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Something For the Boys: When My Baby Goes to Town (orch. Don Walker)
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Cole Porter Night and Day: Thomas Hampson
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Hitchy-Koo: When I had a uniform on (orch. Maurice de Packh)
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Cole Porter Night and Day: Thomas Hampson
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Born to Dance: I've Got You Under My Skin (orch. Russell Warner)
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Cole Porter Night and Day: Thomas Hampson
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Hitchy-Koo: Bring me back my Butterfly (orch. Frank Saddler)
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Cole Porter Night and Day: Thomas Hampson
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Can-Can: Who Said Gay Paree? (orch. Russell Warner) [unused]
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Cole Porter Night and Day: Thomas Hampson
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Rosalie: A Fool There Was (orch. Russell Warner) [unused]
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Cole Porter Night and Day: Thomas Hampson
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Gay Divorce: How's Your Romance?
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Cole Porter Night and Day: Thomas Hampson
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Hitchy-Koo: My cozy little corner in the Ritz
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Cole Porter Night and Day: Thomas Hampson
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Hollywood Canteen: Don't Fence Me In
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Cole Porter Night and Day: Thomas Hampson
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Seven Lively Arts: Drink
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Cole Porter Night and Day: Thomas Hampson
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Gay Divorce, Act I: Night and Day
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Cole Porter Night and Day: Thomas Hampson
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Du Barry Was a Lady, Act 2: "It Was Written in the Stars" (Alexandre, Chorus)
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Cole Porter Night and Day: Thomas Hampson
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Broadway Melody of 1940: I Concentrate on You
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Cole Porter Night and Day: Thomas Hampson
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Yale College: Bull Dog
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Cole Porter Night and Day: Thomas Hampson
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Das Land des Lächelns, Act 2 Scene 2: "Dein ist mein ganzes Herz" (Sou-Chong)
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Operetta Arias: Thomas Hampson
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Paganini, Act 2: "Gern hab' ich die Frau'n geküsst" (Paganini)
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Operetta Arias: Thomas Hampson
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Der Zarewitsch, Act 1: No. 5, Wolgalied, "Allein, wieder … Es steht ein Soldat am Wolgastrand" (Zarewitsch)
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Operetta Arias: Thomas Hampson
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Frühjahrsparade, Act 1: Finale, "Wien wird bei Nacht erst schön"
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Operetta Arias: Thomas Hampson
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Herbstmanöver: "Auf der Heide bluh'n die letzten Rosen"
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Operetta Arias: Thomas Hampson
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Eine Nacht in Venedig, Act 2: Lied. "Treu sein, das liegt mir nicht" (Herzog)
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Operetta Arias: Thomas Hampson
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Der Zigeunerbaron, Act 1 Scene 2: No. 2, Entrée - Couplets, "Als flotter Geist, doch früh verwaist" (Barinkay, Chorus)
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Operetta Arias: Thomas Hampson
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Der singende Traum, Act 2: "Du bist die Welt für mich" (Uta)
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Operetta Arias: Thomas Hampson
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Music for Carmine Gallone's Movie "Mein Herz ruft nach dir" (1934): "Ich sing' mein Lied heut' nur für dich"
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Operetta Arias: Thomas Hampson
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Trauminsel: "Ich hab' mich tausendmal verliebt"
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Operetta Arias: Thomas Hampson
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Der Bettelstudent, Act 1: "Ich knüpfte manche zarte Bande" (Symon)
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Operetta Arias: Thomas Hampson
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Der Bettelstudent, Act 1: "Ach ich hab' sie ja nur auf die Schulter geküsst" (Ollendorf)
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Operetta Arias: Thomas Hampson
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Der Obersteiger, Act 2: "Sei nicht bös" (Martin, Chorus)
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Operetta Arias: Thomas Hampson
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|
Gräfin Mariza, Act 1: Lied, "Komm' Zigány" (Tassilo)
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Operetta Arias: Thomas Hampson
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Die Csardasfürstin: Die Mädis vom Chantant
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Operetta Arias: Thomas Hampson
|
|
Komm! di schönes Fischermädchen
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Meyerbeer Songs: Thomas Hampson
|
|
Der Garten des Herzens
|
Meyerbeer Songs: Thomas Hampson
|
|
Lied des venezianischen Gondoliers, "Mina"
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Meyerbeer Songs: Thomas Hampson
|
|
Hör' ich das Liedchen klingen
|
Meyerbeer Songs: Thomas Hampson
|
|
Die Rose, die Lilie, die Taube
|
Meyerbeer Songs: Thomas Hampson
|
|
Sie und ich
|
Meyerbeer Songs: Thomas Hampson
|
|
Menschenfeindlich
|
Meyerbeer Songs: Thomas Hampson
|
|
Chant des moissonneurs vendéens
|
Meyerbeer Songs: Thomas Hampson
|
|
La barque légère
|
Meyerbeer Songs: Thomas Hampson
|
|
Péchés de vieillesse, Volume XI "Miscellanée de musique vocale": No. 2, La chanson du bébé, "Maman, le gros bébé t'appelle"
|
Meyerbeer Songs: Thomas Hampson
|
|
Siciliènne
|
Meyerbeer Songs: Thomas Hampson
|
|
Le poète mourant, "Elégie"
|
Meyerbeer Songs: Thomas Hampson
|
|
Péchés de vieillesse, Volume III "Morceaux réservés": No. 8, Elégie, Au chevet d'un mourant, "De la douleur nait l'espérance"
|
Meyerbeer Songs: Thomas Hampson
|
|
Le Lazzarone
|
Meyerbeer Songs: Thomas Hampson
|
|
La Chanson du bébé
|
Meyerbeer Songs: Thomas Hampson
|
|
Soirées musicales (8 Ariettes et 4 Duos Italiens): No. 7, Barcarolla, La gita in gondola, "Voli l'agile barchetta" (Andantino grazioso)
|
Meyerbeer Songs: Thomas Hampson
|
|
Soirées musicales (8 Ariettes et 4 Duos Italiens): No. 2, Canzonetta, Il rimprovero, "Mi lagnerò tacendo" (Andantino)
|
Meyerbeer Songs: Thomas Hampson
|
|
Péchés de vieillesse, Volume III "Morceaux réservés": No. 4, Ave Maria, "Ave Maria, gratia plena" (Version for Voice and Piano)
|
Meyerbeer Songs: Thomas Hampson
|
|
Péchés de vieillesse, Vol. 1 "Album italiano": No. 4, L'ultimo ricordo. "Odi di un uom che muore"
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Meyerbeer Songs: Thomas Hampson
|
|
Macbeth, Act IV: Perfidi! All'anglo contro me ... Pietà, rispetto, amore
|
Verdi Operas: Thomas Hampson
|
|
Ascolta...O dei verd'anni miei (Act III) from Ernani
|
Verdi Operas: Thomas Hampson
|
|
Eccomi solo alfine...O vecchio cor (Act 1) from I due Foscari
|
Verdi Operas: Thomas Hampson
|
|
Alfin questo corsaro....Cento leggiadre vergini (Act III) from Il Corsaro
|
Verdi Operas: Thomas Hampson
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|
Le Trouvère, Act II: Tout est désert....Son regard
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Verdi Operas: Thomas Hampson
|
|
Oui, je fus bien coupable....Au sein de la puissance (Act III) from Les Vêspres siciliennes
|
Verdi Operas: Thomas Hampson
|
|
Tradimento....Pareami che sorto....Armata la prima (Act IV) from I masnadieri
|
Verdi Operas: Thomas Hampson
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Ei fugge...Lina, pensai che un angelo (Act III) from Stiffelio
|
Verdi Operas: Thomas Hampson
|
|
Di Provenza il mar...Né rispondi...no, non udrai rimproveri (Act II)
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Verdi Operas: Thomas Hampson
|
|
Ecco il luogo....Speme al vecchio from Giovanna d'Arco (Act II)
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Verdi Operas: Thomas Hampson
|
|
Macbeth, Act III: Ove son io? ... Vada in flamme
|
Verdi Operas: Thomas Hampson
|
|
Jubilee: Begin the Beguine (orch. Russell Warner)
|
Cole Porter Night and Day: Thomas Hampson
|
|
Rosalie: In the still of the night (orch. Russell Warner)
|
Cole Porter Night and Day: Thomas Hampson
|
|
Born to Dance: Easy to Love (orch. Russsell Warner)
|
Cole Porter Night and Day: Thomas Hampson
|
|
Greenwich Village Follies: Two little babes in the wood (orch. Russell Warner)
|
Cole Porter Night and Day: Thomas Hampson
|
|
Something For the Boys: When My Baby Goes to Town (orch. Don Walker)
|
Cole Porter Night and Day: Thomas Hampson
|
|
Hitchy-Koo: When I had a uniform on (orch. Maurice de Packh)
|
Cole Porter Night and Day: Thomas Hampson
|
|
Born to Dance: I've Got You Under My Skin (orch. Russell Warner)
|
Cole Porter Night and Day: Thomas Hampson
|
|
Hitchy-Koo: Bring me back my Butterfly (orch. Frank Saddler)
|
Cole Porter Night and Day: Thomas Hampson
|
|
Can-Can: Who Said Gay Paree? (orch. Russell Warner) [unused]
|
Cole Porter Night and Day: Thomas Hampson
|
|
Rosalie: A Fool There Was (orch. Russell Warner) [unused]
|
Cole Porter Night and Day: Thomas Hampson
|
|
Gay Divorce: How's Your Romance?
|
Cole Porter Night and Day: Thomas Hampson
|
|
Hitchy-Koo: My cozy little corner in the Ritz
|
Cole Porter Night and Day: Thomas Hampson
|
|
Hollywood Canteen: Don't Fence Me In
|
Cole Porter Night and Day: Thomas Hampson
|
|
Seven Lively Arts: Drink
|
Cole Porter Night and Day: Thomas Hampson
|
|
Gay Divorce, Act I: Night and Day
|
Cole Porter Night and Day: Thomas Hampson
|
|
Du Barry Was a Lady, Act 2: "It Was Written in the Stars" (Alexandre, Chorus)
|
Cole Porter Night and Day: Thomas Hampson
|
|
Broadway Melody of 1940: I Concentrate on You
|
Cole Porter Night and Day: Thomas Hampson
|
|
Yale College: Bull Dog
|
Cole Porter Night and Day: Thomas Hampson
|
|
Komm! di schönes Fischermädchen
|
Meyerbeer Songs: Thomas Hampson
|
|
Der Garten des Herzens
|
Meyerbeer Songs: Thomas Hampson
|
|
Lied des venezianischen Gondoliers, "Mina"
|
Meyerbeer Songs: Thomas Hampson
|
|
Hör' ich das Liedchen klingen
|
Meyerbeer Songs: Thomas Hampson
|
|
Die Rose, die Lilie, die Taube
|
Meyerbeer Songs: Thomas Hampson
|
|
Sie und ich
|
Meyerbeer Songs: Thomas Hampson
|
|
Menschenfeindlich
|
Meyerbeer Songs: Thomas Hampson
|
|
Chant des moissonneurs vendéens
|
Meyerbeer Songs: Thomas Hampson
|
|
La barque légère
|
Meyerbeer Songs: Thomas Hampson
|
|
Péchés de vieillesse, Volume XI "Miscellanée de musique vocale": No. 2, La chanson du bébé, "Maman, le gros bébé t'appelle"
|
Meyerbeer Songs: Thomas Hampson
|
|
Siciliènne
|
Meyerbeer Songs: Thomas Hampson
|
|
Le poète mourant, "Elégie"
|
Meyerbeer Songs: Thomas Hampson
|
|
Péchés de vieillesse, Volume III "Morceaux réservés": No. 8, Elégie, Au chevet d'un mourant, "De la douleur nait l'espérance"
|
Meyerbeer Songs: Thomas Hampson
|
|
Le Lazzarone
|
Meyerbeer Songs: Thomas Hampson
|
|
La Chanson du bébé
|
Meyerbeer Songs: Thomas Hampson
|
|
Soirées musicales (8 Ariettes et 4 Duos Italiens): No. 7, Barcarolla, La gita in gondola, "Voli l'agile barchetta" (Andantino grazioso)
|
Meyerbeer Songs: Thomas Hampson
|
|
Soirées musicales (8 Ariettes et 4 Duos Italiens): No. 2, Canzonetta, Il rimprovero, "Mi lagnerò tacendo" (Andantino)
|
Meyerbeer Songs: Thomas Hampson
|
|
Péchés de vieillesse, Volume III "Morceaux réservés": No. 4, Ave Maria, "Ave Maria, gratia plena" (Version for Voice and Piano)
|
Meyerbeer Songs: Thomas Hampson
|
|
Péchés de vieillesse, Vol. 1 "Album italiano": No. 4, L'ultimo ricordo. "Odi di un uom che muore"
|
Meyerbeer Songs: Thomas Hampson
|
|
One Touch of Venus: Westwind (lyric: Ogden Nash)
|
Kurt Weil On Broadway: Thomas Hampson
|
|
Knickerbocker Holiday: It never was you (lyrics: Maxwell Anderson)
|
Kurt Weil On Broadway: Thomas Hampson
|
|
Knickerbocker Holiday: How can you tell an American? (lyrics: Maxwell Anderson)
|
Kurt Weil On Broadway: Thomas Hampson
|
|
Song of the Hangman ("Gallows Scene"): "The bell of doom is clanging" from The Firebrand of Florence
|
Kurt Weil On Broadway: Thomas Hampson
|