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Symphony No. 3: II. Allegro molto
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Copland: Symphonies Nos. 1 & 3
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Symphony No. 3: III. Andantino quasi allegretto
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Copland: Symphonies Nos. 1 & 3
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Symphony No. 3: IV. Molto deliberato
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Copland: Symphonies Nos. 1 & 3
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Symphony for Organ and Orchestra: I. Prelude. Andante
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Copland: Symphonies Nos. 1 & 3
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Symphony for Organ and Orchestra: II. Scherzo. Allegro molto - Moderato
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Copland: Symphonies Nos. 1 & 3
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Symphony for Organ and Orchestra: III. Finale. Lento - Allegro moderato
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Copland: Symphonies Nos. 1 & 3
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Symphony No. 2 in C Minor "Resurrection": I. Allegro maestoso
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Mahler: Symphony No. 2 in C minor "Resurrection"
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Symphony No. 2 in C Minor "Resurrection": IV. "Urlicht" - Sehr feierlich, aber schlicht
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Mahler: Symphony No. 2 in C minor "Resurrection"
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Symphony No. 2 in C Minor "Resurrection": Sehr mässig und zurückhaltend
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Mahler: Symphony No. 2 in C minor "Resurrection"
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Symphony No. 2 in C Minor "Resurrection": Etwas bewegter
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Mahler: Symphony No. 2 in C minor "Resurrection"
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Symphony No. 2 in C Minor "Resurrection": Schnell
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Mahler: Symphony No. 2 in C minor "Resurrection"
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Symphony No. 2 in C Minor "Resurrection": V. Im Tempo des Scherzos. Wild herausfahrend
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Mahler: Symphony No. 2 in C minor "Resurrection"
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Symphony No. 2 in C Minor "Resurrection": Tempo I
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Mahler: Symphony No. 2 in C minor "Resurrection"
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Symphony No. 2 in C Minor "Resurrection": Langsam
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Mahler: Symphony No. 2 in C minor "Resurrection"
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Symphony No. 2 in C Minor "Resurrection": Tempo sostenuto
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Mahler: Symphony No. 2 in C minor "Resurrection"
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Symphony No. 2 in C Minor "Resurrection": Im Anfang sehr zurückgehalten
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Mahler: Symphony No. 2 in C minor "Resurrection"
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Symphony No. 2 in C Minor "Resurrection": II. Andante moderato
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Mahler: Symphony No. 2 in C minor "Resurrection"
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Symphony No. 2 in C Minor "Resurrection": Maestoso
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Mahler: Symphony No. 2 in C minor "Resurrection"
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Symphony No. 2 in C Minor "Resurrection": Energisch bewegt
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Mahler: Symphony No. 2 in C minor "Resurrection"
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Symphony No. 2 in C Minor "Resurrection": Wieder zurückhaltend
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Mahler: Symphony No. 2 in C minor "Resurrection"
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Symphony No. 2 in C Minor "Resurrection": Wieder ins Tempo zurückgehen. Tempo I.
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Mahler: Symphony No. 2 in C minor "Resurrection"
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Symphony No. 2 in C Minor "Resurrection": Sehr langsam und gedehnt
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Mahler: Symphony No. 2 in C minor "Resurrection"
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Symphony No. 2 in C Minor "Resurrection": III. In ruhig fließender Bewegung
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Mahler: Symphony No. 2 in C minor "Resurrection"
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Symphony No. 2 in C Minor "Resurrection": Langsam. Misterioso
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Mahler: Symphony No. 2 in C minor "Resurrection"
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Symphony No. 2 in C Minor "Resurrection": Vorwärts
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Mahler: Symphony No. 2 in C minor "Resurrection"
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Symphony No. 2 in C Minor "Resurrection": Etwas bewegter
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Mahler: Symphony No. 2 in C minor "Resurrection"
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Symphony No. 2 in C Minor "Resurrection": Zum Tempo I. zurückkehren
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Mahler: Symphony No. 2 in C minor "Resurrection"
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Symphony No. 2 in C Minor "Resurrection": Mit Aufschwung, aber nicht eilen
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Mahler: Symphony No. 2 in C minor "Resurrection"
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Symphony No. 2 in C Minor "Resurrection": Più mosso
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Mahler: Symphony No. 2 in C minor "Resurrection"
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Symphony No. 5 in C-Sharp Minor: IV. Adagietto (Excerpt)
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Mahler: Symphony No. 2 in C minor "Resurrection"
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Symphony No. 8 in E-Flat Major "Symphony of a Thousand" (Part One): Veni, creator spiritus!
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Mahler: Symphony No. 2 in C minor "Resurrection"
|
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Symphony No. 8 in E-Flat Major "Symphony of a Thousand" (Part One): Imple superna gratia
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Mahler: Symphony No. 2 in C minor "Resurrection"
|
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Symphony No. 8 in E-Flat Major "Symphony of a Thousand" (Part One): Infirma nostri corporis I
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Mahler: Symphony No. 2 in C minor "Resurrection"
|
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Symphony No. 8 in E-Flat Major "Symphony of a Thousand" (Part One): Tempo I. (Allegro, etwas hastig)
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Mahler: Symphony No. 2 in C minor "Resurrection"
|
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Symphony No. 8 in E-Flat Major "Symphony of a Thousand" (Part One): Infirma nostri corporis II
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Mahler: Symphony No. 2 in C minor "Resurrection"
|
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Symphony No. 8 in E-Flat Major "Symphony of a Thousand" (Part One): Accende lumen sensibus
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Mahler: Symphony No. 2 in C minor "Resurrection"
|
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Symphony No. 8 in E-Flat Major "Symphony of a Thousand" (Part One): Qui Paraclitus deceris
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Mahler: Symphony No. 2 in C minor "Resurrection"
|
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Symphony No. 8 in E-Flat Major "Symphony of a Thousand" (Part One): Gloria Patri Domino
|
Mahler: Symphony No. 2 in C minor "Resurrection"
|
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Symphony No. 5 in C-Sharp Minor: I. Trauermarsch
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Mahler: Symphony No. 5 in C-Sharp Minor
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Symphony No. 5 in C-Sharp Minor: II. Stürmisch bewegt, mit größter Vehemenz
|
Mahler: Symphony No. 5 in C-Sharp Minor
|
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Symphony No. 5 in C-Sharp Minor: III. Scherzo. Kräftig, nicht zu schnell
|
Mahler: Symphony No. 5 in C-Sharp Minor
|
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Symphony No. 5 in C-Sharp Minor: IV. Adagietto. Sehr langsam
|
Mahler: Symphony No. 5 in C-Sharp Minor
|
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Symphony No. 5 in C-Sharp Minor: V. Rondo-Finale. Allegro
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Mahler: Symphony No. 5 in C-Sharp Minor
|
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Tannhäuser, WWV 70: Overture
|
Wagner: Wesendonck-Lieder & Selections from Tristan und Isolde, Tannhäuser and Götterdämmerung
|
|
Götterdämmerung, WWV 86D: Starke Scheite schichtet mir dort "Immolation Scene"
|
Wagner: Wesendonck-Lieder & Selections from Tristan und Isolde, Tannhäuser and Götterdämmerung
|
|
Tristan und Isolde, WWV 90: Prelude and Liebestod
|
Wagner: Wesendonck-Lieder & Selections from Tristan und Isolde, Tannhäuser and Götterdämmerung
|
|
Symphony No. 6 in F Major, Op. 68 "Pastoral": I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande. Allegro ma non troppo
|
Beethoven: Symphonies Nos. 6 & 8
|
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Symphony No. 6 in F Major, Op. 68 "Pastoral": II. Szene am Bach. Andante molto mosso
|
Beethoven: Symphonies Nos. 6 & 8
|
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Symphony No. 6 in F Major, Op. 68 "Pastoral": III. Lustiges Zusammensein der Landleute. Allegro
|
Beethoven: Symphonies Nos. 6 & 8
|
|
Symphony No. 6 in F Major, Op. 68 "Pastoral": IV. Gewitter, Sturm. Allegro
|
Beethoven: Symphonies Nos. 6 & 8
|
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Symphony No. 6 in F Major, Op. 68 "Pastoral": V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm. Allegretto
|
Beethoven: Symphonies Nos. 6 & 8
|
|
Symphony No. 8 in F Major, Op. 93: I. Allegro vivace e con brio
|
Beethoven: Symphonies Nos. 6 & 8
|
|
Symphony No. 8 in F Major, Op. 93: II. Allegretto scherzando
|
Beethoven: Symphonies Nos. 6 & 8
|
|
Symphony No. 8 in F Major, Op. 93: III. Tempo di menuetto
|
Beethoven: Symphonies Nos. 6 & 8
|
|
Symphony No. 8 in F Major, Op. 93: IV. Allegro vivace
|
Beethoven: Symphonies Nos. 6 & 8
|
|
Messiah: Highlights: Ev'ry Valley Shall Be Exalted (Voice)
|
Handel: Messiah Highlights
|
|
Messiah: Highlights: And the Glory of the Lord Shall Be Revealed (Voice)
|
Handel: Messiah Highlights
|
|
Messiah: Highlights: And He Shall Purify (Voice)
|
Handel: Messiah Highlights
|
|
Messiah: Highlights: O Thou That Tellest Good Tidings to Zion (Voice)
|
Handel: Messiah Highlights
|
|
Messiah: Highlights: For Unto Us a Child Is Born (Voice)
|
Handel: Messiah Highlights
|
|
Messiah: Highlights: He Shall Feed His Flock Like a Shepherd (Voice)
|
Handel: Messiah Highlights
|
|
Messiah: Highlights: Lift Up Your Heads, O Ye Gates (Voice)
|
Handel: Messiah Highlights
|
|
Messiah: Highlights: Hallelujah (Voice)
|
Handel: Messiah Highlights
|
|
Messiah: Highlights: I Know That My Redeemer Liveth (Voice)
|
Handel: Messiah Highlights
|
|
Messiah: Highlights: The Trumpet Shall Sound (Voice)
|
Handel: Messiah Highlights
|
|
Messiah: Highlights: Worthy Is the Lamb That Was Slain - Amen (Voice)
|
Handel: Messiah Highlights
|
|
Symphony No. 5 in C Minor, Op. 67: I. Allegro con brio
|
Beethoven: Symphonies Nos. 5 & 7
|
|
Symphony No. 5 in C Minor, Op. 67: II. Andante con moto
|
Beethoven: Symphonies Nos. 5 & 7
|
|
Symphony No. 5 in C Minor, Op. 67: III. Scherzo. Allegro
|
Beethoven: Symphonies Nos. 5 & 7
|
|
Symphony No. 5 in C Minor, Op. 67: IV. Allegro
|
Beethoven: Symphonies Nos. 5 & 7
|
|
Symphony No. 7 in A Major, Op. 92: I. Poco sostenuto - Vivace
|
Beethoven: Symphonies Nos. 5 & 7
|
|
Symphony No. 7 in A Major, Op. 92: II. Allegretto
|
Beethoven: Symphonies Nos. 5 & 7
|
|
Symphony No. 7 in A Major, Op. 92: III. Presto
|
Beethoven: Symphonies Nos. 5 & 7
|
|
Symphony No. 7 in A Major, Op. 92: IV. Allegro con brio
|
Beethoven: Symphonies Nos. 5 & 7
|
|
Pini di Roma, P. 141: I. I pini di Villa Borghese
|
Respighi: Pini di Roma & Feste romane
|
|
Pini di Roma, P. 141: II. Pini presso una catacomba
|
Respighi: Pini di Roma & Feste romane
|
|
Pini di Roma, P. 141: III. I pini del Gianicolo
|
Respighi: Pini di Roma & Feste romane
|
|
Pini di Roma, P. 141: IV. I pini della Via Appia
|
Respighi: Pini di Roma & Feste romane
|
|
Feste romane, P. 157: I. Circenses
|
Respighi: Pini di Roma & Feste romane
|
|
Feste romane, P. 157: II. Il Giubileo
|
Respighi: Pini di Roma & Feste romane
|
|
Feste romane, P. 157: III. L'Ottobrata
|
Respighi: Pini di Roma & Feste romane
|
|
Feste romane, P. 157: IV. La Befana
|
Respighi: Pini di Roma & Feste romane
|
|
Trouble in Tahiti - An Opera in Seven Scenes: Prelude
|
Bernstein: Trouble in Tahiti; Facsimile For Orchestra
|
|
Trouble in Tahiti - An Opera in Seven Scenes: Scene I: "How could you say the thing that you did"
|
Bernstein: Trouble in Tahiti; Facsimile For Orchestra
|
|
Trouble in Tahiti - An Opera in Seven Scenes: Scene II: "Yes? Oh, Mister Partridge!"
|
Bernstein: Trouble in Tahiti; Facsimile For Orchestra
|
|
Trouble in Tahiti - An Opera in Seven Scenes: Scene III: "I was standing in a garden!"
|
Bernstein: Trouble in Tahiti; Facsimile For Orchestra
|
|
Trouble in Tahiti - An Opera in Seven Scenes: Scene IIIa: "Then desire took hold inside me"
|
Bernstein: Trouble in Tahiti; Facsimile For Orchestra
|
|
Trouble in Tahiti - An Opera in Seven Scenes: Scene IV: "Well, of all people"
|
Bernstein: Trouble in Tahiti; Facsimile For Orchestra
|
|
Trouble in Tahiti - An Opera in Seven Scenes: Interlude:"Skid a lit day"
|
Bernstein: Trouble in Tahiti; Facsimile For Orchestra
|
|
Trouble in Tahiti - An Opera in Seven Scenes: Scene V:"There's a law"
|
Bernstein: Trouble in Tahiti; Facsimile For Orchestra
|
|
Trouble in Tahiti - An Opera in Seven Scenes: Scene VI:"What a movie!"
|
Bernstein: Trouble in Tahiti; Facsimile For Orchestra
|
|
Trouble in Tahiti - An Opera in Seven Scenes: Scene VIa:"There's a law that a man has to pay for what he gets"
|
Bernstein: Trouble in Tahiti; Facsimile For Orchestra
|
|
Trouble in Tahiti - An Opera in Seven Scenes: Scene VII:"Evenin' shadows are spreadin' softly"
|
Bernstein: Trouble in Tahiti; Facsimile For Orchestra
|
|
Symphony No. 1 "Jeremiah": I. Prophecy
|
Bernstein: Symphony No. 1 "Jeremiah" & Symphony No. 2 "The Age of Anxiety"
|
|
Symphony No. 1 "Jeremiah": II. Profanation
|
Bernstein: Symphony No. 1 "Jeremiah" & Symphony No. 2 "The Age of Anxiety"
|
|
Symphony No. 1 "Jeremiah": III. Lamentation
|
Bernstein: Symphony No. 1 "Jeremiah" & Symphony No. 2 "The Age of Anxiety"
|
|
Symphony No. 2 "The Age of Anxiety": Pt. 1a, The Prologue. Lento moderato
|
Bernstein: Symphony No. 1 "Jeremiah" & Symphony No. 2 "The Age of Anxiety"
|
|
Symphony No. 2 "The Age of Anxiety": Pt. 1b, The Seven Ages. Variations 1 - 7
|
Bernstein: Symphony No. 1 "Jeremiah" & Symphony No. 2 "The Age of Anxiety"
|
|
Symphony No. 2 "The Age of Anxiety": Pt. 1c, The Seven Stages. Variations 8 - 14
|
Bernstein: Symphony No. 1 "Jeremiah" & Symphony No. 2 "The Age of Anxiety"
|
|
Symphony No. 2 "The Age of Anxiety": Pt. 2a, The Dirge. Largo
|
Bernstein: Symphony No. 1 "Jeremiah" & Symphony No. 2 "The Age of Anxiety"
|