Liszt: Responsorien und Antiphonen, S. 30: III. Feria VI in Parasceve: c. Responsorium 2. Velum templi scissum est

Liszt: Responsorien und Antiphonen, S. 30: III. Feria VI in Parasceve: d. Responsorium 2 Versus. Petrae scissae sunt

Liszt: Responsorien und Antiphonen, S. 30: III. Feria VI in Parasceve: e. Responsorium 3. Vinea mea electa

Liszt: Responsorien und Antiphonen, S. 30: III. Feria VI in Parasceve: f. Responsorium 3 Versus. Sepivi te

Liszt: Responsorien und Antiphonen, S. 30: III. Feria VI in Parasceve: g. Responsorium 4. Tamquam ad latronem

Liszt: Responsorien und Antiphonen, S. 30: III. Feria VI in Parasceve: h. Responsorium 4 Versus. Cumque iniecissent

Liszt: Responsorien und Antiphonen, S. 30: III. Feria VI in Parasceve: i. Responsorium 5. Tenebrae factae sunt

Liszt: Responsorien und Antiphonen, S. 30: III. Feria VI in Parasceve: j. Responsorium 5 Versus. Exclamans Jesus

Liszt: Responsorien und Antiphonen, S. 30: III. Feria VI in Parasceve: k. Responsorium 6. Animam meam dilectam

Liszt: Responsorien und Antiphonen, S. 30: III. Feria VI in Parasceve: l. Responsorium 6 Versus. Insurrexerunt in me

Liszt: Responsorien und Antiphonen, S. 30: III. Feria VI in Parasceve: m. Responsorium 7. Tradiderunt me

Liszt: Responsorien und Antiphonen, S. 30: III. Feria VI in Parasceve: n. Responsorium 7 Versus. Alieni insurrexerunt

Liszt: Responsorien und Antiphonen, S. 30: III. Feria VI in Parasceve: o. Responsorium 8. Jesum tradidit

Liszt: Responsorien und Antiphonen, S. 30: III. Feria VI in Parasceve: p. Responsorium 8 Versus. Adduxerunt autem eum

Liszt: Responsorien und Antiphonen, S. 30: III. Feria VI in Parasceve: q. Responsorium 9. Caligaverunt oculi mei

Liszt: Responsorien und Antiphonen, S. 30: III. Feria VI in Parasceve: r. Responsorium 9 Versus. O vos omnes

Liszt: Responsorien und Antiphonen, S. 30: III. Feria VI in Parasceve: s. Responsorium 9 Reprise. Caligaverunt oculi mei

Liszt: Responsorien und Antiphonen, S. 30: III. Feria VI in Parasceve: t. Ad Benedictus Antiphona. Posuerunt super caput eius

Liszt: Responsorien und Antiphonen, S. 30: IV. Sabbato maioris hebdomadae: a. Responsorium 1. Sicut ovis

Liszt: Responsorien und Antiphonen, S. 30: IV. Sabbato maioris hebdomadae: b. Responsorium 1 Versus. Tradidit in mortem

Liszt: Responsorien und Antiphonen, S. 30: IV. Sabbato maioris hebdomadae: c. Responsorium 2. Jerusalem, surge

Liszt: Responsorien und Antiphonen, S. 30: IV. Sabbato maioris hebdomadae: d. Responsorium 2 Versus. Deduc quasi torrentem

Liszt: Responsorien und Antiphonen, S. 30: IV. Sabbato maioris hebdomadae: e. Responsorium 3. Plange quasi virgo

Liszt: Responsorien und Antiphonen, S. 30: IV. Sabbato maioris hebdomadae: f. Responsorium 3 Versus. Accingite vos

Liszt: Responsorien und Antiphonen, S. 30: IV. Sabbato maioris hebdomadae: g. Responsorium 4. Recessit Pastor noster

Liszt: Responsorien und Antiphonen, S. 30: IV. Sabbato maioris hebdomadae: h. Responsorium 4 Versus. Destruxit quidem

Liszt: Responsorien und Antiphonen, S. 30: IV. Sabbato maioris hebdomadae: i. Responsorium 5. O vos omnes

Liszt: Responsorien und Antiphonen, S. 30: IV. Sabbato maioris hebdomadae: j. Responsorium 5 Versus. Attendite

Liszt: Responsorien und Antiphonen, S. 30: IV. Sabbato maioris hebdomadae: k. Responsorium 6. Ecce quomodo moritur iustus

Liszt: Responsorien und Antiphonen, S. 30: IV. Sabbato maioris hebdomadae: l. Responsorium 6 Versus. Tamquam agnus

Liszt: Responsorien und Antiphonen, S. 30: IV. Sabbato maioris hebdomadae: m. Responsorium 7. Astiterunt reges terrae

Liszt: Responsorien und Antiphonen, S. 30: IV. Sabbato maioris hebdomadae: n. Responsorium 7 Versus. Quare fremuerunt gentes

Liszt: Responsorien und Antiphonen, S. 30: IV. Sabbato maioris hebdomadae: o. Responsorium 8. Aestimatus sum

Liszt: Responsorien und Antiphonen, S. 30: IV. Sabbato maioris hebdomadae: p. Responsorium 8 Versus. Posuerunt me

Liszt: Responsorien und Antiphonen, S. 30: IV. Sabbato maioris hebdomadae: q. Responsorium 9. Sepulto Domino

Liszt: Responsorien und Antiphonen, S. 30: IV. Sabbato maioris hebdomadae: r. Responsorium 9 Versus. Accedentes principes

Liszt: Responsorien und Antiphonen, S. 30: IV. Sabbato maioris hebdomadae: s. Ad Benedictus Antiphona. Mulieres sedentes ad monumentum

Liszt: Responsorien und Antiphonen, S. 30: V. In Officio defunctorum: a. Responsorium 1. Credo quod Redemptor meus

Liszt: Responsorien und Antiphonen, S. 30: V. In Officio defunctorum: b. Responsorium 1 Versus. Quem visurus

Liszt: Responsorien und Antiphonen, S. 30: V. In Officio defunctorum: c. Responsorium 2. Qui Lazarum resuscitasti

Liszt: Responsorien und Antiphonen, S. 30: V. In Officio defunctorum: d. Responsorium 2 Versus. Qui venturus est

Liszt: Responsorien und Antiphonen, S. 30: V. In Officio defunctorum: e. Responsorium 3. Domine, quando veneris

Liszt: Responsorien und Antiphonen, S. 30: V. In Officio defunctorum: f. Responsorium 3 Versus 1. Commissa mea

Liszt: Responsorien und Antiphonen, S. 30: V. In Officio defunctorum: g. Responsorium 3 Versus 2. Requiem aeternam

Liszt: Responsorien und Antiphonen, S. 30: V. In Officio defunctorum: h. Responsorium 4. Memento mei Deus

Liszt: Responsorien und Antiphonen, S. 30: V. In Officio defunctorum: i. Responsorium 4 Versus. De profundis

Liszt: Responsorien und Antiphonen, S. 30: V. In Officio defunctorum: j. Responsorium 5. Hei mihi! Domine

Liszt: Responsorien und Antiphonen, S. 30: V. In Officio defunctorum: k. Responsorium 5 Versus. Anima mea

Liszt: Responsorien und Antiphonen, S. 30: V. In Officio defunctorum: l. Responsorium 6. Ne recorderis

Liszt: Responsorien und Antiphonen, S. 30: V. In Officio defunctorum: m. Responsorium 6 Versus 1 & 2. Dirige, Domine – Requiem aeternam

Liszt: Responsorien und Antiphonen, S. 30: V. In Officio defunctorum: o. Responsorium 7. Peccantem me

Liszt: Responsorien und Antiphonen, S. 30: V. In Officio defunctorum: p. Responsorium 7 Versus. Deus, in nomine tuo

Liszt: Responsorien und Antiphonen, S. 30: V. In Officio defunctorum: q. Responsorium 8. Domine, secundum actum meum

Liszt: Responsorien und Antiphonen, S. 30: V. In Officio defunctorum: r. Responsorium 8 Versus. Amplius lava me

Liszt: Responsorien und Antiphonen, S. 30: V. In Officio defunctorum: s. Responsorium 9. Libera me Domine de viis inferni

Liszt: Responsorien und Antiphonen, S. 30: V. In Officio defunctorum: t. Responsorium 9 Versus 1. Clamantes et dicentes

Liszt: Responsorien und Antiphonen, S. 30: V. In Officio defunctorum: u. Responsorium 9 Versus 2. Requiem aeternam

Liszt: Responsorien und Antiphonen, S. 30: V. In Officio defunctorum: v. Responsorium 9a. Libera me, Domine, de morte

Liszt: Responsorien und Antiphonen, S. 30: V. In Officio defunctorum: w. Responsorium 9a Versus 1. Tremens factus

Liszt: Responsorien und Antiphonen, S. 30: V. In Officio defunctorum: x. Responsorium 9a Versus 2. Dies illa, dies irae

Liszt: Responsorien und Antiphonen, S. 30: V. In Officio defunctorum: y. Responsorium 9a Versus 3. Requiem aeternam

Liszt: Responsorien und Antiphonen, S. 30: V. In Officio defunctorum: z. Responsorium 9a Reprise. Libera me, Domine, de morte

Liszt: Responsorien und Antiphonen, S. 30: II. Feria V in coena Domini: a. Responsorium 1 (Variant Harmonization). In monte Oliveti

Liszt: Responsorien und Antiphonen, S. 30: II. Feria V in coena Domini: b. Responsorium 1 Versus (Variant Harmonization). Vigilate

Liszt: Responsorien und Antiphonen, S. 30: II. Feria V in coena Domini: o. Responsorium 7 (Variant Harmonization). Eram quasi agnus

Liszt: Responsorien und Antiphonen, S. 30: II. Feria V in coena Domini: p. Responsorium 7 Versus (Variant Harmonization). Omnes inimici

Liszt: Responsorien und Antiphonen, S. 30: III. Feria VI in Parasceve: g1. Responsorium 4 (Variant Harmonization). Tamquam ad latronem

Liszt: Responsorien und Antiphonen, S. 30: III. Feria VI in Parasceve: g2. Responsorium 4 (Variant Harmonization). Tamquam ad latronem

Liszt: Responsorien und Antiphonen, S. 30: III. Feria VI in Parasceve: k. Responsorium 6 & Versus (Variant Harmonization). Animam meam dilectam – Insurrexerunt in me

Liszt: Responsorien und Antiphonen, S. 30: IV. Sabbato maioris hebdomadae: k. Responsorium 6 (Variant Harmonization). Ecce quomodo moritur iustus

Liszt: Responsorien und Antiphonen, S. 30: IV. Sabbato maioris hebdomadae: l. Responsorium 6 Versus (Variant Harmonization). Tamquam agnus

Liszt: Responsorien und Antiphonen, S. 30: V. In Officio defunctorum: a. Responsorium 1 & Versus (Variant Harmonizations). Credo quod Redemptor meus – Quem visurus

Liszt: Responsorien und Antiphonen, S. 30: V. In Officio defunctorum: w. Responsorium 9a Versus 1 (Variant Harmonization). Tremens factus

Beethoven: Symphony No. 5 in C Minor, Op. 67 (Transcr. Liszt for Solo Piano as S. 463a, 1st Version): I. Allegro con brio

Beethoven: Symphony No. 5 in C Minor, Op. 67 (Transcr. Liszt for Solo Piano as S. 463a, 1st Version): II. Andante con moto

Beethoven: Symphony No. 5 in C Minor, Op. 67 (Transcr. Liszt for Solo Piano as S. 463a, 1st Version): III. Scherzo. Allegro

Beethoven: Symphony No. 5 in C Minor, Op. 67 (Transcr. Liszt for Solo Piano as S. 463a, 1st Version): IV. Finale. Allegro

Liszt: Adelaïde, S. 466a (1st Version, After Beethoven's Op. 46)

Liszt: Cadenza for the 1st Movement of Piano Concerto No. 3 by Beethoven, S. 389a

Liszt: Marche funèbre de la Symphonie heroïque de Beethoven, S. 463e (1st Version)

Beethoven: Symphony No. 6 in F Major, Op. 68 "Pastoral" (Transcr. Liszt for Solo Piano as S. 463b, 1st Version): I. Exposition des sentimens à l'aspect des campagnes riantes. Allegro ma non troppo

Beethoven: Symphony No. 6 in F Major, Op. 68 "Pastoral" (Transcr. Liszt for Solo Piano as S. 463b, 1st Version): II. Scène au bord du ruisseau. Andante molto moto

Beethoven: Symphony No. 6 in F Major, Op. 68 "Pastoral" (Transcr. Liszt for Solo Piano as S. 463b, 1st Version): III. Scherzo. Lustige Zusammensein der Landleute – Allegro – Allegro – Da capo, tutto – Tempo I

Beethoven: Symphony No. 6 in F Major, Op. 68 "Pastoral" (Transcr. Liszt for Solo Piano as S. 463b, 1st Version): IV. Grande tempête. Allegro

Beethoven: Symphony No. 6 in F Major, Op. 68 "Pastoral" (Transcr. Liszt for Solo Piano as S. 463b, 1st Version): V. Sentimens de joie et de reconnaissance après la tempête. Allegretto

Liszt: Adelaïde, S. 466a (2nd Version, After Beethoven's Op. 46)

Beethoven: Symphony No. 6 in F Major, Op. 68 "Pastoral" (Transcr. Liszt for Solo Piano as S. 463b, 1st Version): V. Hirtengesang "Frohe, dankbare Gefühle nach dem Sturm". Allegretto

Beethoven: Symphony No. 7 in A Major, Op. 92: I. Poco sostenuto (Fragmentary Transcription for Piano)

Beethoven: Symphony No. 7 in A Major, Op. 92 (Transcr. Liszt for Solo Piano as S. 463d, 1st Version): I. Poco sostenuto – Vivace

Beethoven: Symphony No. 7 in A Major, Op. 92 (Transcr. Liszt for Solo Piano as S. 463d, 1st Version): II. Allegretto

Beethoven: Symphony No. 7 in A Major, Op. 92 (Transcr. Liszt for Solo Piano as S. 463d, 1st Version): III. Presto – Assai meno presto

Beethoven: Symphony No. 7 in A Major, Op. 92 (Transcr. Liszt for Solo Piano as S. 463d, 1st Version): IV. Allegro con brio

Liszt: Fantasie über Motive aus Beethovens Ruinen von Athen, S. 388b

Liszt: Marche au supplice, S. 470a/1 (After Berlioz, Symphonie fantastique, IV): L'idée fixe

Liszt: Marche au supplice, S. 470a/2 (After Berlioz, Symphonie fantastique, IV): Marche au supplice

Saint-Saëns: Danse macabre, S. 555 (After Saint-Saëns, Op. 40)

Liszt: 6 Chants polonais de Frédéric Chopin, S. 480: No. 1, The Maiden's Wish (After Op. 74/1)

Liszt: 6 Chants polonais de Frédéric Chopin, S. 480: No. 2, Spring (After Op. 74/2)

Liszt: 6 Chants polonais de Frédéric Chopin, S. 480: No. 3, The Ring (After Op. 74/14)

Liszt: 6 Chants polonais de Frédéric Chopin, S. 480: No. 4, Merrymaking (After Op. 74/4)