Liszt: 12 Lieder von Franz Schubert, S. 558a (1879 Cranz Edition): No. 7, Frühlingsglaube (3rd Version, After D. 686)

Liszt: 12 Lieder von Franz Schubert, S. 558a (1879 Cranz Edition): No. 8, Gretchen am Spinnrade (After D. 118)

Liszt: 12 Lieder von Franz Schubert, S. 558a (1879 Cranz Edition): No. 9, Ständchen von Shakespeare (After D. 889)

Liszt: 12 Lieder von Franz Schubert, S. 558a (1879 Cranz Edition): No. 11, Der Wanderer (3rd Version, After D. 489)

Liszt: Meeresstille, S. 558 No. 5a (After Schubert, D. 216)

Liszt: Winterreise, S. 561a (Alternative Version, After Schubert, D. 911): II. Die Nebensonnen

Liszt: Winterreise, S. 561a (Alternative Version, After Schubert, D. 911): III. Mut

Liszt: Winterreise, S. 561a (Alternative Version, After Schubert, D. 911): VII. Der Lindenbaum

Liszt: Winterreise, S. 561a (Alternative Version, After Schubert, D. 911): X. Das Wirtshaus

Liszt: Winterreise, S. 561a (Alternative Version, After Schubert, D. 911): XI. Der stürmische Morgen

Liszt: Winterreise, S. 561a (After Schubert, D. 911): XII. Im Dorfe

Liszt: Mélodies hongroises d'après Schubert, S. 425: II. Marche hongroise (1879 3rd Edition, Alternative Text)

Liszt: Soirées de Vienne, S. 427 (After Themes by Schubert): Valse-caprice No. 6 in A Minor (2nd "Menter" Version)

Liszt: Magyar Dalok & Rapszódiák, S. 242: No. 1 in C Minor. Lento

Liszt: Magyar Dalok & Rapszódiák, S. 242: No. 2 in C Major. Andantino

Liszt: Magyar Dalok & Rapszódiák, S. 242: No. 3 in D-Flat Major. Sehr langsam

Liszt: Magyar Dalok & Rapszódiák, S. 242: No. 4 in C-Sharp Major. Animato

Liszt: Magyar Dalok & Rapszódiák, S. 242: No. 5 in D-Flat Major. Tempo giusto

Liszt: Magyar Dalok & Rapszódiák, S. 242: No. 6 in G Minor. Lento – Allegretto

Liszt: Magyar Dalok & Rapszódiák, S. 242: No. 7 in E-Flat Major. Andante cantabile quasi adagio

Liszt: Magyar Dalok & Rapszódiák, S. 242: No. 8 in F Minor. Lento

Liszt: Magyar Dalok & Rapszódiák, S. 242: No. 9 in A Minor. Lento – Quasi presto

Liszt: Magyar Dalok & Rapszódiák, S. 242: No. 10 in D Major. Adagio sostenuto a capriccio – Allegro vivace

Liszt: Magyar Dalok & Rapszódiák, S. 242: No. 11 in B-Flat Major. Andante sostenuto – Allegretto

Liszt: Magyar Dalok & Rapszódiák, S. 242: No. 12 in E Minor. Héroïde élégiaque. Mesto

Liszt: Magyar Dalok & Rapszódiák, S. 242: No. 13 in A Minor. Rákóczi-Marsch. Tempo di Marcia (Animato)

Liszt: Magyar Dalok & Rapszódiák, S. 242: No. 14 in A Minor. Lento a capriccio – Friska. Vivace assai

Liszt: Magyar Dalok & Rapszódiák, S. 242: No. 15 in D Minor. Lento. Tempo e Stilo Zingarese – Vivace

Liszt: Magyar Dalok & Rapszódiák, S. 242: No. 16 in E Major. Preludio – Andante deciso, sempre ben marcato il tempo

Liszt: Magyar Dalok & Rapszódiák, S. 242: No. 17 in A Minor. Andante sostenuto – Friska. Vivace

Liszt: Magyar Dalok & Rapszódiák, S. 242: No. 18 in C-Sharp Minor. Adagio – Allegretto zingarese

Liszt: Magyar Dalok & Rapszódiák, S. 242: No. 19 in F-Sharp Minor. Lento patetico – Presto giocoso assai – Adagio

Liszt: Magyar Dalok & Rapszódiák, S. 242: No. 20 in G Minor. Romanian Rhapsody. Allegro vivace

Liszt: Magyar Dalok & Rapszódiák, S. 242: No. 21 in E Minor. Lento. Tempo di marcia funebre

Liszt: Magyar Dalok & Rapszódiák, S. 242: No. 22 in E-Flat Major "Pester Carneval". Moderato a capriccio

Liszt: Années de pèlerinage II, Italie, S. 161: I. Sposalizio

Liszt: Années de pèlerinage II, Italie, S. 161: II. Il penseroso

Liszt: Années de pèlerinage II, Italie, S. 161: III. Canzonetta del Salvator Rosa

Liszt: Années de pèlerinage II, Italie, S. 161: IV. Sonetto 47 del Petrarca

Liszt: Années de pèlerinage II, Italie, S. 161: V. Sonetto 104 del Petrarca

Liszt: Années de pèlerinage II, Italie, S. 161: VI. Sonetto 123 del Petrarca

Liszt: Années de pèlerinage II, Italie, S. 161: VII. Après une lecture du Dante "Fantasia quasi Sonata"

Liszt: Années de Pèlerinage II, Supplément (Venezia et Napoli), S. 162: I. Gondoliera

Liszt: Années de Pèlerinage II, Supplément (Venezia et Napoli), S. 162: II. Canzone

Liszt: Années de Pèlerinage II, Supplément (Venezia et Napoli), S. 162: III. Tarantella

Liszt: Au bord d'une source, S. 160/4a (3rd Version)

Beethoven: Symphony No. 1 in C Major, Op. 21 (Transcr. Liszt for Solo Piano as S. 464/1): I. Adagio molto – Allegro con brio

Beethoven: Symphony No. 1 in C Major, Op. 21 (Transcr. Liszt for Solo Piano as S. 464/1): II. Andante cantabile con moto

Beethoven: Symphony No. 1 in C Major, Op. 21 (Transcr. Liszt for Solo Piano as S. 464/1): III. Menuetto. Allegro molto e vivace

Beethoven: Symphony No. 1 in C Major, Op. 21 (Transcr. Liszt for Solo Piano as S. 464/1): IV. Finale. Adagio – Allegro molto e vivace

Beethoven: Symphony No. 3 in E-Flat Major, Op. 55 (Transcr. Liszt for Solo Piano as S. 464/3): I. Allegro con brio

Beethoven: Symphony No. 3 in E-Flat Major, Op. 55 (Transcr. Liszt for Solo Piano as S. 464/3): II. Marcia funebre. Adagio assai

Beethoven: Symphony No. 3 in E-Flat Major, Op. 55 (Transcr. Liszt for Solo Piano as S. 464/3): III. Scherzo. Allegro vivace

Beethoven: Symphony No. 3 in E-Flat Major, Op. 55 (Transcr. Liszt for Solo Piano as S. 464/3): IV. Finale. Allegro molto

Beethoven: Symphony No. 2 in D Major, Op. 36 (Transcr. Liszt for Solo Piano as S. 464/2): I. Adagio molto – Allegro con brio

Beethoven: Symphony No. 2 in D Major, Op. 36 (Transcr. Liszt for Solo Piano as S. 464/2): II. Larghetto

Beethoven: Symphony No. 2 in D Major, Op. 36 (Transcr. Liszt for Solo Piano as S. 464/2): III. Scherzo. Allegro

Beethoven: Symphony No. 2 in D Major, Op. 36 (Transcr. Liszt for Solo Piano as S. 464/2): IV. Allegro molto

Beethoven: Symphony No. 4 in B-Flat Major, Op. 60 (Transcr. Liszt for Solo Piano, S. 464/4): I. Adagio – Allegro vivace

Beethoven: Symphony No. 4 in B-Flat Major, Op. 60 (Transcr. Liszt for Solo Piano, S. 464/4): II. Adagio

Beethoven: Symphony No. 4 in B-Flat Major, Op. 60 (Transcr. Liszt for Solo Piano, S. 464/4): III. Allegro vivace

Beethoven: Symphony No. 4 in B-Flat Major, Op. 60 (Transcr. Liszt for Solo Piano, S. 464/4): IV. Allegro ma non troppo

Beethoven: Symphony No. 5 in C Minor, Op. 67 (Transcr. Liszt for Solo Piano as S. 464/5, 2nd Version): I. Allegro con brio

Beethoven: Symphony No. 5 in C Minor, Op. 67 (Transcr. Liszt for Solo Piano as S. 464/5, 2nd Version): II. Andante con moto

Beethoven: Symphony No. 5 in C Minor, Op. 67 (Transcr. Liszt for Solo Piano as S. 464/5, 2nd Version): III. Scherzo. Allegro

Beethoven: Symphony No. 5 in C Minor, Op. 67 (Transcr. Liszt for Solo Piano as S. 464/5, 2nd Version): IV. Finale. Allegro

Beethoven: Symphony No. 6 in F Major, Op. 68 "Pastoral" (Transcr. Liszt for Solo Piano as S. 464/6, 2nd Version): I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande. Allegro ma non troppo

Beethoven: Symphony No. 6 in F Major, Op. 68 "Pastoral" (Transcr. Liszt for Solo Piano as S. 464/6, 2nd Version): II. Szene Am Bach. Andante molto moto

Beethoven: Symphony No. 6 in F Major, Op. 68 "Pastoral" (Transcr. Liszt for Solo Piano as S. 464/6, 2nd Version): III. Lustiges Zusammensein der Landleute. Allegro 3/4 – Allegro 2/4 – Da capo [tutto] – Tempo I

Beethoven: Symphony No. 6 in F Major, Op. 68 "Pastoral" (Transcr. Liszt for Solo Piano as S. 464/6, 2nd Version): IV. Donner – Sturm. Allegro

Beethoven: Symphony No. 6 in F Major, Op. 68 "Pastoral" (Transcr. Liszt for Solo Piano as S. 464/6, 2nd Version): V. Hirtengesang "Frohe, dankbare Gefühle nach dem Sturm". Allegretto

Beethoven: Symphony No. 7 in A Major, Op. 92 (Transcr. Liszt for Solo Piano as S. 464/7, 2nd Version): I. Poco sostenuto – Vivace

Beethoven: Symphony No. 7 in A Major, Op. 92 (Transcr. Liszt for Solo Piano as S. 464/7, 2nd Version): II. Allegretto

Beethoven: Symphony No. 7 in A Major, Op. 92 (Transcr. Liszt for Solo Piano as S. 464/7, 2nd Version): III. Presto – Assai meno presto

Beethoven: Symphony No. 7 in A Major, Op. 92 (Transcr. Liszt for Solo Piano as S. 464/7, 2nd Version): IV. Allegro con brio

Beethoven: Symphony No. 8 in F Major, Op. 93 (Transcr. Liszt for Solo Piano as S. 464/8): I. Allegro vivace e con brio

Beethoven: Symphony No. 8 in F Major, Op. 93 (Transcr. Liszt for Solo Piano as S. 464/8): II. Allegretto scherzando

Beethoven: Symphony No. 8 in F Major, Op. 93 (Transcr. Liszt for Solo Piano as S. 464/8): III. Tempo di menuetto

Beethoven: Symphony No. 8 in F Major, Op. 93 (Transcr. Liszt for Solo Piano as S. 464/8): IV. Allegro vivace

Beethoven: Symphony No. 9 in D Minor, Op. 125 (Transcr. Liszt for Solo Piano as S. 464/9): I. Allegro ma non troppo, un poco maestoso

Beethoven: Symphony No. 9 in D Minor, Op. 125 (Transcr. Liszt for Solo Piano as S. 464/9): II. Scherzo. Molto vivace – Presto

Beethoven: Symphony No. 9 in D Minor, Op. 125 (Transcr. Liszt for Solo Piano as S. 464/9): III. Adagio molto e cantabile

Beethoven: Symphony No. 9 in D Minor, Op. 125 (Transcr. Liszt for Solo Piano as S. 464/9): IV. Finale. Presto – Allegro assai "Ode to Joy"

Liszt: Années de pèlerinage I, Suisse, S. 160: I. Chapelle de Guillaume Tell

Liszt: Années de pèlerinage I, Suisse, S. 160: II. Au lac de Wallenstadt

Liszt: Années de pèlerinage I, Suisse, S. 160: III. Pastorale

Liszt: Années de pèlerinage I, Suisse, S. 160: IV. Au bord d'une source

Liszt: Années de pèlerinage I, Suisse, S. 160: V. Orage

Liszt: Années de pèlerinage I, Suisse, S. 160: VI. Vallée d'Obermann

Liszt: Années de pèlerinage I, Suisse, S. 160: VII. Eglogue

Liszt: Années de pèlerinage I, Suisse, S. 160: VIII. Le mal du pays (Heimweh)

Liszt: Années de pèlerinage I, Suisse, S. 160: IX. Les cloches de Genève (Nocturne)

Liszt: 3 Morceaux suisses, S. 156a: I. Ranz de vaches (Mélodie de Ferdinand Huber) avec variations

Liszt: 3 Morceaux suisses, S. 156a: II. Un soir dans la montagne (Mélodie d'Ernest Knop) – Nocturne

Liszt: 3 Morceaux suisses, S. 156a: III. Ranz de chèvres (Mélodie de Ferdinand Huber) – Rondeau

Liszt: Mélodies russes "Arabesques", S. 250: I. Le rossignol (2nd Version, After Alyabyev)

Liszt: Mélodies russes "Arabesques", S. 250: II. Chanson bohémienne (After Bulakhov)

Liszt: Lyubila ya "Romance" de Wielhorsky, S. 577 (4th Version, Published)

Liszt: Tarantella de Dargomijski, S. 483

Liszt: Galop par Constantin Bulhakow arrangé par Liszt, S. 478 (1st Version)