|
Les Eaux de Mars
|
Rio-Paris
|
|
Les eaux de mars
|
Rio-Paris
|
|
Les Eaux de Mars
|
De l'opéra à la chanson
|
|
Recuerdos de la Alhambra
|
Paris - Madrid
|
|
Recuerdos de la Alhambra
|
Paris - Madrid
|
|
Recuerdos de la Alhambra
|
Paris - Madrid
|
|
Modinha
|
Rio-Paris
|
|
Manha de carnaval - Orfeu Negro
|
Rio-Paris
|
|
Manha de carnaval - Orfeu Negro
|
Rio-Paris
|
|
Prelude No. 2 in E Major
|
Rio-Paris
|
|
Prelude No. 2 in E Major
|
Rio-Paris
|
|
Bachianas Brasileiras No. 5
|
Rio-Paris
|
|
Bachianas Brasileiras No. 5
|
良音!目が醒めるハイレゾ・クラシック
|
|
Desafinado
|
Rio-Paris
|
|
Desafinado
|
Rio-Paris
|
|
Chega de saudade
|
Rio-Paris
|
|
Chega de saudade
|
Rio-Paris
|
|
Suite popular brasileira: No. 4 Gavotta-Choro
|
Rio-Paris
|
|
Suite popular brasileira No. 4
|
Rio-Paris
|
|
Samba em preludio
|
Rio-Paris
|
|
Samba em preludio
|
Rio-Paris
|
|
Choro lento - retrato brasileiro
|
Rio-Paris
|
|
Choro lento - retrato brasileiro
|
Rio-Paris
|
|
Coplas del pastor enamorado
|
Paris - Madrid
|
|
Coplas del pastor enamorado
|
Paris - Madrid
|
|
Coplas del pastor enamorado
|
Paris - Madrid
|
|
Catende
|
Rio-Paris
|
|
Catende
|
Rio-Paris
|
|
Etude No. 8 in C-Sharp Minor
|
Rio-Paris
|
|
Etude No. 8 in C-Sharp Minor
|
Rio-Paris
|
|
A Felicidade
|
Rio-Paris
|
|
A Felicidade
|
Rio-Paris
|
|
Agua e vinho
|
Rio-Paris
|
|
Agua e vinho
|
Rio-Paris
|
|
Bachianas Brasileiras No. 5, W391: Ária. Cantilena (Version for Voice and Guitar)
|
Rio-Paris
|
|
Modinha (Serestas No. 5)
|
Rio-Paris
|
|
Les Mères, Op. 45
|
Rio-Paris
|
|
L'oiseau blessé d'une flèche, Op. 10, W062 (Arr. Zehavi for Voice and Guitar)
|
Rio-Paris
|
|
Bidonville - Consolaçao
|
Rio-Paris
|
|
Les Mères, Op. 45
|
Rio-Paris
|
|
L'oiseau blessé d'une flèche, Op. 10
|
Rio-Paris
|
|
Bidonville - Consolaçao
|
Rio-Paris
|
|
Bachianas Brasileiras No. 5, W391: Ária. Cantilena (Version for Voice and Guitar)
|
De l'opéra à la chanson
|
|
En Aranjuez con mi amor (from Concierto de Aranjuez) [Transc. Ben-Moshe for Guitar & Voices]
|
Paris - Madrid
|
|
Suite Española No. 1, Op. 47: V. Asturias (Leyenda) [Transc. Cohen for Guitar]
|
Paris - Madrid
|
|
3 Canciónes españolas: I. Adela
|
Paris - Madrid
|
|
Copillas de Belén
|
Paris - Madrid
|
|
La Dolores: La jota de la Dolores / Emigrantes: Granadinas (Transc. Kadishson for Guitar & Voices)
|
Paris - Madrid
|
|
Capricho árabe
|
Paris - Madrid
|
|
7 Canciónes populares españolas: I. El paño moruno (Transc. Llobet for Guitar & Voice)
|
Paris - Madrid
|
|
7 Canciónes populares españolas: II. Seguidilla murciana (Transc. Llobet for Guitar & Voice)
|
Paris - Madrid
|
|
7 Canciónes populares españolas: III. Asturiana (Transc. Llobet for Guitar & Voice)
|
Paris - Madrid
|
|
7 Canciónes populares españolas: IV. Jota (Transc. Llobet for Guitar & Voice)
|
Paris - Madrid
|
|
7 Canciónes populares españolas: V. Nana (Transc. Llobet for Guitar & Voice)
|
Paris - Madrid
|
|
7 Canciónes populares españolas: VI. Canción (Transc. Llobet for Guitar & Voice)
|
Paris - Madrid
|
|
7 Canciónes populares españolas: VII. Polo (Transc. Llobet for Guitar & Voice)
|
Paris - Madrid
|
|
Vocalise-étude en forme de Habanera, M. 51 (Transc. Zehavi for Guitar & Voice)
|
Paris - Madrid
|
|
Élégie (Transcr. Kadishson for Voice and Guitar)
|
Paris - Madrid
|
|
Mandoline (Transc. Ben-Moshe for Gutar & Voice)
|
Paris - Madrid
|
|
Seguidillas, Book 2: No. 2, Cuando de ti me aparto
|
Paris - Madrid
|
|
Seguidillas, Book 2: No. 4, Sin duda que tus ojos
|
Paris - Madrid
|
|
12 Tonadillas en estilo antiguo: No. 10, La maja dolorosa II. Ay mayo de mi vida (Transcr. Bakish for Voice and Guitar)
|
Paris - Madrid
|
|
12 Tonadillas en estilo antiguo: No. 9, La maja dolorosa I. Oh muerte cruel (Transcr. Bakish for Voice and Guitar)
|
Paris - Madrid
|
|
12 Tonadillas en estilo antiguo: No. 11, La maja dolorosa III. De aquel majo amante (Transcr. Bakish for Voice and Guitar)
|
Paris - Madrid
|
|
12 Tonadillas en estilo antiguo: No. 6, El mirar de la maja (Transcr. Bakish for Voice and Guitar)
|
Paris - Madrid
|
|
12 Tonadillas en estilo antiguo: No. 5, El majo tímido (Transcr. Bakish for Voice and Guitar)
|
Paris - Madrid
|
|
12 Tonadillas en estilo antiguo: No. 8, La maja de Goya (Transcr. Bakish for Voice and Guitar)
|
Paris - Madrid
|
|
Clair de lune (Transc. Ben-Moshe for Guitar & Voice)
|
Paris - Madrid
|
|
3 piezas españolas: II. Passacaglia
|
Paris - Madrid
|
|
3 piezas españolas: III. Zapateado
|
Paris - Madrid
|
|
En Aranjuez con mi amor (Transc. Ben-Moshe for 2 Guitars & Voices)
|
Paris - Madrid
|
|
Suite española No. 1, Op. 47: V. Asturias (Leyenda) [Transc. Cohen for Guitar]
|
Paris - Madrid
|
|
3 canciónes españolas: I. Adela
|
Paris - Madrid
|
|
Coplillas de Belén
|
Paris - Madrid
|
|
La Dolores: La jota de la Dolores / Emigrantes: Granadinas (Transc. Kadishson for Guitar & Voices)
|
Paris - Madrid
|
|
Capricho árabe
|
Paris - Madrid
|
|
7 Canciónes populares españolas: No. 1, El paño moruno (Transcr. Llobet for Guitar and Voice)
|
Paris - Madrid
|
|
7 Canciónes populares españolas: No. 2, Seguidilla murciana (Transcr. Llobet for Guitar and Voice)
|
Paris - Madrid
|
|
7 Canciónes populares españolas: No. 3, Asturiana (Transcr. Llobet for Guitar and Voice)
|
Paris - Madrid
|
|
7 Canciónes populares españolas: No. 4, Jota (Transcr. Llobet for Guitar and Voice)
|
Paris - Madrid
|
|
7 Canciónes populares españolas: No. 5, Nana (Transcr. Llobet for Guitar and Voice)
|
Paris - Madrid
|
|
7 Canciónes populares españolas: No. 6, Canción (Transcr. Llobet for Guitar and Voice)
|
Paris - Madrid
|
|
7 Canciónes populares españolas: No. 7, Polo (Transcr. Llobet for Guitar and Voice)
|
Paris - Madrid
|
|
Vocalise-étude en forme de Habanera, M. 51 (Transc. Zehavi for Guitar & Voice)
|
Paris - Madrid
|
|
Élégie (Transcr. Kadishson for Voice and Guitar)
|
Paris - Madrid
|
|
Mandoline (Transc. Ben-Moshe for Guitar & Voice)
|
Paris - Madrid
|
|
Seguidillas, Book 2: No. 2, "Cuando de ti me aparto"
|
Paris - Madrid
|
|
Seguidillas, Book 2: No. 4, "Sin duda que tus ojos"
|
Paris - Madrid
|
|
12 Tonadillas en estilo antiguo: No. 10, La maja dolorosa II. Ay mayo de mi vida (Transcr. Bakish for Voice and Guitar)
|
Paris - Madrid
|
|
12 Tonadillas en estilo antiguo: No. 9, La maja dolorosa I. Oh muerte cruel (Transcr. Bakish for Voice and Guitar)
|
Paris - Madrid
|
|
12 Tonadillas en estilo antiguo: No. 11, La maja dolorosa III. De aquel majo amante (Transcr. Bakish for Voice and Guitar)
|
Paris - Madrid
|
|
12 Tonadillas en estilo antiguo: No. 6, El mirar de la maja (Transcr. Bakish for Voice and Guitar)
|
Paris - Madrid
|
|
12 Tonadillas en estilo antiguo: No. 5, El majo tímido (Transcr. Bakish for Voice and Guitar)
|
Paris - Madrid
|
|
12 Tonadillas en estilo antiguo: No. 8, La maja de Goya (Transcr. Bakish for Voice and Guitar)
|
Paris - Madrid
|
|
Clair de lune, Op. 46 No 2 (Transc. Ben-Moshe for Guitar & Voice)
|
Paris - Madrid
|
|
3 piezas españolas: I. Passacaglia
|
Paris - Madrid
|
|
3 piezas españolas: III. Zapateado
|
Paris - Madrid
|
|
Bachianas Brasileiras No. 5, W391: Ária. Cantilena (Version for Voice and Guitar)
|
Classical Masterpieces
|
|
Castelnuovo-Tedesco : concerto pour guitare et orchestre en ré Maj op. 99 - I Allegretto
|
Concertos pour guitare
|
|
Castelnuovo-Tedesco : concerto pour guitare et orchestre en ré Maj op. 99 - II Andantino alla romanza
|
Concertos pour guitare
|