Prayers: Reading from Benjamin Whychote, mid-17th-century Provost of King's College

Hail, gladdening light (3rd-century Greek, trans. J. Keble)

I love the Lord (Psalm 116: 1-4 & 7-9)

Judas Maccabaeus, HWV 63, Act 3: Chorus. "Thine be the glory"

All People That on Earth Do Dwell "Old 100th" (Arr. Vaughan Williams and Douglas for Choir, Brass and Organ)

Chichester Psalms: I. Psalm CVIII. "Urah, hanevel, v'chinor!" - Psalm C. "Hari'u l'Adonai kol ha'arets" (Version for Choir, Organ, Harp and Percussion)

Chichester Psalms: II. Psalm XXIII. "Adonai ro-i, lo ehsar" - Psalm II. "Lamah rag'shu goyim" (Version for Choir, Organ, Harp and Percussion)

Chichester Psalms: III. Psalm CXXXI. "Adonai, Adonai" - Psalm CXXXIII. "Hineh mah tov" (Version for Choir, Organ, Harp and Percussion)

Psalm XC

7 Magnificat-Antiphonen: No. 1, O Weisheit

7 Magnificat-Antiphonen: No. 7, O Immanuel

4 Motets pour le temps de Noël, FP 152: No. 4, Hodie Christus natus est

Videntes Stellam Magi

Surgens Jesus

Ascendens Christus in altum

Coelos ascendit hodie Op. 38 No. 2

Ein deutsches Requiem (A German Requiem) Op.45: I. Selig sind, die da Leid tragen (Zemlich langsam)

Ein deutsches Requiem (A German Requiem) Op.45: II. Denn alles Fleisch es ist wie Gras (Langsam, marschmässig)

Ein deutsches Requiem (A German Requiem) Op.45: III. Herr, lehre doch mich (Andante moderato)

Ein deutsches Requiem (A German Requiem) Op.45: IV. Wie lieblich sind deine Wohnungen (Mässig bewegt)

Ein deutsches Requiem (A German Requiem) Op.45: VI. Denn wir haben hie keine bleibende Statt (Andante)

Ein deutsches Requiem (A German Requiem) Op.45: VII. Selig sind die Toten (Feierlich)

Most Mighty And All-knowing Lord, a 4 (from William Leighton's "The Teares or Lamentacions of a Sorrowfull Soule, 1614")

O Lord in Thy Wrath, a 6 (from "The Barnard Manuscript")

Fantasia a 6, VdGS No. 4

Requiem, Op. 48: I. Introït et Kyrie

Most Mighty And All-knowing Lord, a 4 (from William Leighton's "The Teares or Lamentacions of a Sorrowfull Soule, 1614")

O Lord in Thy Wrath, a 6 (from "The Barnard Manuscript")

Fantasia a 6, VdGS No. 4

Psalm 150

3 Psalm-Preludes (Set 1) Op. 32: I. Psalm 34 v6

Psalm 89: My song shall be alway of the loving-kindness of the Lord

First Lesson (Deuteronomy 34 vv 1-12)

Second Lesson (St Luke 24 vv 13-35)

Prayers: Reading from Benjamin Whychote, mid-17th-century Provost of King's College

Hail, gladdening light (3rd-century Greek, trans. J. Keble)

Vox dicentis: Clama (Isaiah 40/ 6-11)

The Lord is my shepherd Op. 91 No. 1 (2003 Remastered Version)

I love the Lord (Psalm 116: 1-4 & 7-9)

Ascending into Heaven (Me receptet Sion illa) [Hildebert of Lavardin]

Come Ye Sons of Art, Z. 323 "Ode for Queen Mary's Birthday": No. 1, Sinfonia

Come Ye Sons of Art, Z. 323 "Ode for Queen Mary's Birthday": No. 2a, Ritornello. "Come Ye Sons of Art Away"

Come Ye Sons of Art, Z. 323 "Ode for Queen Mary's Birthday": No. 2b, Chorus. "Come Ye Sons of Art Away"

Come Ye Sons of Art, Z. 323 "Ode for Queen Mary's Birthday": No. 3, Duet. "Sound the Trumpet"

Come Ye Sons of Art, Z. 323 "Ode for Queen Mary's Birthday": No. 4, Chorus. "Come Ye Sons of Art Away"

Come Ye Sons of Art, Z. 323 "Ode for Queen Mary's Birthday": No. 5, Ritornello. "Strike the Viol"

Come Ye Sons of Art, Z. 323 "Ode for Queen Mary's Birthday": No. 6a, Aria. "The Day That Such a Blessing Gave"

Come Ye Sons of Art, Z. 323 "Ode for Queen Mary's Birthday": No. 6b, Chorus. "The Day That Such a Blessing Gave"

Come Ye Sons of Art, Z. 323 "Ode for Queen Mary's Birthday": No. 7, Aria. "Bid the Virtues"

Come Ye Sons of Art, Z. 323 "Ode for Queen Mary's Birthday": No. 8, Aria. "These Are the Sacred Charms"

Come Ye Sons of Art, Z. 323 "Ode for Queen Mary's Birthday": No. 9a, Duet. "See Nature Rejoicing"

Come Ye Sons of Art, Z. 323 "Ode for Queen Mary's Birthday": No. 9b, Chorus. "See Nature Rejoicing"

Love's Goddess Sure, Z. 331 "Ode for Queen Mary's Birthday": No. 1, Sinfonia

Love's Goddess Sure, Z. 331 "Ode for Queen Mary's Birthday": No. 2, Aria. "Love's Goddess Sure Was Blind This Day"

Love's Goddess Sure, Z. 331 "Ode for Queen Mary's Birthday": No. 3, Recitative. "Those Eyes, That Form"

Love's Goddess Sure, Z. 331 "Ode for Queen Mary's Birthday": No. 4, Duet. "Sweetness of Nature and True Wit"

Love's Goddess Sure, Z. 331 "Ode for Queen Mary's Birthday": No. 5, Aria. "Long May She Reign Over This Isle"

Love's Goddess Sure, Z. 331 "Ode for Queen Mary's Birthday": No. 6, Aria. "May Her Blest Example Chase"

Love's Goddess Sure, Z. 331 "Ode for Queen Mary's Birthday": No. 7, Duet. "Many Such Days May She Behold"

Love's Goddess Sure, Z. 331 "Ode for Queen Mary's Birthday": No. 8, Chorus. "May She to Heaven Late Return"

Love's Goddess Sure, Z. 331 "Ode for Queen Mary's Birthday": No. 9a, Verse. "As Much as We Below Shall Mourn"

Love's Goddess Sure, Z. 331 "Ode for Queen Mary's Birthday": No. 9b, Chorus. "As Much as We Below Shall Mourn"

March and Canzona for Queen Mary's Funeral, Z. 860: Drum Processional

March and Canzona for Queen Mary's Funeral, Z. 860: March

March and Canzona for Queen Mary's Funeral, Z. 860: Canzona

March and Canzona for Queen Mary's Funeral, Z. 860: Drum Recessional

Funeral Sentences: In the Midst of Life, Z. 17A

Funeral Sentences: Thou Know'st, Lord, Z. 58B

Funeral Sentences: Thou Know'st, Lord, Z. 58C

Ein deutsches Requiem (A German Requiem) Op.45: I. Selig sind, die da Leid tragen (Zemlich langsam)

Ein deutsches Requiem (A German Requiem) Op.45: II. Denn alles Fleisch es ist wie Gras (Langsam, marschmässig)

Ein deutsches Requiem (A German Requiem) Op.45: III. Herr, lehre doch mich (Andante moderato)

Ein deutsches Requiem (A German Requiem) Op.45: IV. Wie lieblich sind deine Wohnungen (Mässig bewegt)

Ein deutsches Requiem (A German Requiem) Op.45: VI. Denn wir haben hie keine bleibende Statt (Andante)

Ein deutsches Requiem (A German Requiem) Op.45: VII. Selig sind die Toten (Feierlich)

Most Mighty And All-knowing Lord, a 4 (from William Leighton's "The Teares or Lamentacions of a Sorrowfull Soule, 1614")

O Lord in Thy Wrath, a 6 (from "The Barnard Manuscript")

Fantasia a 6, VdGS No. 4

3 Motets, Op. 38: II. Coelos ascendit hodie (Chorus a cappella)

Hail, gladdening light (3rd-century Greek, trans. J. Keble)

I love the Lord (Psalm 116: 1-4 & 7-9)

Psalm 150

Requiem: V. Agnus Dei (Duke Dobing, flute)

Requiem: VII. Lux aeterna (Thomas Harries, treble)

Most Mighty And All-knowing Lord, a 4 (from William Leighton's "The Teares or Lamentacions of a Sorrowfull Soule, 1614")

O Lord in Thy Wrath, a 6 (from "The Barnard Manuscript")

Fantasia a 6, VdGS No. 4

7 Magnificat-Antiphonen: No. 1, O Weisheit

7 Magnificat-Antiphonen: No. 7, O Immanuel

4 Motets pour le temps de Noël, FP 152: No. 4, Hodie Christus natus est

Videntes Stellam Magi

Surgens Jesus

Ascendens Christus in altum

Coelos ascendit hodie Op. 38 No. 2

Canticum Beatae Mariae Virginis seu Magnificat (Hamburg, 1602): In dulci jubilo

Wither's Rocking Hymn

Illuminare Jerusalem

Hark! the Herald Angels Sing (After Mendelssohn's Gutenberg Cantata, WoO 9, MWV D4)

In dulci jubilo, BWV 729

Morning, Communion and Evening Services in G Major, Op. 81: No. 10, Evening Canticle 2, Nunc dimittis, "Lord, now lettest Thou Thy servant depart in peace" (Baritone, Chorus, Organ)