|
Symphony No. 7 in A Major, Op. 92: III. Presto
|
Beethoven: Symphonies Nos. 1 & 7
|
|
Symphony No. 7 in A Major, Op. 92: IV. Allegro con brio
|
Beethoven: Symphonies Nos. 1 & 7
|
|
Atmosphères
|
Music of Our Time
|
|
Crescendo e Diminuendo
|
Music of Our Time
|
|
Triplum: Part I
|
Music of Our Time
|
|
Triplum: Part II
|
Music of Our Time
|
|
Triplum: Part III
|
Music of Our Time
|
|
3 Petites Liturgies de la Présence Divine: I. Antienne de la Conversation Intérieure: Dieu présent en nous
|
Music of Our Time
|
|
3 Petites Liturgies de la Présence Divine: II. Séquence du Verbe, Cantique Divin: Dieu présent en lui-meme
|
Music of Our Time
|
|
3 Petites Liturgies de la Présence Divine: III. Psalmodie de l'Ubiquité par Amour: Dieu présent en toutes choses
|
Music of Our Time
|
|
Symphony No. 7 in A Major, Op. 92: I. Poco sostenuto - Vivace
|
Beethoven: Symphonies Nos. 2 & 7
|
|
Symphony No. 7 in A Major, Op. 92: II. Allegretto
|
Beethoven: Symphonies Nos. 2 & 7
|
|
Symphony No. 7 in A Major, Op. 92: III. Presto, assai meno presto
|
Beethoven: Symphonies Nos. 2 & 7
|
|
Symphony No. 7 in A Major, Op. 92: IV. Allegro con brio
|
Beethoven: Symphonies Nos. 2 & 7
|
|
Chichester Psalms: I. Psalm 108:2 "Urah, hanevel, v'chinor!" - Psalm 100 "Hariu l'Adonai kol haarets"
|
Leonard Bernstein: A Tribute
|
|
Chichester Psalms: II. Psalm 23 "Adonai ro-i, lo e?sar" - Psalm 2:1-4 "Lamah rag'shu goyim"
|
Leonard Bernstein: A Tribute
|
|
Chichester Psalms: III. Psalm 131 "Adonai, Adonai" - Psalm 133:1 "Hineh mah tov"
|
Leonard Bernstein: A Tribute
|
|
Symphonic Dances from West Side Story: No. 6, Meeting Scene (Meno moso) -
|
Leonard Bernstein: A Tribute
|
|
Daphnis et Chloé Suite No. 2, M. 57b: I. Lever du jour
|
Ravel: Boléro, Alborada del gracioso, La Valse and other works
|
|
Rapsodie espagnole, M. 54: I. Prélude à la nuit
|
Ravel: Boléro, Alborada del gracioso, La Valse and other works
|
|
Rapsodie espagnole, M. 54: II. Malagueña
|
Ravel: Boléro, Alborada del gracioso, La Valse and other works
|
|
Symphony No. 6 in A Minor "Tragic": I. Allegro energico, ma non troppo. Heftig, aber markig
|
Mahler: Symphony No. 6 in A Minor "Tragic"
|
|
Symphony No. 9 in D Minor, Op. 125 "Choral": IVb. Recitativo. O Freunde, nicht diese Töne!
|
Beethoven: Symphony No. 9 in D Minor, Op. 125 "Choral"
|
|
Atmosphères
|
Music of Our Time
|
|
Crescendo e Diminuendo
|
Music of Our Time
|
|
Triplum: Part I
|
Music of Our Time
|
|
Triplum: Part II
|
Music of Our Time
|
|
Triplum: Part III
|
Music of Our Time
|
|
3 Petites Liturgies de la Présence Divine: I. Antienne de la Conversation Intérieure: Dieu présent en nous
|
Music of Our Time
|
|
3 Petites Liturgies de la Présence Divine: II. Séquence du Verbe, Cantique Divin: Dieu présent en lui-meme
|
Music of Our Time
|
|
3 Petites Liturgies de la Présence Divine: III. Psalmodie de l'Ubiquité par Amour: Dieu présent en toutes choses
|
Music of Our Time
|
|
Violin Concerto in E Major, BWV 1042: I. Allegro
|
Bach & Vivaldi: Concertos
|
|
Violin Concerto in E Major, BWV 1042: II. Adagio
|
Bach & Vivaldi: Concertos
|
|
Violin Concerto in E Major, BWV 1042: III. Allegro assai
|
Bach & Vivaldi: Concertos
|
|
Concerto for Violin and Oboe in C Minor, BWV 1060R: I. Allegro
|
Bach & Vivaldi: Concertos
|
|
Concerto for Violin and Oboe in C Minor, BWV 1060R: II. Adagio
|
Bach & Vivaldi: Concertos
|
|
Concerto for Violin and Oboe in C Minor, BWV 1060R: III. Allegro
|
Bach & Vivaldi: Concertos
|
|
Recorder Concerto in C Major, RV 443: I. -
|
Bach & Vivaldi: Concertos
|
|
Recorder Concerto in C Major, RV 443: II. Largo
|
Bach & Vivaldi: Concertos
|
|
Recorder Concerto in C Major, RV 443: III. Allegro molto
|
Bach & Vivaldi: Concertos
|
|
Keyboard Concerto No. 1 in D Minor, BWV 1052: I. Allegro
|
Bach & Vivaldi: Concertos
|
|
Keyboard Concerto No. 1 in D Minor, BWV 1052: II. Adagio
|
Bach & Vivaldi: Concertos
|
|
Keyboard Concerto No. 1 in D Minor, BWV 1052: III. Allegro
|
Bach & Vivaldi: Concertos
|
|
La mer, L. 109: No. 1, De l'aube à midi sur la mer
|
Debussy: La mer, Prélude à l'après-midi d'un faune, Jeux & Nocturnes
|
|
La mer, L. 109: No. 2, Jeux de vagues
|
Debussy: La mer, Prélude à l'après-midi d'un faune, Jeux & Nocturnes
|
|
La mer, L. 109: No. 3, Dialogue du vent et de la mer
|
Debussy: La mer, Prélude à l'après-midi d'un faune, Jeux & Nocturnes
|
|
Prélude à l'après-midi d'un faune, L. 86
|
Debussy: La mer, Prélude à l'après-midi d'un faune, Jeux & Nocturnes
|
|
Jeux, L. 126
|
Debussy: La mer, Prélude à l'après-midi d'un faune, Jeux & Nocturnes
|
|
Nocturnes, L. 91: No. 1, Nuages
|
Debussy: La mer, Prélude à l'après-midi d'un faune, Jeux & Nocturnes
|
|
Nocturnes, L. 91: No. 2, Fêtes
|
Debussy: La mer, Prélude à l'après-midi d'un faune, Jeux & Nocturnes
|
|
Concerto for Orchestra, Sz. 116: I. Introduzione. Andante non troppo - Allegro vivace
|
Bartók: Concerto for Orchestra, Sz. 116 & Music for Strings, Percussion & Celesta, Sz. 106
|
|
Concerto for Orchestra, Sz. 116: II. Giuoco delle coppie. Allegretto scherzando
|
Bartók: Concerto for Orchestra, Sz. 116 & Music for Strings, Percussion & Celesta, Sz. 106
|
|
Concerto for Orchestra, Sz. 116: III. Elegia. Andante non troppo
|
Bartók: Concerto for Orchestra, Sz. 116 & Music for Strings, Percussion & Celesta, Sz. 106
|
|
Concerto for Orchestra, Sz. 116: IV. Intermezzo interrotto. Allegretto
|
Bartók: Concerto for Orchestra, Sz. 116 & Music for Strings, Percussion & Celesta, Sz. 106
|
|
Concerto for Orchestra, Sz. 116: V. Finale. Pesante - Presto
|
Bartók: Concerto for Orchestra, Sz. 116 & Music for Strings, Percussion & Celesta, Sz. 106
|
|
Music for Strings, Percussion & Celesta, Sz. 106: I. Andante tranquillo
|
Bartók: Concerto for Orchestra, Sz. 116 & Music for Strings, Percussion & Celesta, Sz. 106
|
|
Music for Strings, Percussion & Celesta, Sz. 106: II. Allegro
|
Bartók: Concerto for Orchestra, Sz. 116 & Music for Strings, Percussion & Celesta, Sz. 106
|
|
Music for Strings, Percussion & Celesta, Sz. 106: III. Adagio
|
Bartók: Concerto for Orchestra, Sz. 116 & Music for Strings, Percussion & Celesta, Sz. 106
|
|
Music for Strings, Percussion & Celesta, Sz. 106: IV. Allegro molto
|
Bartók: Concerto for Orchestra, Sz. 116 & Music for Strings, Percussion & Celesta, Sz. 106
|
|
Les préludes, S. 97
|
Brahms: Hungarian Dances Nos. 5 & 6 - Liszt: Les Préludes; Hungarian Rhapsodies Nos. 1 & 4 - Enescu: Romanian Rhapsody No. 1
|
|
6 Hungarian Rhapsodies, S. 359: No. 1 in F Minor
|
Brahms: Hungarian Dances Nos. 5 & 6 - Liszt: Les Préludes; Hungarian Rhapsodies Nos. 1 & 4 - Enescu: Romanian Rhapsody No. 1
|
|
6 Hungarian Rhapsodies, S. 359: No. 4 in D Minor
|
Brahms: Hungarian Dances Nos. 5 & 6 - Liszt: Les Préludes; Hungarian Rhapsodies Nos. 1 & 4 - Enescu: Romanian Rhapsody No. 1
|
|
2 Romanian Rhapsodies, Op. 11: No. 1 in A Major
|
Brahms: Hungarian Dances Nos. 5 & 6 - Liszt: Les Préludes; Hungarian Rhapsodies Nos. 1 & 4 - Enescu: Romanian Rhapsody No. 1
|
|
Prince Igor: Polovtsian Dances: Allegro con spirito - Più animato
|
Brahms: Hungarian Dances Nos. 5 & 6 - Liszt: Les Préludes; Hungarian Rhapsodies Nos. 1 & 4 - Enescu: Romanian Rhapsody No. 1
|
|
Symphonie fantastique, Op. 14, H. 48: I. Rêveries - Passions
|
Berlioz: Symphonie fantastique, Op. 14, H. 48
|
|
Symphonie fantastique, Op. 14, H. 48: III. Scène aux champs
|
Berlioz: Symphonie fantastique, Op. 14, H. 48
|
|
Berlioz Takes A Trip - Leonard Bernstein explores the Symphonie fantastique with musical illustrations by the New York Philharmonic
|
Berlioz: Symphonie fantastique, Op. 14, H. 48
|
|
Danzón Cubano
|
Latin American Fiesta
|
|
El Salón México
|
Latin American Fiesta
|
|
Reisado do Pastoreio: III. Batuque
|
Latin American Fiesta
|
|
Bachianas brasileiras No. 5, W 389: I. Ária
|
Latin American Fiesta
|
|
Bachianas brasileiras No. 5, W 389: II. Dança
|
Latin American Fiesta
|
|
Sensemayá, R. 67
|
Latin American Fiesta
|
|
Sinfonía India "Symphony No. 2"
|
Latin American Fiesta
|
|
In Praise of Shahn: I. Vigoroso
|
Barber: Adagio for Strings & Violin Concerto - Schuman: To Thee Old Cause & In Praise of Shahn
|
|
In Praise of Shahn: II. Lento
|
Barber: Adagio for Strings & Violin Concerto - Schuman: To Thee Old Cause & In Praise of Shahn
|
|
Harold en Italie, Op. 16: II. Marche des pèlerins
|
Berlioz: Harold in Italy, Op. 16, H. 68 & La mort de Cléopâtre, H. 36
|
|
Harold en Italie, Op. 16: III. Sérénade
|
Berlioz: Harold in Italy, Op. 16, H. 68 & La mort de Cléopâtre, H. 36
|
|
Harold en Italie, Op. 16: IV. Orgie des brigands
|
Berlioz: Harold in Italy, Op. 16, H. 68 & La mort de Cléopâtre, H. 36
|
|
La mort de Cléopâtre, scène lyrique: Allegro vivace con impeto
|
Berlioz: Harold in Italy, Op. 16, H. 68 & La mort de Cléopâtre, H. 36
|
|
La mort de Cléopâtre, scène lyrique: Recitativo: "C'en est donc fait !". Moderato
|
Berlioz: Harold in Italy, Op. 16, H. 68 & La mort de Cléopâtre, H. 36
|
|
La mort de Cléopâtre, scène lyrique: Lento cantabile - "Ah ! qu'ils sont loin ces jours"
|
Berlioz: Harold in Italy, Op. 16, H. 68 & La mort de Cléopâtre, H. 36
|
|
La mort de Cléopâtre, scène lyrique: Recitativo: "Au comble des revers". Moderato
|
Berlioz: Harold in Italy, Op. 16, H. 68 & La mort de Cléopâtre, H. 36
|
|
La mort de Cléopâtre, scène lyrique: Méditation: Largo misterioso - "Grands Pharaons"
|
Berlioz: Harold in Italy, Op. 16, H. 68 & La mort de Cléopâtre, H. 36
|
|
La mort de Cléopâtre, scène lyrique: Allegro assai agitato - "Non !... non, de vos demeures"
|
Berlioz: Harold in Italy, Op. 16, H. 68 & La mort de Cléopâtre, H. 36
|
|
La mort de Cléopâtre, scène lyrique: Allegro non troppo - Recitativo misurato: "Dieux du Nil"
|
Berlioz: Harold in Italy, Op. 16, H. 68 & La mort de Cléopâtre, H. 36
|
|
Symphony No. 103 in E-Flat Major, Hob. I:103 "Drum Roll": I. Adagio - Allegro con spirito
|
Haydn: Symphony in D Major, Hob.I:101 "The Clock" & Symphony in E-Flat Major, Hob.I:103 "Drum Roll"
|
|
Symphony No. 103 in E-Flat Major, Hob. I:103 "Drum Roll": II. Andante più tosto allegretto
|
Haydn: Symphony in D Major, Hob.I:101 "The Clock" & Symphony in E-Flat Major, Hob.I:103 "Drum Roll"
|
|
Symphony No. 103 in E-Flat Major, Hob. I:103 "Drum Roll": III. Menuet - Trio
|
Haydn: Symphony in D Major, Hob.I:101 "The Clock" & Symphony in E-Flat Major, Hob.I:103 "Drum Roll"
|
|
Symphony No. 103 in E-Flat Major, Hob. I:103 "Drum Roll": IV. Finale. Allegro con spirito
|
Haydn: Symphony in D Major, Hob.I:101 "The Clock" & Symphony in E-Flat Major, Hob.I:103 "Drum Roll"
|
|
How a Great Symphony Was Written (Leonard Bernstein Discusses the First Movement of Beethoven's Eroica with Musical Illustrations)
|
Beethoven: Symphony No. 3 in E-Flat Major, Op. 55 "Eroica"
|
|
Piano Concerto in G Minor, Op. 33, B. 63: I. Allegro agitato
|
Tchaikovsky: Piano Concerto No. 1 in B-Flat Minor, Op. 23, TH 55 - Dvorák: Piano Concerto in G Minor, Op. 33, B. 63
|
|
Piano Concerto in G Minor, Op. 33, B. 63: II. Andante sostenuto
|
Tchaikovsky: Piano Concerto No. 1 in B-Flat Minor, Op. 23, TH 55 - Dvorák: Piano Concerto in G Minor, Op. 33, B. 63
|
|
Piano Concerto in G Minor, Op. 33, B. 63: III. Finale. Allegro con fuoco
|
Tchaikovsky: Piano Concerto No. 1 in B-Flat Minor, Op. 23, TH 55 - Dvorák: Piano Concerto in G Minor, Op. 33, B. 63
|
|
Carmen Suite No. 1: Les Toréadors: Allegro giocoso (Introduction to Act I)
|
Bernstein Century - Bizet: Carmen Suites & L'Arlésienne Suites
|
|
Carmen Suite No. 1: Prélude: Andante moderato (Prelude to Act I)
|
Bernstein Century - Bizet: Carmen Suites & L'Arlésienne Suites
|
|
Carmen Suite No. 1: Aragonaise: Allegro vivo (Prelude to Act IV)
|
Bernstein Century - Bizet: Carmen Suites & L'Arlésienne Suites
|
|
Carmen Suite No. 2: Chanson du Toréador: Allegro moderato** (Act II)
|
Bernstein Century - Bizet: Carmen Suites & L'Arlésienne Suites
|
|
Carmen Suite No. 2: Danse bohême: Andante quasi Allegretto (Act II)
|
Bernstein Century - Bizet: Carmen Suites & L'Arlésienne Suites
|
|
L'Arlésienne Suite No. 1: I. Prelude: Allegro deciso (Tempo di Marcia) - Andantino
|
Bernstein Century - Bizet: Carmen Suites & L'Arlésienne Suites
|