 10: I. Bedächtig, nicht eilen
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MAHLER: SYMPHONY No. 4, SYMPHONY No. 9
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Symphony No. 4 in G Major, IGM 10: II. In gemächlicher Bewegung, ohne Hast
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MAHLER: SYMPHONY No. 4, SYMPHONY No. 9
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Symphony No. 4 in G Major, IGM 10: III. Ruhevoll, poco adagio
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MAHLER: SYMPHONY No. 4, SYMPHONY No. 9
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Symphony No. 4 in G Major, IGM 10: IV. Wir geniessen die Himmlischen Freuden. Sehr behaglich
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MAHLER: SYMPHONY No. 4, SYMPHONY No. 9
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Piano Concerto No. 25 in C Major, K. 503, IWM 390: I. Allegro maestoso
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MOZART: PIANO CONCERTO No. 25; SYMPHONY No.40; SERENADE "SERENADE No. 6"
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Piano Concerto No. 25 in C Major, K. 503, IWM 390: II. Andante
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MOZART: PIANO CONCERTO No. 25; SYMPHONY No.40; SERENADE "SERENADE No. 6"
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Piano Concerto No. 25 in C Major, K. 503, IWM 390: III. Allegretto
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MOZART: PIANO CONCERTO No. 25; SYMPHONY No.40; SERENADE "SERENADE No. 6"
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Symphony No. 40 in G Minor, K. 550, IWM 574: I. Molto allegro
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MOZART: PIANO CONCERTO No. 25; SYMPHONY No.40; SERENADE "SERENADE No. 6"
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Symphony No. 40 in G Minor, K. 550, IWM 574: II. Andante
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MOZART: PIANO CONCERTO No. 25; SYMPHONY No.40; SERENADE "SERENADE No. 6"
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Symphony No. 40 in G Minor, K. 550, IWM 574: III. Menuetto
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MOZART: PIANO CONCERTO No. 25; SYMPHONY No.40; SERENADE "SERENADE No. 6"
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Symphony No. 40 in G Minor, K. 550, IWM 574: IV. Allegro assai
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MOZART: PIANO CONCERTO No. 25; SYMPHONY No.40; SERENADE "SERENADE No. 6"
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Serenade in D Major, K. 239, IWM 468: I. Marcia. Maestoso
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MOZART: PIANO CONCERTO No. 25; SYMPHONY No.40; SERENADE "SERENADE No. 6"
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