Boris Godunov: Opera in Four Acts With a Prologue: Act II: "In Uglich, in the cathedral, in front of all the people"

Boris Godunov: Opera in Four Acts With a Prologue: Act II: "Phew! I feel terrible! Let me catch my breath"

Boris Godunov: Opera in Four Acts With a Prologue: Act III, Scene 1: "By the sky-blue waters of the vistula, under a shady willow"

Boris Godunov: Opera in Four Acts With a Prologue: Act III, Scene 1: "Enough! The beautiful lady is grateful"

Boris Godunov: Opera in Four Acts With a Prologue: Act III, Scene 1: "Marina is bored. Oh, how bored!"

Boris Godunov: Opera in Four Acts With a Prologue: Act III, Scene 1: "Ah! Oh, it's you, my father"

Boris Godunov: Opera in Four Acts With a Prologue: Act III, Scene 1: "With tender, ardent words of love"

Boris Godunov: Opera in Four Acts With a Prologue: Act III, Scene 1: "What? You impudent liar!"

Boris Godunov: Opera in Four Acts With a Prologue: Act III, Scene 2: "At midnight, in the garden, by the fountain"

Boris Godunov: Opera in Four Acts With a Prologue: Act III, Scene 2:"Tsarevich!"

Boris Godunov: Opera in Four Acts With a Prologue: Act III, Scene 2:"Can a humble and sinful man, praying for his dear ones"

Boris Godunov: Opera in Four Acts With a Prologue: Act III, Scene 2:"Tsarevich, hide!"

Boris Godunov: Opera in Four Acts With a Prologue: Act III, Scene 2: Polonaise - "I do not believe in your passion, sir"

Boris Godunov: Opera in Four Acts With a Prologue: Act III, Scene 2:"That crafty Jesuit, he has got me firmly in the grip"

Boris Godunov: Opera in Four Acts With a Prologue: Act III, Scene 2: "How long and agonizing"

Boris Godunov: Opera in Four Acts With a Prologue: Act III, Scene 2: "Oh, Tsarevich, I beg you"

Boris Godunov: Opera in Four Acts With a Prologue: Act III, Scene 2:"Oh, my turtledoves!"

Boris Godunov: Opera in Four Acts With a Prologue: Act IV, Scene 1 (1869 Version): Introduction

Boris Godunov: Opera in Four Acts With a Prologue: Act IV, Scene 1 (1869 Version): "What, is Mass Finished Already?"

Boris Godunov: Opera in Four Acts With a Prologue: Act IV, Scene 1 (1869 Version): "Trrr, trrr - Iron cap"

Boris Godunov: Opera in Four Acts With a Prologue: Act IV, Scene 1 (1869 Version): "Aaah! Boris"

Boris Godunov: Opera in Four Acts With a Prologue: Act IV, Scene 1 (1874 Version): Introduction

Boris Godunov: Opera in Four Acts With a Prologue: Act IV, Scene 1 (1874 Version):"Exalted boyars!"

Boris Godunov: Opera in Four Acts With a Prologue: Act IV, Scene 1 (1874 Version):"Well, then? Let's go and vote, Boyars"

Boris Godunov: Opera in Four Acts With a Prologue: Act IV, Scene 1 (1874 Version):"What a shame that prince Shuisky isn't here"

Boris Godunov: Opera in Four Acts With a Prologue: Act IV, Scene 1 (1874 Version):"He was whispering: keep away, keep away"

Boris Godunov: Opera in Four Acts With a Prologue: Act IV, Scene 1 (1874 Version):"Here, by the front entrance"

Boris Godunov: Opera in Four Acts With a Prologue: Act IV, Scene 1 (1874 Version): "A Humble Monk"

Boris Godunov: Opera in Four Acts With a Prologue: Act IV, Scene 1 (1874 Version): "Once, in the Evening"

Boris Godunov: Opera in Four Acts With a Prologue: Act IV, Scene 1 (1874 Version):"The Tsarevich - Quickly!"

Boris Godunov: Opera in Four Acts With a Prologue: Act IV, Scene 1 (1874 Version):"Farewell, My Son!"

Boris Godunov: Opera in Four Acts With a Prologue: Act IV, Scene 1 (1874 Version):"A bell! A Funeral Knell!"

Boris Godunov: Opera in Four Acts With a Prologue: Act IV, Scene 2 (1874 Version): Introduction

Boris Godunov: Opera in Four Acts With a Prologue: Act IV, Scene 2 (1874 Version):"Bring Him Over Here!" (Tramps)

Boris Godunov: Opera in Four Acts With a Prologue: Act IV, Scene 2 (1874 Version): "It's Not a Falcon Flying in the Heavens" (Tramps)

Boris Godunov: Opera in Four Acts With a Prologue: Act IV, Scene 2 (1874 Version): "The sun and moon have grown dark"

Boris Godunov: Opera in Four Acts With a Prologue: Act IV, Scene 2 (1874 Version): "Hey Ho!"

Boris Godunov: Opera in Four Acts With a Prologue: Act IV, Scene 2 (1874 Version): "Domine, Domine, salvum fac"

Boris Godunov: Opera in Four Acts With a Prologue: Act IV, Scene 2 (1874 Version): March - "Glory to You, Tsarevich"

Boris Godunov: Opera in Four Acts With a Prologue: Act IV, Scene 2 (1874 Version): "We, Dimitri Ivanovich"

Boris Godunov: Opera in Four Acts With a Prologue: Act IV, Scene 2 (1874 Version): "Flow, Flow, Bitter Tears"

Great Mass in C Minor, K. 427 (417a): I. Kyrie - Andante Moderato

Great Mass in C Minor, K. 427 (417a): II. Gloria - Allegro vivace

Great Mass in C Minor, K. 427 (417a): II. Gloria - Laudamus te - Allegro aperto

Great Mass in C Minor, K. 427 (417a): II. Gloria - Gratias agimus tibe - Adagio

Great Mass in C Minor, K. 427 (417a): II. Gloria - Domine - Allegro moderato

Great Mass in C Minor, K. 427 (417a): II. Gloria - Qui tollis - Largo

Great Mass in C Minor, K. 427 (417a): II. Gloria - Quoniam - Allegro

Great Mass in C Minor, K. 427 (417a): II. Gloria - Jesu Christe - Adagio

Great Mass in C Minor, K. 427 (417a): III. Credo - Cum sancto spiritu

Great Mass in C Minor, K. 427 (417a): III. Credo - Allegro maestoso

Great Mass in C Minor, K. 427 (417a): III. Credo - Et incarnatus est

Great Mass in C Minor, K. 427 (417a): IV. Sanctus

Great Mass in C Minor, K. 427 (417a): V. Benedictus - Allegro comodo

1812 Overture, Op. 49, TH 49: Largo - Andante - Allegro giusto

1812 Overture, Op. 49, TH 49: Largo - Allegro vivace

Symphony No. 4 in F Minor, Op. 36, TH 27: I. Andante sostenuto - Moderato con anima

Symphony No. 4 in F Minor, Op. 36, TH 27: II. Andantino in modo di canzona

Symphony No. 4 in F Minor, Op. 36, TH 27: III. Scherzo. Pizzicato ostinato - Allegro

Symphony No. 4 in F Minor, Op. 36, TH 27: IV. Finale. Allegro con fuoco

Romeo and Juliet Fantasy Overture, TH 42

Symphony No. 6 in B Minor, Op. 74, TH 30 "Pathétique": I. Adagio - Allegro non troppo

Symphony No. 6 in B Minor, Op. 74, TH 30 "Pathétique": II. Allegro con grazia

Symphony No. 6 in B Minor, Op. 74, TH 30 "Pathétique": III. Allegro molto vivace

Symphony No. 6 in B Minor, Op. 74, TH 30 "Pathétique": IV. Finale. Adagio lamentoso

Marche slave, Op. 31, TH 45

Scenes from Goethe's Faust for Solo Voices, Chorus and Orchestra: Overture

Scenes from Goethe's Faust for Solo Voices, Chorus and Orchestra: Part One, Nr. 1, Szene im Garten: "Du kanntest mich, o kleiner Engel, wieder"

Scenes from Goethe's Faust for Solo Voices, Chorus and Orchestra: Part One, Nr. 2, Gretchen vor dem Bild der Mater Dolorosa: "Ach neige, du Schmerzensreiche"

Scenes from Goethe's Faust for Solo Voices, Chorus and Orchestra: Part One, Nr. 3, Szene im Dom: "Wie anders, Gretchen, war dir's"

Szenen aus Goethes Faust, Part Two: Nr. 4, Ariel, Sonnenaufgang: "Die ihr dies Haupt umschwebt im luft'gen Kreise"

Szenen aus Goethes Faust, Part Two: Nr. 4, Ariel, Sonnenaufgang: "Täler grünen, Hügel schwellen"

Szenen aus Goethes Faust, Part Two: Nr. 4, Ariel, Sonnenaufgang: "Des Lebens Pulse schlagen frisch lebendig"

Szenen aus Goethes Faust, Part Two: Nr. 4, Ariel, Sonnenaufgang: "So ist es also, wenn ein sehnend Hoffen"

Szenen aus Goethes Faust, Part Two: Nr. 5, Mitternacht: "Ich heisse der Mangel"

Szenen aus Goethes Faust, Part Two: Nr. 5, Mitternacht: "Vier sah ich kommen, drei nur gehn"

Szenen aus Goethes Faust, Part Two: Nr. 5, Mitternacht: "Die Nacht scheint tiefer tief hereinzudringen"

Szenen aus Goethes Faust, Part Three: Nr. 7, Fausts Verklärung I: "Waldung, sie schwankt heran"

Szenen aus Goethes Faust, Part Three: Nr. 7, Fausts Verklärung II: "Ewiger Wonnebrand"

Szenen aus Goethes Faust, Part Three: Nr. 7, Fausts Verklärung III: "Wie Felsenabgrund mir zu Füßen"

Szenen aus Goethes Faust, Part Three: Nr. 7, Fausts Verklärung III: "Welch ein Morgenwolken schwebet"

Szenen aus Goethes Faust, Part Three: Nr. 7, Fausts Verklärung IV: "Gerettet ist das edle Glied"

Szenen aus Goethes Faust, Part Three: Nr. 7, Fausts Verklärung IV: "Gerettet ist das edle Glied"

Szenen aus Goethes Faust, Part Three: Nr. 7, Fausts Verklärung V: "Hier ist die Aussicht frei"

Szenen aus Goethes Faust, Part Three: Nr. 7, Fausts Verklärung VI: "Dir, der Unberührbaren"

Szenen aus Goethes Faust, Part Three: Nr. 7, Fausts Verklärung VII: "Alles Vergängliche ist nur ein Gleichnis"

Great Mass in C Minor, K. 427 (417a): I. Kyrie - Andante Moderato

Great Mass in C Minor, K. 427 (417a): II. Gloria - Allegro vivace

Great Mass in C Minor, K. 427 (417a): II. Gloria - Laudamus te - Allegro aperto

Great Mass in C Minor, K. 427 (417a): II. Gloria - Gratias agimus tibe - Adagio

Great Mass in C Minor, K. 427 (417a): II. Gloria - Domine - Allegro moderato

Great Mass in C Minor, K. 427 (417a): II. Gloria - Qui tollis - Largo

Great Mass in C Minor, K. 427 (417a): II. Gloria - Quoniam - Allegro

Great Mass in C Minor, K. 427 (417a): II. Gloria - Jesu Christe - Adagio

Great Mass in C Minor, K. 427 (417a): III. Credo - Cum sancto spiritu

Great Mass in C Minor, K. 427 (417a): III. Credo - Allegro maestoso

Great Mass in C Minor, K. 427 (417a): III. Credo - Et incarnatus est

Great Mass in C Minor, K. 427 (417a): IV. Sanctus

Great Mass in C Minor, K. 427 (417a): V. Benedictus - Allegro comodo

The Noonday Witch, Op. 108, B. 196