Liszt: Responsorien und Antiphonen, S. 30: V. In Officio defunctorum: f. Responsorium 3 Versus 1. Commissa mea

Liszt: Responsorien und Antiphonen, S. 30: V. In Officio defunctorum: g. Responsorium 3 Versus 2. Requiem aeternam

Liszt: Responsorien und Antiphonen, S. 30: V. In Officio defunctorum: h. Responsorium 4. Memento mei Deus

Liszt: Responsorien und Antiphonen, S. 30: V. In Officio defunctorum: i. Responsorium 4 Versus. De profundis

Liszt: Responsorien und Antiphonen, S. 30: V. In Officio defunctorum: j. Responsorium 5. Hei mihi! Domine

Liszt: Responsorien und Antiphonen, S. 30: V. In Officio defunctorum: k. Responsorium 5 Versus. Anima mea

Liszt: Responsorien und Antiphonen, S. 30: V. In Officio defunctorum: l. Responsorium 6. Ne recorderis

Liszt: Responsorien und Antiphonen, S. 30: V. In Officio defunctorum: m. Responsorium 6 Versus 1 & 2. Dirige, Domine – Requiem aeternam

Liszt: Responsorien und Antiphonen, S. 30: V. In Officio defunctorum: o. Responsorium 7. Peccantem me

Liszt: Responsorien und Antiphonen, S. 30: V. In Officio defunctorum: p. Responsorium 7 Versus. Deus, in nomine tuo

Liszt: Responsorien und Antiphonen, S. 30: V. In Officio defunctorum: q. Responsorium 8. Domine, secundum actum meum

Liszt: Responsorien und Antiphonen, S. 30: V. In Officio defunctorum: r. Responsorium 8 Versus. Amplius lava me

Liszt: Responsorien und Antiphonen, S. 30: V. In Officio defunctorum: s. Responsorium 9. Libera me Domine de viis inferni

Liszt: Responsorien und Antiphonen, S. 30: V. In Officio defunctorum: t. Responsorium 9 Versus 1. Clamantes et dicentes

Liszt: Responsorien und Antiphonen, S. 30: V. In Officio defunctorum: u. Responsorium 9 Versus 2. Requiem aeternam

Liszt: Responsorien und Antiphonen, S. 30: V. In Officio defunctorum: v. Responsorium 9a. Libera me, Domine, de morte

Liszt: Responsorien und Antiphonen, S. 30: V. In Officio defunctorum: w. Responsorium 9a Versus 1. Tremens factus

Liszt: Responsorien und Antiphonen, S. 30: V. In Officio defunctorum: x. Responsorium 9a Versus 2. Dies illa, dies irae

Liszt: Responsorien und Antiphonen, S. 30: V. In Officio defunctorum: y. Responsorium 9a Versus 3. Requiem aeternam

Liszt: Responsorien und Antiphonen, S. 30: V. In Officio defunctorum: z. Responsorium 9a Reprise. Libera me, Domine, de morte

Liszt: Responsorien und Antiphonen, S. 30: II. Feria V in coena Domini: a. Responsorium 1 (Variant Harmonization). In monte Oliveti

Liszt: Responsorien und Antiphonen, S. 30: II. Feria V in coena Domini: b. Responsorium 1 Versus (Variant Harmonization). Vigilate

Liszt: Responsorien und Antiphonen, S. 30: II. Feria V in coena Domini: o. Responsorium 7 (Variant Harmonization). Eram quasi agnus

Liszt: Responsorien und Antiphonen, S. 30: II. Feria V in coena Domini: p. Responsorium 7 Versus (Variant Harmonization). Omnes inimici

Liszt: Responsorien und Antiphonen, S. 30: III. Feria VI in Parasceve: g1. Responsorium 4 (Variant Harmonization). Tamquam ad latronem

Liszt: Responsorien und Antiphonen, S. 30: III. Feria VI in Parasceve: g2. Responsorium 4 (Variant Harmonization). Tamquam ad latronem

Liszt: Responsorien und Antiphonen, S. 30: III. Feria VI in Parasceve: k. Responsorium 6 & Versus (Variant Harmonization). Animam meam dilectam – Insurrexerunt in me

Liszt: Responsorien und Antiphonen, S. 30: IV. Sabbato maioris hebdomadae: k. Responsorium 6 (Variant Harmonization). Ecce quomodo moritur iustus

Liszt: Responsorien und Antiphonen, S. 30: IV. Sabbato maioris hebdomadae: l. Responsorium 6 Versus (Variant Harmonization). Tamquam agnus

Liszt: Responsorien und Antiphonen, S. 30: V. In Officio defunctorum: a. Responsorium 1 & Versus (Variant Harmonizations). Credo quod Redemptor meus – Quem visurus

Liszt: Responsorien und Antiphonen, S. 30: V. In Officio defunctorum: w. Responsorium 9a Versus 1 (Variant Harmonization). Tremens factus

Beethoven: Symphony No. 5 in C Minor, Op. 67 (Transcr. Liszt for Solo Piano as S. 463a, 1st Version): I. Allegro con brio

Beethoven: Symphony No. 5 in C Minor, Op. 67 (Transcr. Liszt for Solo Piano as S. 463a, 1st Version): II. Andante con moto

Beethoven: Symphony No. 5 in C Minor, Op. 67 (Transcr. Liszt for Solo Piano as S. 463a, 1st Version): III. Scherzo. Allegro

Beethoven: Symphony No. 5 in C Minor, Op. 67 (Transcr. Liszt for Solo Piano as S. 463a, 1st Version): IV. Finale. Allegro

Liszt: Adelaïde, S. 466a (1st Version, After Beethoven's Op. 46)

Liszt: Cadenza for the 1st Movement of Piano Concerto No. 3 by Beethoven, S. 389a

Liszt: Marche funèbre de la Symphonie heroïque de Beethoven, S. 463e (1st Version)

Beethoven: Symphony No. 6 in F Major, Op. 68 "Pastoral" (Transcr. Liszt for Solo Piano as S. 463b, 1st Version): I. Exposition des sentimens à l'aspect des campagnes riantes. Allegro ma non troppo

Beethoven: Symphony No. 6 in F Major, Op. 68 "Pastoral" (Transcr. Liszt for Solo Piano as S. 463b, 1st Version): II. Scène au bord du ruisseau. Andante molto moto

Beethoven: Symphony No. 6 in F Major, Op. 68 "Pastoral" (Transcr. Liszt for Solo Piano as S. 463b, 1st Version): III. Scherzo. Lustige Zusammensein der Landleute – Allegro – Allegro – Da capo, tutto – Tempo I

Beethoven: Symphony No. 6 in F Major, Op. 68 "Pastoral" (Transcr. Liszt for Solo Piano as S. 463b, 1st Version): IV. Grande tempête. Allegro

Beethoven: Symphony No. 6 in F Major, Op. 68 "Pastoral" (Transcr. Liszt for Solo Piano as S. 463b, 1st Version): V. Sentimens de joie et de reconnaissance après la tempête. Allegretto

Liszt: Adelaïde, S. 466a (2nd Version, After Beethoven's Op. 46)

Beethoven: Symphony No. 6 in F Major, Op. 68 "Pastoral" (Transcr. Liszt for Solo Piano as S. 463b, 1st Version): V. Hirtengesang "Frohe, dankbare Gefühle nach dem Sturm". Allegretto

Beethoven: Symphony No. 7 in A Major, Op. 92: I. Poco sostenuto (Fragmentary Transcription for Piano)

Beethoven: Symphony No. 7 in A Major, Op. 92 (Transcr. Liszt for Solo Piano as S. 463d, 1st Version): I. Poco sostenuto – Vivace

Beethoven: Symphony No. 7 in A Major, Op. 92 (Transcr. Liszt for Solo Piano as S. 463d, 1st Version): II. Allegretto

Beethoven: Symphony No. 7 in A Major, Op. 92 (Transcr. Liszt for Solo Piano as S. 463d, 1st Version): III. Presto – Assai meno presto

Beethoven: Symphony No. 7 in A Major, Op. 92 (Transcr. Liszt for Solo Piano as S. 463d, 1st Version): IV. Allegro con brio

Liszt: Fantasie über Motive aus Beethovens Ruinen von Athen, S. 388b

Liszt: Marche au supplice, S. 470a/1 (After Berlioz, Symphonie fantastique, IV): L'idée fixe

Liszt: Marche au supplice, S. 470a/2 (After Berlioz, Symphonie fantastique, IV): Marche au supplice

Saint-Saëns: Danse macabre, S. 555 (After Saint-Saëns, Op. 40)

Liszt: 6 Chants polonais de Frédéric Chopin, S. 480: No. 1, The Maiden's Wish (After Op. 74/1)

Liszt: 6 Chants polonais de Frédéric Chopin, S. 480: No. 2, Spring (After Op. 74/2)

Liszt: 6 Chants polonais de Frédéric Chopin, S. 480: No. 3, The Ring (After Op. 74/14)

Liszt: 6 Chants polonais de Frédéric Chopin, S. 480: No. 4, Merrymaking (After Op. 74/4)

Liszt: 6 Chants polonais de Frédéric Chopin, S. 480: No. 5, My Joys (After Op. 74/12)

Liszt: 6 Chants polonais de Frédéric Chopin, S. 480: No. 6, The Bridegroom (After Op. 74/15)

Liszt: L'idée fixe. Andante amoroso d'après une mélodie de Berlioz, S. 470a/1 (Formerly S. 395)

Liszt: Les francs-juges Overture, S. 471 (After Berlioz)

Liszt: Marche des pèlerins de la symphonie Harold en Italie de Berlioz, S. 473 (2nd Version)

Liszt: Danse des sylphes de La damnation de Faust de Hector Berlioz, S. 475

Liszt: Le Roi Lear Overture, S. 474 (Arr. for Piano After Berlioz)

Liszt: Wanderer Fantasy, S. 565a (After Schubert, D. 760, Version for Solo Piano): I. Allegro con fuoco ma non troppo

Liszt: Wanderer Fantasy, S. 565a (After Schubert, D. 760, Version for Solo Piano): II. Adagio

Liszt: Wanderer Fantasy, S. 565a (After Schubert, D. 760, Version for Solo Piano): III. Presto

Liszt: Wanderer Fantasy, S. 565a (After Schubert, D. 760, Version for Solo Piano): IV. Allegro

Liszt: Impromptu in G-Flat Major, S. 565b/2 (After Schubert, D. 899/3)

Liszt: Impromptu in E-Flat Major, S. 565b/1 (After Schubert, D. 899/2)

Liszt: Die Rose, S. 556/2 (After Schubert, D. 745)

Liszt: Jubelouvertüre von Carl Maria von Weber, S. 576

Liszt: Konzertstück, S. 576a (Arr. of Weber, Op. 79)

Liszt: Polonaise brillante, S. 455 (Arr. for Piano After Weber's Polacca brillante, Op. 72)

Liszt: Hungarian Rhapsody No. 1 in C-Sharp Minor S. 244/1

Liszt: Hungarian Rhapsody No. 2 in C-Sharp Minor, S. 244/2

Liszt: Hungarian Rhapsody No. 3 in B-Flat Major, S. 244/3

Liszt: Hungarian Rhapsody No. 4 in E-Flat Major, S. 244/4

Liszt: Hungarian Rhapsody No. 5 in E Minor, S. 244/5 "Heroïde-Elégiaque"

Liszt: Hungarian Rhapsody No. 6 in D-Flat Major, S. 244/6

Liszt: Hungarian Rhapsody No. 7 in D Minor, S. 244/7

Liszt: Hungarian Rhapsody No. 8 in F-Sharp Minor, S. 244/8

Liszt: Hungarian Rhapsody No. 9 in E-Flat Major, S. 244/9 "Le carnaval de Pest"

Liszt: Hungarian Rhapsody No. 10 in E Major, S. 244/10

Liszt: Hungarian Rhapsody No. 11 in A Minor, S. 244/11

Liszt: Hungarian Rhapsody No. 12 in C-Sharp Minor, S. 244/12

Liszt: Hungarian Rhapsody No. 13 in A Minor, S. 244/13

Liszt: Hungarian Rhapsody No. 14 in F Minor, S. 244/14

Liszt: Hungarian Rhapsody No. 15 in A Minor, S. 244/15 "Rákóczy March"

Liszt: Hungarian Rhapsody No. 16 in A Minor, S. 244/16 (2nd Version)

Liszt: Hungarian Rhapsody No. 17 in D Minor, S. 244/17

Liszt: Hungarian Rhapsody No. 18 in F-Sharp Minor, S. 244/18

Liszt: Hungarian Rhapsody No. 19 in D Minor, S. 244/19

Liszt: Orpheus, Symphonic Poem No. 4, S. 511b (Version for Piano)

Liszt: Fantasia & Fugue in G Minor, S. 463/1 (After Bach, BWV 542): I. Fantasie

Liszt: Fantasia & Fugue in G Minor, S. 463/1 (After Bach, BWV 542): II. Fuge

Liszt: My Joys, S. 480/5a (After Chopin, Op. 74/12, 2nd Version)

Liszt: Liebeslied "Widmung", S. 566a (1st Draft, After Schumann, Op. 25/1)

Liszt: Marche pour le Sultan Abdul Medjid-Khan, S. 403 (2nd Version)